Compositionally, you have multiple elements fighting for attention, i.e. there’s no clear visual hierarchy for what you want the viewer to be looking at. It’s a bit more obvious looking at the piece in monochrome:
Currently, the (near) dead center of the picture and the very bottom right have about equal visual weight, with the light of the background and the slightly higher contrast on the left side (thanks to the dark silhouettes bordering the light) causing the eye to sweep mostly horizontally and dart between the two high contrast points. The composition is also relatively symmetrical. (It may be worth noting that the horizontalness and evenness could imply calmness or staticness - but the color scheme seems to speak otherwise.) It’s kind of hard to describe all of this in text, so if I’m not being clear, let me know.
Naturally, the viewer will look at areas of high contrast first and then the flow and contrast of the rest of the piece will dictate what they look at next. You usually either want to “trap” the viewer’s eye in a visually interesting path which loops, or guide them to the point where the next action will take place (if in a video or animated format).
May I ask what the focal point is intended to be, and your intention for the picture, so that it’s easier to suggest how you can get your intentions for the piece across?
