Why Priest Vallon Matters: The Man Who Shaped the Opening of Gangs of New York

Why Priest Vallon Matters: The Man Who Shaped the Opening of Gangs of New York

He dies in the first fifteen minutes. That is the reality of Gangs of New York Priest Vallon, a character who casts a massive, blood-soaked shadow over a three-hour epic despite having almost no screen time. Liam Neeson plays him with a sort of weary, messianic gravity. He isn't just a gang leader; he is the foundation of the film's entire moral universe. When he falls in the snow of Paradise Square, the movie shifts from a war film to a revenge tragedy.

Most people watch the opening battle and see chaos. They see the "Dead Rabbits" clashing with the "Natives." But if you look closer at Vallon, you see the blueprint for everything his son, Amsterdam, eventually tries to become. He is the "Priest," yet he carries a razor. He is a father, but he’s leading men to their deaths. It’s a contradiction that feels incredibly human.

Actually, the character is a bit of a historical ghost. Martin Scorsese didn't just pull him out of thin air, though the movie takes massive liberties with the timeline. To understand Vallon, you have to understand the Five Points—a place that was, quite literally, the most dangerous slum in the world.

The Myth vs. The Reality of the Dead Rabbits Leader

Is Priest Vallon real? Sorta.

In Herbert Asbury’s 1927 book, The Gangs of New York, there are mentions of various Irish leaders, but Vallon is largely a fictionalized composite. He represents the "Old World" Irish immigrant. These were the guys who survived the Famine, crossed the Atlantic in "coffin ships," and arrived in a city that hated them.

The film sets the battle in 1846. This is crucial. It’s the height of the Great Hunger in Ireland. When Neeson’s Vallon steps out of the Old Brewery, he isn’t just fighting for turf. He’s fighting for the right to exist in a country that viewed the Irish as sub-human. Bill the Butcher (Daniel Day-Lewis) calls them "foreigners," even though Bill's own ancestors weren't exactly here when the glaciers melted.

That Iconic Razor Ceremony

The scene where Vallon shaves with his son watching? That’s pure cinema. It establishes the "priestly" nature of the character. He isn't just a brawler. He is a man of ritual. The way he touches the cross and then picks up the blade tells you everything you need to know about the intersection of faith and violence in the Five Points.

People often forget that the Irish gangs were deeply tied to their parishes. The church was the only institution that gave them dignity. So, when Vallon leads the Dead Rabbits into battle, he’s doing it with a perceived divine mandate. It’s brutal. It’s messy. It’s New York.

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Why Bill the Butcher Respected Him

You ever notice how Bill treats Vallon’s memory? He treats it like a holy relic.

"I cut the throat of a man who was better than me," Bill tells Amsterdam later in the film. This is the core of the Gangs of New York Priest Vallon dynamic. Bill doesn't hate Vallon. He loves him. Or, more accurately, he loves the challenge Vallon represented.

In Bill's eyes, Vallon was the only "honorable" enemy. Everyone else was a politician or a coward. By killing Vallon, Bill effectively killed the only person who understood the "warrior code" of the streets. This respect is what keeps Vallon alive throughout the movie. His portrait hangs in Bill’s parlor. His weapon is preserved. He is the ghost that haunts every frame.

The Symbolism of the Dead Rabbit

The rabbit on the pike? It’s not just a weird gang sign. It’s a "dead" rabbit—a play on the Irish word Greadaibh, which basically means a "fierce hitting" or a "shrewd man." Over time, the slang got mangled by the English-speaking press into "Dead Rabbits."

Vallon leans into it. He turns a slur into a badge of honor. That’s a classic immigrant move. If the world calls you a rabbit, you show them that this rabbit has teeth.

Scorsese’s Vision of the Irish Patriarch

Scorsese loves a flawed father figure. Think about his other films. There’s always a man trying to balance his sins with his duties.

Gangs of New York Priest Vallon is the ultimate version of this. He knows he’s likely going to die in that square. He tells his son to "never look away." That’s a heavy burden to put on a kid. It’s not "I love you," or "stay safe." It’s "watch me get slaughtered so you remember why you hate these people."

