Honestly, if you were expecting another sanitized Marvel version of Thor, you probably turned off Zack Snyder’s Twilight of the Gods within the first twenty minutes. This wasn't that. It was never meant to be. Instead, Snyder—teamed up with Jay Oliva and Eric Carrasco—gave us a version of Norse mythology that felt more like a fever dream of blood, grit, and existential dread.
But here’s the kicker. Despite the cliffhanger, despite the massive scale, and despite a fanbase that usually follows Snyder into the pits of Hel itself, Netflix has reportedly pulled the plug. It’s over. No Season 2.
The Revenge of Sigrid and the Petty Gods
The story kicks off with a wedding. Simple enough, right? Wrong. Sigrid, a half-giant warrior voiced by Sylvia Hoeks, is set to marry King Leif (Stuart Martin). It’s a moment of rare peace in a world that usually eats its own. Then Thor shows up. But he isn't the quippy, golden-haired hero we’ve seen in the MCU. This Thor, voiced by Pilou Asbæk, is a terrifying, ego-driven monster. He crashes the wedding and massacres Sigrid’s family because of a grudge against her giant lineage.
What follows is a classic Snyder "man on a mission" (or in this case, woman on a mission) saga. Sigrid assembles a ragtag crew—because Snyder loves a team-up—to go kill a god. We’re talking about:
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- Egill (Rahul Kohli): A poet who’s seen too much.
- The Seid-Kona (Jamie Clayton): A sorceress whose magic is as dark as the plot.
- Loki (Paterson Joseph): The ultimate wildcard who is basically using Sigrid for his own long game.
The show basically argues that the gods aren't worthy of worship. They’re just powerful bullies.
Why Zack Snyder’s Twilight of the Gods Felt Different
Visually, the show was a departure. Gone were the muted greys and 4-hour slow-motion shots that defined Rebel Moon or Justice League. Instead, Xilam Animation delivered a 2D style that looked like a moving Germanic painting. It was vibrant. It was electric.
And it was incredibly R-rated.
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The violence wasn't just "action." It was visceral. Ribcages were exposed, organs spilled into the snow, and the sex scenes were frequent enough to make some viewers blush. But unlike some of his other work, this felt earned. It matched the harshness of the Norse sagas. The myths weren't polite; they were brutal accounts of fate and failure. Snyder leaned into that.
The Problem With the Ending
If you’ve finished the eight episodes, you know it ends on a massive "what now?" moment. Odin glimpses a future where he meets Jesus Christ on the cross—a classic Snyder move, blending religious iconographies—and the cycle of Ragnarok feels both inevitable and somehow changed.
The show was building toward a total dismantling of the Asgardian status quo. But then the numbers came in.
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The Reality of the Netflix Axe
In late 2025, reports began circulating that Netflix refused to renew Zack Snyder’s Twilight of the Gods. The engagement numbers just weren't there. While critics gave it a decent 76% on Rotten Tomatoes, it failed to crack the global Top 10 in a way that justified its production costs.
It’s a tough pill for the "Snyder Cult" to swallow. Usually, his projects have enough staying power to force a director's cut or a sequel through sheer fan willpower. This time? The silence from Netflix has been deafening. The show joined the ranks of Exploding Kittens and other one-season wonders that didn't meet the "global engagement" threshold.
What You Should Do Now
If you’re a fan of adult animation or Norse mythology, don't let the cancellation stop you from watching it. It’s a self-contained epic that, while unfinished, offers a perspective on these myths you won't find anywhere else.
Next Steps for the Die-Hard Fans:
- Watch it for the Art: Even if the story stops mid-breath, the work by Xilam Animation is a masterclass in modern 2D storytelling.
- Dig into the Eddas: If the show’s version of Thor and Loki fascinated you, go read the Poetic Edda. You’ll find that Snyder’s "mean Thor" is actually a lot closer to the original source material than the superhero version.
- Support the Creators: Keep an eye on Jay Oliva and Eric Carrasco. While Snyder gets the headlines, these guys were the architects of the show’s pacing and mythology.
The age of petty gods might have ended prematurely on Netflix, but as a piece of experimental, high-octane animation, it remains one of the most unique things to come out of Snyder's deal with the streamer. It’s a bloody, beautiful mess that deserves at least one look before it fades into the digital vault.