It was 2013. If you stepped into a club, a house party, or even just sat in the passenger seat of a car with a decent subwoofer, you heard it. That underwater, melodic thud of a beat produced by Mike Will Made-It. Then came the line that defined an entire era of Young Money dominance: "I’m on that good kush and alcohol."
Most people don't even call the song by its technical title, Bitches Love Me. To the world, it’s just the "good kush and alcohol" song. It’s funny how a single bar can swallow a whole track's identity. Lil Wayne, Drake, and Future didn't just make a hit; they created a linguistic virus that’s still stuck in the collective consciousness over a decade later.
Honestly, the lyrics good kush and alcohol represent more than just a party checklist. They represent the peak of the "trio" era in hip-hop. You had Future on the hook—right before he became the undisputed king of toxic trap—Drake delivering a verse about his internal contradictions, and Lil Wayne proving he could still out-rap anyone while sounding completely effortless.
The Anatomy of a Hook: Why Good Kush and Alcohol Stuck
Music theory nerds will tell you it's about the frequency. I think it’s simpler. It’s the cadence. Future delivers that line with a specific kind of gravelly soul that makes drug use sound like a religious experience. When he sings about having a "trizzy" (a triple-cup) and being on that "good kush and alcohol," he isn't just listing substances. He's setting a mood. It’s the sound of nihilism wrapped in a silk robe.
The song peaked at number 9 on the Billboard Hot 100. Think about that. A song with a title so aggressive it had to be censored on every radio station in America still cracked the top ten. Why? Because the hook is undeniable.
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Drake’s contribution to the lyrics good kush and alcohol vibe is equally important. He plays the "sensitive but successful" card perfectly here. He talks about his mother being a "true star" and his life being a "movie," which balances out the more hedonistic elements of the track. It gave the song a "pre-game" feel. It wasn't just for the club; it was for the drive to the club. It was for the moments when you felt like you were winning, even if you weren't.
Who Actually Wrote the Lyrics?
There’s always this weird debate about ghostwriting in hip-hop, especially when Drake is involved. But look at the credits. You’ve got Dwayne Carter (Wayne), Aubrey Graham (Drake), and Nayvadius Wilburn (Future). Mike Will Made-It is there for the production. This was a collaborative effort in the truest sense of the 2010s.
Wayne’s verse is particularly "Wayne." He uses that classic metaphorical style where he jumps from "pussy on a pedestal" to "extinct like a dinosaur." It’s erratic. It’s brilliant. It’s also a bit nonsensical if you read it on a silent page, but over that Mike Will beat? It’s gospel.
The Cultural Impact and the "Rich Nigga Timeline"
When Future says he’s on a "rich nigga timeline," he effectively predicted the next ten years of Instagram culture. The lyrics good kush and alcohol became a caption before Instagram captions were even a "thing" the way they are now.
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We see this often in hip-hop—a phrase that captures a specific brand of luxury that feels attainable but isn't. You might not have the private jet, but you can probably get your hands on some "good kush and alcohol." It democratized the "rockstar" lifestyle.
But there’s a darker side to the nostalgia. Looking back at 2013 from 2026, the song feels like a time capsule of a less "cautious" era. Today, the conversation around substances in hip-hop is much heavier, focused on the fentanyl crisis and the loss of artists like Juice WRLD or Mac Miller. In 2013, "good kush and alcohol" felt like a harmless celebration. Now, the lyrics carry a weight of "the way we were."
Misheard Lyrics and Common Mistakes
You wouldn't believe how many people get the bars wrong.
Some people thought Future was saying "good push," referring to drug dealing. Nope. It’s kush.
Others get confused by Drake’s "lookin' in the mirror, I'm the closest thing to Mike." Some thought he meant Michael Jordan. Others thought Michael Jackson. Given Drake’s career trajectory and his obsession with MJ’s records, it was almost certainly Jackson.
Then there’s the line about "cup of Ace, cup of Goose." This is the quintessential 2013 drink choice. Ace of Spades (Jay-Z's champagne) and Grey Goose vodka. It’s a terrible mixture for your stomach, but a great one for a rap verse.
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Why This Track Outlived Other 2013 Hits
Look at the charts from that year. You had "Thrift Shop" by Macklemore and "Blurred Lines" by Robin Thicke. Those songs feel dated. They feel like 2013.
Bitches Love Me feels like it could have come out yesterday. The "dark R&B" aesthetic that Mike Will Made-It pioneered on this track became the blueprint for the entire "PBR&B" and trap-soul movement. If you listen to modern artists like Don Toliver or Travis Scott, you can hear the DNA of the lyrics good kush and alcohol era in every reverb-heavy ad-lib.
It survived because it didn't try to be a "radio song." It was a "vibe" before "vibe" was a buzzword.
Key Takeaways from the Lyrics
- The Power of Simplicity: The most famous line is just five words. It’s easy to remember, easy to shout, and covers the two most common social lubricants in history.
- The Feature Formula: Putting Future on the hook was a masterstroke. At the time, he was still an "underground" king in Atlanta. This song helped launch him into the global stratosphere.
- The Contrast: Wayne’s frantic energy vs. Drake’s smooth delivery vs. Future’s melodic drone. It’s a perfectly balanced meal of a song.
If you're going to use these lyrics for a caption or a playlist, understand the context. It’s the anthem of the Young Money peak. It’s the sound of three of the most influential artists of the century catching lightning in a bottle.
Next Steps for the Super-Fan:
- Listen to the "Mike Will Been Trill" version: If you want to hear how the song evolved, find the original mixtape versions of Mike Will's beats from that era. The mixing is slightly different and feels rawer.
- Check the BPM: For the bedroom producers, the song sits at roughly 65 (or 130) BPM. It’s a classic "half-time" feel that allows the rappers to double-time their verses while the beat stays slow and heavy.
- Trace the Future-Drake lineage: This song was the precursor to What a Time to Be Alive. If you love the chemistry here, that 2015 mixtape is the logical next chapter.
The song isn't going anywhere. As long as people are looking for a way to describe a night they probably won't remember, the lyrics good kush and alcohol will be the go-to phrase.