Why the Follow That Bird Movie is Still the Best Thing Sesame Street Ever Did

Why the Follow That Bird Movie is Still the Best Thing Sesame Street Ever Did

Big Bird is eight-foot-two. He’s essentially a perpetual six-year-old in a suit of canary-yellow feathers, and in 1985, someone decided to put him in the middle of a high-stakes road movie. It worked. Honestly, it worked better than it had any right to. If you grew up with the Follow That Bird movie, you probably remember the blue bird family or the Missoula grouch, but watching it back as an adult reveals something much heavier than a simple puppet flick. It’s a movie about identity, forced displacement, and the definition of family.

It’s weirdly gritty.

The plot kicks off when a social worker—a meddling dodo named Miss Finch—decides Big Bird doesn’t belong on a diverse street with humans and monsters. She thinks he needs to be with "his own kind." It’s a thinly veiled commentary on segregation and forced assimilation, dressed up in feathers. She ships him off to Illinois to live with the Dodo family. They’re nice, sure, but they’re also incredibly stupid and narrow-minded. Big Bird realizes pretty quickly that "his own kind" aren't the people who look like him, but the people who love him. So, he starts walking. He heads back to New York.

The Feathered Fugitive and the Open Road

The Follow That Bird movie isn't just a Sesame Street special stretched to ninety minutes. It’s a legitimate piece of cinema. Director Ken Kwapis, who later went on to do big things with The Office, treated the scale of the world like a real landscape. When Big Bird is walking through those cornfields, he looks tiny. Lost. The cinematography captures a sense of Americana that feels lonely and vast.

You’ve got the Sesame Street gang—Bert, Ernie, the Count, Cookie Monster—piling into a fleet of cars to find him. It’s a literal race against time because two sleazy carnival owners, the Sleaze Brothers (played by Dave Thomas and Joe Flaherty), want to kidnap the bird for their sideshow.

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There’s a specific scene that sticks in everyone’s throat. Big Bird is being held captive in a cage, painted blue, and forced to sing a mournful song called "I'm So Blue." It’s devastating. Caroll Spinney’s performance is masterclass levels of puppetry and voice acting. You aren't watching a puppet; you're watching a child who has been stripped of his identity. It’s a moment of genuine pathos that modern kids' movies often shy away from because they’re too scared of being "too sad." But Jim Henson’s crew knew that kids can handle sadness. They actually need it to understand joy.

Cameos and 80s Weirdness

The movie is a time capsule. You have John Candy as a state trooper eating an apple. You’ve got Waylon Jennings as a truck driver giving Big Bird a lift. Jennings even sings "Ain't No Road Too Long," which is a legitimate banger of a country track. It’s these weird, human touches that ground the film. It doesn't feel like a closed set. It feels like the Sesame Street characters have leaked into the real world.

The Sleaze Brothers are also fascinating villains. They aren't magical or cosmic. They're just greedy, small-time crooks. That kind of mundane evil is actually scarier to a kid than a dragon or a wizard. They represent the "mean" parts of the world that your parents can't always protect you from.

Why the Critics (and You) Should Care

When it hit theaters, the Follow That Bird movie didn't break the box office. It did okay, but it wasn't a Star Wars moment. However, its legacy has grown because it treats its audience with immense respect. It doesn't pander.

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  1. The music is top-tier. Jeff Moss, who wrote "People in Your Neighborhood," handled the soundtrack. These aren't "toddler songs." They’re sophisticated compositions.
  2. The stakes are real. Big Bird could actually have been lost forever.
  3. It deals with the concept of "home" in a way that’s more nuanced than most Pixar films. Home isn't where you were born; it’s where you’re understood.

Big Bird’s journey back to 123 Sesame Street is a grueling one. He gets chased. He gets painted. He gets caged. But he never stops walking. That’s a powerful message for a kid: the world is big and sometimes scary, but you have the agency to move through it.

The Technical Magic of the 85 Production

We have to talk about the logistics. Spinney was inside that suit, often in 100-degree heat, looking at a tiny monitor strapped to his chest to see where he was going. For the scenes where Big Bird is walking long distances, they had to coordinate radio signals and elaborate rigs. There’s no CGI here. Everything you see is a physical object interacting with light.

When the Sesame Street cast finally finds him in the middle of a parade, the reunion feels earned. It's not a magical "poof" ending. It’s a group of friends who drove across the country to save one of their own.

What Most People Forget About the Ending

The movie ends not just with Big Bird coming home, but with Miss Finch showing up again. She tries to take him back. She hasn't learned a thing. But the neighborhood stands up for him. Maria (Sonia Manzano) and the rest of the humans basically tell her to get lost. It’s a beautiful moment of community solidarity. It reminds the viewer that "The System" (represented by the social worker) doesn't always know what's best for the individual.

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The Follow That Bird movie is essentially a story about a kid standing his ground against a bureaucracy that wants to categorize him based on his appearance. That’s a heavy theme for a movie featuring a giant orange snuffleupagus.

Honestly, if you haven't seen it in a decade, it holds up. The humor is dry. The pacing is deliberate. The emotional beats hit like a freight train. It’s a reminder of what Sesame Street used to be: a bit gritty, very soulful, and unafraid to let its characters be vulnerable.


Actionable Takeaways for Movie Buffs and Parents

If you're planning a rewatch or introducing this to a new generation, keep these things in mind to get the most out of the experience.

  • Watch the background. The movie is packed with 1980s New York and Ohio scenery that is now totally extinct. It’s a great visual history lesson.
  • Listen to the lyrics. "Ain't No Road Too Long" and "Workin' on My Alphabet" are genuinely good songs. Pay attention to the orchestration; it’s much more complex than current children's media.
  • Discuss the "Family" theme. Use the film as a jumping-off point to talk about what makes a family. Is it blood? Is it looking alike? Or is it something else?
  • Check out the "Blue" scene. It’s a masterclass in lighting and performance. Notice how the color palette shifts to emphasize Big Bird’s isolation.

The film is currently available on most major streaming rental platforms and is a staple of many library DVD collections. It’s worth the ninety minutes to see a piece of Muppet history that hasn't been diluted by modern corporate polish.