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It's pretty dark, honestly.

But it’s also authentic to the era. Life was cheap in 1846. The average life expectancy in the Five Points was shockingly low. You didn't raise your kids to be soft; you raised them to be survivors. Vallon’s "failure" to stay alive is actually his greatest success in the narrative, because it provides Amsterdam with the singular purpose required to navigate the political sewer of 1860s Manhattan.

Factual Accuracy: Was There a Real Priest Vallon?

If you go digging in the archives of the New York Historical Society, you won't find a "Priest Vallon." You will, however, find John Morrissey.

Morrissey was a leader of the Dead Rabbits and a massive rival to the real Bill the Butcher (William Poole). Unlike Vallon, Morrissey didn't die in a snowy street fight in the 40s. He went on to become a Heavyweight Champion and a U.S. Congressman.

So, why did Scorsese kill Vallon off so early?

  • It creates the "Hero’s Journey" for Amsterdam.
  • It establishes Bill the Butcher as an unstoppable force.
  • It romanticizes the "Old New York" that was destroyed by the Civil War.

The movie isn't a documentary. It’s a myth. And every myth needs a martyr. Vallon is the sacrificial lamb that allows the Five Points to descend into the madness we see later in the film.

The Legacy of the Character in Pop Culture

Even years after the film’s release, Vallon remains a fan favorite. Why? Because Liam Neeson is excellent at playing men who are "tired of the world."

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You see his influence in shows like Peaky Blinders or Warrior. The trope of the "religious gang leader" started in many ways with this portrayal. It’s the idea that morality isn't about following the law; it's about following a code. Vallon’s code was simple: Protect your own.

When you think about the Gangs of New York Priest Vallon legacy, think about the opening shot of the cave. The light hitting the cross. The sound of the wind. It’s haunting. It sets a bar for historical dramas that few movies have cleared since.

Key Takeaways for History and Film Buffs

  1. The Timeline is a Jumble: The real Draft Riots happened in 1863, nearly 20 years after the opening battle. The movie compresses time to make Vallon's death feel like a recent wound.
  2. The "Priest" Title: It was likely a nickname based on his perceived piety or perhaps a mocking title from rivals. In the film, it’s played straight—he is the spiritual anchor of the Irish community.
  3. The Weaponry: The use of clubs, cleavers, and Roman-style short swords in the opening reflects the actual "plug-ugly" style of street fighting common in the mid-19th century.

Actionable Insights for Fans and Researchers

If you want to dive deeper into the world that created Priest Vallon, don't just re-watch the movie. The film is a masterpiece of production design, but the real history is even grittier.

Step 1: Read 'The Gangs of New York' by Herbert Asbury. Keep in mind that Asbury was a journalist who loved a good story, so take his "facts" with a grain of salt. He’s the one who popularized the idea of the Dead Rabbits and the Bowery Boys.

Step 2: Visit the Five Points site in Lower Manhattan. It’s mostly gone now—buried under government buildings and Columbus Park. But if you stand on the corner of Worth and Baxter, you’re standing where the "Old Brewery" once stood. You can feel the cramped, claustrophobic energy of what used to be there.

Step 3: Watch the "Making Of" documentaries. Scorsese built a massive set at Cinecittà Studios in Rome. Seeing how they recreated the Five Points helps you appreciate the scale of Vallon’s world. It wasn't just a street; it was a fortress.

Step 4: Look into the Battle of the Dead Rabbits (1857). This was a real, massive two-day riot that involved the police and the state militia. It’s the closest historical event to the opening battle of the movie, though it happened much later than 1846.

The character of Priest Vallon reminds us that history is written by the survivors, but the legends are built on the backs of those who fell. He represents the millions of immigrants who arrived with nothing and had to fight for a patch of dirt to call their own. Whether he was a "good" man is up for debate. But in the world of the Five Points, he was exactly the man the Dead Rabbits needed.