If you’ve spent any time in the darker corners of SoundCloud or the underground hip-hop scene over the last decade, you know the $uicideboy$ didn’t just make songs; they made anthems for people who felt like they were drowning. At the center of that movement is "Kill Yourself (Part III)." It’s a track that doesn’t blink. It doesn’t offer easy answers. Honestly, the Kill Yourself Part 3 lyrics are basically a time capsule of a specific brand of mid-2010s nihilism that somehow feels more relevant today than it did when it dropped.
Released in 2015 on My Liver Will Handle What My Heart Can't, the song immediately separated Ruby da Cherry and $crim from the pack. It wasn't just the beat—that haunting, slowed-down sample of "I’m So Tired" by Fugazi. It was the raw, almost uncomfortable honesty of the writing.
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People always talk about "emo-rap" as this monolith, but this track is different. It’s gritty. It’s slow. It’s heavy.
The Haunting Core of the Kill Yourself Part 3 Lyrics
The song opens with that Fugazi sample, and if you know Ian MacKaye’s work, you know that specific sense of exhaustion. By the time Ruby starts his verse, the mood is already set. He isn’t rapping about being "sad" in a generic way. He’s talking about the physical and mental weight of existence.
"They figure me a dead motherf***er," he starts. It’s a blunt instrument of a line. Ruby’s verse is a masterclass in internal rhyme and erratic flow that mirrors a frantic mind. He touches on drug use, the feeling of being a "black sheep," and the paradox of wanting to be remembered while simultaneously wanting to disappear.
One of the most striking parts of the Kill Yourself Part 3 lyrics in Ruby’s section is how he describes his environment. It’s not a glamorous lifestyle. It’s a "pothole in my head." It’s "roaches in the kitchen." This isn't the flashy lifestyle of mainstream rap; it's the reality of New Orleans' Seventh Ward, filtered through a lens of deep depression.
$crim’s Verse and the Weight of Addiction
When $crim takes over, the energy shifts. His voice is lower, more gravelly, and the content gets even more personal regarding the cycle of addiction. While Ruby’s lyrics often feel poetic and abstract, $crim’s are visceral. He’s talking about pills. He’s talking about the "noose" and the "gun."
It’s heavy stuff.
He mentions the "clipping of his wings" and the "burning of his soul." For fans, these weren't just edgy lines. They were reflections of $crim’s actual struggles with substance abuse, which he has been very open about in the years since. Seeing where he is now—sober and headlining festivals—gives these lyrics a different context. Back then, though? It felt like a cry for help that millions of people happened to relate to.
Why the Fugazi Sample Matters
You can't talk about these lyrics without talking about the beat. $crim (as Budd Dwyer) produced this, and his choice to sample "I’m So Tired" was a stroke of genius. The original Fugazi track is about the exhaustion of life and the desire for peace. By layering the Kill Yourself Part 3 lyrics over that specific melody, the $uicideboy$ bridged the gap between 90s post-hardcore and modern trap.
It created a sonic space where it was okay to be vulnerable.
Most rap in 2015 was still leaning heavily into the "flex" culture. Even the early SoundCloud era was often more about the energy and the mosh pits. This song forced a pause. It made you sit with the discomfort. The repetitive nature of the "I’m so tired" vocal loop acts as a heartbeat for the entire track, grounding the verses in a sense of terminal fatigue.
Impact on the Underground and Mental Health Discourse
Let’s be real: the title is provocative. It was meant to be. But the impact of the Kill Yourself Part 3 lyrics went beyond shock value. It created a community. If you look at the comments on any YouTube upload or Genius page for this song, you’ll see thousands of people sharing their own stories.
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There's a specific kind of catharsis in hearing someone else voice your darkest thoughts.
Psychologists often talk about "validation" as a key component of healing. While the $uicideboy$ aren't therapists, their music provided a form of validation for a generation of kids feeling isolated by the internet and a crumbling social fabric. The lyrics didn't necessarily encourage self-harm; for many, they acted as an outlet that prevented it. It was the "I feel this too" moment that made fans feel less alone.
Misconceptions About the Song
Some critics at the time dismissed the lyrics as "edgelord" content. They saw the masks, the stage names, and the song titles and assumed it was all an act for clout. But if you look at the trajectory of the duo, that argument falls apart.
The consistency of their message—and their eventual journey toward sobriety and better mental health—shows that the Kill Yourself Part 3 lyrics were a genuine snapshot of a specific point in their lives. It wasn't a marketing gimmick. It was survival.
Another misconception is that the song is purely nihilistic. While it’s definitely dark, there’s an underlying thread of brotherhood. The fact that Ruby and $crim are doing this together—sharing these burdens in a public forum—actually points toward a weirdly dark form of hope. They found a way out through the art itself.
The Technical Brilliance of the Writing
The rhyme schemes in the Kill Yourself Part 3 lyrics are actually quite complex. Ruby, in particular, uses a lot of multisyllabic rhymes that keep the listener off-balance.
- "Always calling out my name"
- "Always trying to play the game"
- "Always trying to stay the same"
He breaks these patterns constantly. It’s not the "AABB" structure you’d find in a nursery rhyme or a pop song. It’s jagged. It feels like someone pacing in a small room. This technical skill is often overlooked because the "vibe" of the song is so overwhelming, but it’s the reason the track has stayed in rotation for nearly a decade while other SoundCloud hits faded away.
How to Approach These Lyrics Today
If you’re listening to this track in 2026, it’s a different experience than it was in 2015. We’ve seen the rise and fall of "SoundCloud Rap." We’ve seen the tragic loss of artists like Lil Peep and Juice WRLD, who explored similar themes.
Listening to the Kill Yourself Part 3 lyrics now feels like looking at a landmark. It’s the blueprint for a sound that changed the industry. It’s also a reminder of how far the artists have come.
If you or someone you know is struggling, these lyrics can be a powerful way to feel seen, but they shouldn't be the only place you go. The music industry has changed, and the conversation around mental health has opened up significantly since this song was recorded.
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Actionable Insights for Fans and Listeners
To really appreciate the depth of this track, you have to look past the surface-level darkness. Here is how to engage with the song and its legacy more deeply:
- Compare the Eras: Listen to "Kill Yourself (Part III)" and then jump to a track from New World Depression or Sing Me a Lullaby, My Sweet Temptation. You’ll hear the evolution of their mindset and how their lyrical approach to the same themes has matured into something more reflective.
- Analyze the Samples: Go listen to the original Fugazi track. Understanding where the $uicideboy$ pull their samples from gives you a better idea of their musical DNA—it’s as much punk and grunge as it is Three 6 Mafia.
- Check the Genius Annotations: Both Ruby and $crim have occasionally contributed or verified facts about their lyrics. Understanding the specific New Orleans references (like the "7th Ward") adds a layer of geographical reality to the emotional landscape.
- Use the Music as a Bridge: If these lyrics resonate with you because you’re going through a hard time, use that as a starting point to talk to someone. The $uicideboy$ have often said that music saved their lives; let the music be a tool for yours, not a destination.
- Support Independent Media: Much of the history of this song is documented in underground zines and early No Jumper-style interviews. Seeking out those original sources provides a much clearer picture of the 2015 underground scene than any modern retrospective can.
The Kill Yourself Part 3 lyrics aren't just words on a screen. They represent a pivotal moment in music history where the "quiet part" was finally said out loud. Whether you’re a long-time member of the G59 family or just discovering the track now, there’s no denying the weight it carries. It’s honest, it’s ugly, and it’s undeniably human.