Why Geena Davis in The Long Kiss Goodnight Still Hits Harder Than Modern Action

Why Geena Davis in The Long Kiss Goodnight Still Hits Harder Than Modern Action

Honestly, if you haven't seen Geena Davis casually toss a chef's knife into a piece of fruit from across a kitchen while looking like a tired PTA mom, you haven't lived. We're talking about The Long Kiss Goodnight. It’s a 1996 flick that basically tried to rewrite the rules of what a female action star could look like. It didn't quite work at the box office back then, but man, has it aged like a fine wine.

Geena Davis plays Samantha Caine. She's a sweet, amnesiac schoolteacher in a small town who suddenly realizes she can break a man’s neck with her bare hands. Turns out, she’s actually Charly Baltimore, a top-tier CIA assassin. It’s a wild ride. You've got Samuel L. Jackson as a low-rent private eye named Mitch Hennessey, and their chemistry is just... chef's kiss.

The $4 Million Script and the "Flop" Label

People love to talk about the money. In the mid-90s, screenwriter Shane Black was the king of the "spec script" gold rush. He sold the script for The Long Kiss Goodnight for a record-breaking $4 million. That was unheard of. It put a massive target on the movie’s back before a single frame was even shot.

Then there was the "Renny Harlin factor."

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Harlin, who was married to Davis at the time, had just come off Cutthroat Island, which was a legendary disaster. It sank a whole studio. Because of that, the industry was basically waiting for The Long Kiss Goodnight to fail. It didn't actually lose money—it made about $95 million worldwide on a $65 million budget—but in Hollywood terms, it was treated like a leper.

But here’s the thing: the movie is actually great. It’s loud, it’s foul-mouthed, and it’s unapologetically violent. It feels like a Shane Black fever dream, complete with his signature Christmas setting and witty, rhythmic dialogue that snaps.

Geena Davis Did the Work

This wasn't some "actor stands in front of a green screen" situation. Geena Davis went all in. She did a huge portion of her own stunts, which is wild when you see the scale of the action.

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There is this one scene where they jump out of a building into a frozen lake. To film it, they actually cut a hole in the ice in Ontario. It was something like -37 degrees. They had to put a hot tub inside the frozen lake just so the actors wouldn't get hypothermia immediately. Samuel L. Jackson later said it felt like being hit in the head with a sledgehammer. Davis did that jump multiple times.

That dedication shows. When Charly Baltimore starts emerging from the "Samantha" persona, you see it in her eyes. The transformation from a soft-spoken mother to a blonde, chain-smoking killer is one of the best character arcs in 90s cinema. She doesn't just "become" a hero; she discovers a monster living inside her and decides to use it for something good.

Why It Matters in 2026

We get a lot of female-led action movies now, but many of them feel... sanitized? A bit too polished?

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The Long Kiss Goodnight is messy. Charly Baltimore is kind of a jerk. She’s cold. She’s scary. She swears at her kid. It’s a complex look at identity that most modern blockbusters are too scared to touch. It was "woke" before the word was a weapon, simply because it let a woman be a fully realized, flawed human who happened to be the most dangerous person in the room.

If you’re looking for a flick that balances 90s practical effects with genuine wit, this is it. It’s not just a "cult classic" to be polite—it’s a genuinely superior action movie that got caught in the crossfire of bad timing and industry politics.


Actionable Takeaways for Movie Buffs

  • Watch the Director's Cut if possible: It preserves more of the cynical edge that Shane Black intended before the studio softened some of the darker beats.
  • Look for the Shane Black tropes: From the Christmas setting to the "mismatched partners" dynamic, it’s a masterclass in his specific style of screenwriting.
  • Compare the Stunt Work: Next time you watch a CGI-heavy Marvel movie, pull up the bridge explosion or the ice-lake jump from this film. The physical weight of the stunts is palpable.
  • Double Feature Idea: Pair it with Thelma & Louise to see the incredible range of Geena Davis as a physical performer.

Don't let the 1996 box office numbers fool you. Find a copy, turn up the volume, and enjoy Samuel L. Jackson screaming about "ham on rye" while Geena Davis saves the world.