Pop music is messy. It’s chaotic, reactive, and often, it just doesn't go according to plan. That is the exactly what happened back in 2019 when She Is Coming Miley Cyrus hit the shelves—or rather, the streaming platforms. It was supposed to be the start of something massive. A trilogy. A triptych of EPs that would redefine her sound after the acoustic, Nashville-tinged vibes of Younger Now. But as anyone who follows the "Plastic Hearts" singer knows, life threw a wrench in the gears.
She’s always been a shapeshifter.
Honestly, looking back at the 2019 era of Miley, it feels like a fever dream. We had the Black Mirror episode where she played Ashley O. We had the sudden divorce from Liam Hemsworth. We had the vocal surgery. Everything was moving at light speed, and She Is Coming Miley Cyrus was the frantic, high-energy soundtrack to that transition. It’s an EP that fans still argue about today because it represents a "what if" scenario that the music industry rarely sees.
The Grand Plan That Fell Apart
The original roadmap was ambitious. Miley announced that she would release three EPs: She Is Coming, She Is Here, and She Is Everything. Together, they were meant to form a full-length project titled She Is Miley Cyrus. It was a clever rollout strategy. It kept her in the news cycle. It allowed her to pivot genres every few months.
But then, the world changed. Or rather, her world changed.
The first installment, She Is Coming Miley Cyrus, dropped on May 31, 2019. It was raw. It was raunchy. It was a weird, beautiful mix of hip-hop influence and pop-rock grit. Produced by heavyweights like Mike Will Made-It, Mark Ronson, and Andrew Wyatt, the six-track project was a declaration of independence. She wasn’t the girl next door anymore, and she certainly wasn't the Malibu beach girl.
Mother’s Daughter and the Visual Identity
The lead single "Mother’s Daughter" was a middle finger to expectations. "Don't f*ck with my freedom," she sang, and the world listened. The music video was a masterpiece of latex, red aesthetics, and feminist imagery. It featured a diverse cast of activists and models, proving that Miley was leaning hard into her role as a provocateur with a purpose.
It wasn't just about the music. It was about the statement.
She was reclaiming her narrative. After years of being dissected by the media—first as a Disney star, then as the "Wrecking Ball" wild child, then as the reformed country singer—she was finally saying, "I am all of these things at once." The EP reflected that duality. You had the trap-heavy "Cattitude" featuring RuPaul, which was arguably campy and polarizing, sitting right next to "Party Up the Street," which felt like a hazy, late-night Swae Lee collaboration.
Why the Rest of the Trilogy Never Happened
People often ask what happened to She Is Here and She Is Everything. The answer is complicated.
First, there was the personal turmoil. The breakdown of her marriage to Liam Hemsworth happened almost immediately after the EP's release. Suddenly, the songs she had written for the upcoming EPs didn't feel right anymore. They were snapshots of a person she no longer was.
Then came the health issues.
Miley underwent vocal cord surgery in late 2019. This required a grueling recovery period of silence. No singing. No talking. Just waiting. During that time, her voice changed. It became lower, raspier, and more textured. When she finally got back into the studio, the polished pop-trap of She Is Coming Miley Cyrus felt like a relic. She wanted to rock. She wanted to channel Stevie Nicks and Joan Jett.
She Is Miley Cyrus was scrapped. Instead, we got Plastic Hearts.
The "Slide Away" Transition
If you want to understand the exact moment the She Is Coming Miley Cyrus era died and the next era began, look at "Slide Away." Released in August 2019, it wasn't on the EP. It was a standalone single that functioned as a public eulogy for her relationship.
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It was heartbreaking. It was honest.
It also signaled a shift in her sonic palette. The production was more organic. The lyrics were more vulnerable. It acted as the bridge between the experimental pop of the EP and the 80s rock revivalism that would eventually define her 2020 comeback.
The Tracks: A Deep Dive into the Chaos
We need to talk about "D.R.E.A.M." (Drugs Rule Everything Around Me). Featuring Ghostface Killah, this track was a direct nod to Wu-Tang Clan. It was gritty. It felt like something that shouldn't work on a Miley Cyrus record, yet it did. It showcased her ability to bridge the gap between pop and hip-hop without it feeling like cultural tourism—a fine line she had struggled with during the Bangerz era.
