Movies are better when you have someone to yell about them with. That's basically the entire premise of the I Saw What You Did podcast, but it’s done with a level of charm and sheer cinematic literacy that makes most other "two people talking about films" shows feel like a lecture from a bored TA.
If you haven't listened yet, you're missing out on Danielle Henderson and Millie De Chirico. They don't just review movies. They pair them. It’s a double feature format that feels less like a film school syllabus and more like a chaotic, brilliant night at a repertory theater where the snacks are high-end and the opinions are even higher.
How the I Saw What You Did Podcast Actually Works
It’s simple. Every week, Danielle and Millie pick a theme. Then, they each bring a movie to the table that fits that theme. One might be a Criterion-level masterpiece, and the other might be a weird 80s slasher that everyone else forgot about. Or maybe they're both obscure. Honestly, the unpredictability is the point.
They’ve covered everything from "Movies Where People Get What’s Coming to Them" to "Gaslighting as a Genre." You’ve got Millie, who spent years as the programming director for TCM Underground, bringing that deep-cut, archival energy. Then you’ve got Danielle, a writer and producer (you might know her work on The Good Place) who brings this incredible, sharp cultural lens to everything they watch.
They aren't just summarizing plots. They're dissecting why a specific lighting choice in a 1970s thriller makes them feel uneasy, or why a certain actor’s career trajectory makes absolutely no sense. It’s smart. It’s funny. It’s frequently loud.
👉 See also: Kate Moss Family Guy: What Most People Get Wrong About That Cutaway
Why the Double Feature Format Wins
Most movie podcasts pick one film and beat it to death for ninety minutes. That gets old. Fast.
By using the double feature format, the I Saw What You Did podcast creates a conversation between two different pieces of art. When you watch The Conversation alongside a modern tech thriller, you start to see patterns you’d totally miss otherwise. It forces you to think about "vibe" as much as "plot."
It’s also a great way to discover stuff you’d never find on your own. Most of us are stuck in the Netflix algorithm loop where we’re suggested the same five movies every night. These women are the antidote to the algorithm. They are digging through the crates so you don't have to.
The Chemistry That Makes It Vulnerable
Let’s be real: most film bros talk about movies like they’re solving a math equation. It’s all about "technical precision" and "objective quality." Boring.
✨ Don't miss: Blink-182 Mark Hoppus: What Most People Get Wrong About His 2026 Comeback
Danielle and Millie talk about how movies make them feel. They talk about their lives, their anxieties, and their personal histories. Sometimes a movie is great because it’s a masterpiece. Sometimes a movie is great because it helped you get through a bad breakup in 2004. Both reasons are valid on this show.
There is an inherent lack of pretension here that is actually quite rare in the film criticism world. They can talk about an obscure Italian Giallo film with the same intensity and respect they give to a blockbuster. They aren't trying to prove they're the smartest people in the room, even though they usually are.
Finding Your Way Into the Archive
If you’re a new listener, don't feel like you have to start at episode one. That's a rookie mistake. Honestly, just scroll through the feed and find a theme that sounds like something you’d talk about over drinks.
- Looking for something spooky? Check out their "Horror" themed episodes.
- Want to feel nostalgic? Look for the episodes covering 90s thrillers.
- In the mood for something weird? Anything Millie picks from her TCM Underground days will fit the bill.
They transitioned to the Exactly Right network (the same home as My Favorite Murder) a while back, which helped them find a massive audience. It makes sense. There’s a crossover between people who love true crime and people who love the twisty, dark, and often overlooked corners of cinema.
🔗 Read more: Why Grand Funk’s Bad Time is Secretly the Best Pop Song of the 1970s
The "Millie and Danielle" Effect
You start listening for the movie recommendations, but you stay because you feel like you’re part of a friend group. They have these recurring bits and a shorthand that feels earned. It’s the kind of podcast that makes you want to go to the theater alone just so you can come home and "tell" them what you thought of the movie in your head.
One thing people often get wrong is thinking this is just a "chick flick" podcast. It couldn't be further from that. They cover everything from gritty noir and heist films to psychological horror and experimental indies. Their taste is vast. It’s muscular. It’s educated.
Stop Watching What the Algorithm Tells You
The biggest value of the I Saw What You Did podcast is that it encourages active viewership. We’ve all become passive consumers. We let the "Top 10 in the US Today" list dictate our evening.
Danielle and Millie remind us that film is an expansive, weird, and deeply personal medium. They encourage you to go find that weird DVD at the library or track down a streaming service that isn't just the big three.
Actionable Steps for Better Movie Watching
If you want to get the most out of the show and improve your own film IQ, try these specific moves:
- Commit to the Double Feature: Don't just watch one movie. Pick a theme—like "Heists Gone Wrong"—and watch a classic like Rififi followed by something modern like Logan Lucky. See how the tropes have evolved.
- Use Letterboxd Strategically: Follow the show’s lists on Letterboxd. It’s a great way to keep track of the titles they mention because, trust me, they mention a lot.
- Watch Before You Listen: While they do a great job describing the films, the episodes hit different when you’ve actually seen the imagery they’re obsessing over.
- Ignore "Rotten Tomatoes" Scores: If there’s one thing this podcast teaches, it’s that a "bad" movie can be a great experience if it has a specific point of view or a singular, bizarre performance.
The world of film is too big to stay in your comfort zone. Let two experts who actually give a damn about the medium show you the way. You might end up loving a movie you thought you’d hate, and honestly, that’s the best feeling a cinephile can have.