Then there’s "The Most."
This is the hidden gem of She Is Coming Miley Cyrus. It’s a mid-tempo ballad about loving someone despite your own flaws. It’s arguably one of the most vocally impressive tracks on the project. It reminded everyone that beneath the controversies and the costumes, Miley Cyrus is, first and foremost, a powerhouse vocalist.
- Mother’s Daughter: The feminist anthem that set the tone.
- Unholy: A commentary on her public perception.
- D.R.E.A.M.: The gritty, Wu-Tang-inspired collaboration.
- Cattitude: A polarizing, high-energy track for the "Drag Race" fans.
- Party Up the Street: A psychedelic, lo-fi vibe.
- The Most: An emotional, vulnerable closing statement.
The Cultural Impact of the EP
While critics were divided at the time, the retrospective view of She Is Coming Miley Cyrus is much kinder. It’s seen as a bold experiment. In an era where artists are expected to have a perfectly curated "brand," Miley chose to release a project that felt like a sketchbook. It was messy because growth is messy.
The EP debuted at number five on the Billboard 200. "Mother's Daughter" became a staple in her live sets and a rallying cry for her fanbase. But more than numbers, the EP proved that Miley was a "singles artist" who could also command the EP format. She wasn't afraid to fail. She wasn't afraid to release something that might be discarded later in favor of a better idea.
Why fans still stream it in 2026
Even now, years later, tracks from She Is Coming Miley Cyrus appear on workout playlists and "get ready with me" TikToks. There is a timelessness to the confidence in these songs. They represent a woman who is completely unafraid of her own shadow.
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When you listen to "Unholy," you hear the blueprint for the raspier, rock-oriented Miley we see today. She sings about being "unholy" and "doing her thing," essentially pre-empting the criticism she knew was coming. It’s a self-aware piece of pop art.
The Evolution to Plastic Hearts and Beyond
Without the experimentation of She Is Coming Miley Cyrus, we wouldn't have Plastic Hearts. We wouldn't have "Flowers." We wouldn't have the Grammy-winning icon who dominated the charts in 2023 and 2024.
The EP served as the necessary "purge." She had to get the hip-hop influences out of her system. She had to address the media circus. She had to try on different hats to see which one fit her new voice. By the time she got to the rock-heavy sounds of Plastic Hearts, she had refined the edge that she first displayed on this 2019 project.
It was a pivot. A necessary, slightly awkward, but ultimately brilliant pivot.
What We Can Learn From This Era
The story of She Is Coming Miley Cyrus is a lesson in adaptability. Artists often get trapped by their own release schedules. They feel forced to put out music that no longer represents them because they promised a "trilogy" or a "concept."
Miley didn't do that.
She saw that the world had changed, her life had changed, and her voice had changed. She had the courage to walk away from a nearly finished project to pursue something more authentic. That’s why she’s still relevant. That’s why she’s a legend.
Actionable Insights for Music Fans and Collectors
If you're looking to dive back into this era, there are a few things you should do to get the full experience. First, don't just listen to the EP on Spotify. Go back and watch the live performances from the 2019 festival circuit—her set at Glastonbury is particularly legendary. It shows the raw energy she was bringing to these tracks.
Secondly, look for the physical merch. Because the full trilogy was never released, the original She Is Coming merch has become something of a collector's item. The "Condom" branded merch and the gritty, street-style tees are highly sought after by Smilers.
Lastly, listen to the EP back-to-back with Plastic Hearts. You will hear the sonic threads—the bass lines, the vocal choices, the attitude—that link these two seemingly different eras. It makes the listening experience much richer when you see the "skeleton" of her rock sound being built in real-time.
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She Is Coming Miley Cyrus wasn't a mistake. It wasn't a failure. It was the prologue to the greatest chapter of her career. It was the moment she stopped trying to be what everyone else wanted and started being exactly who she was in that moment: loud, proud, and completely unapologetic.
To fully appreciate the scope of this era, track the transition by listening to "Mother's Daughter," then "Slide Away," then "Midnight Sky." This three-song progression tells the complete story of her evolution from 2019 to 2020 better than any documentary ever could. Pay close attention to the vocal texture in "The Most"; it’s the last time we hear her "old" voice before the surgery changed her sound forever, making it a vital piece of pop history for any serious listener.