You’re driving through the Badlands, dust kicking up behind your Caliburn, and you see it. A fence. High-voltage signs. A farmhouse that looks way too quiet for a world where everything is trying to kill you. This is the Cyberpunk 2077 house on a hill, a location that feels like a wrong turn into a Texas Chainsaw Massacre flick rather than a high-tech sci-fi RPG. Most players stumble upon it during the side job "The Hunt," which is arguably the darkest piece of content CD Projekt Red ever produced.
It’s grim.
The quest isn't just about finding a missing person; it’s a slow-burn descent into the psyche of a serial killer named Anthony Harris, better known as Peter Pan. If you’ve played through it, you know the feeling of cold sweat when you realize what’s actually happening under those floorboards. If you haven't, well, you're in for a rough ride.
Finding the Edgewood Farm: The Real Cyberpunk 2077 House on a Hill
The game officially calls this location Edgewood Farm. It sits out in the middle of nowhere, south of the main Night City hub, tucked away in the desolate stretches of the Badlands. You get there by following River Ward, the NCPD detective who is actually one of the few "good guys" left in the city.
Getting inside isn't as simple as knocking on the door. The perimeter is littered with mines. If you aren't careful, V ends up as a red mist before even seeing the porch. You need a high Technical Ability to disable them, or you have to play a high-stakes game of "don't step on the glowing red circle." Honestly, the mines are the kindest thing about this place. They're a warning. A "keep out" sign written in explosives.
Inside the Cyberpunk 2077 house on a hill, the atmosphere shifts. The lighting goes dim. You start finding things. Tapes. Medical equipment. It’s not the chrome and neon of the Afterlife; it's rusty, surgical, and smelling of old hay and antiseptic.
The Braindance Clues
To even find the farm, you have to scrub through some of the most harrowing Braindances in the game. You're looking at Harris’s childhood, seeing the trauma that warped him. It’s a masterclass in environmental storytelling. You see the cows. You see the father. You see the infusion pumps. CDPR didn't hold back here. They wanted you to feel the claustrophobia of a dying farm.
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The "house on a hill" trope is usually reserved for horror movies, but here it serves a mechanical purpose. It isolates the player. You are miles away from the NCPD or any help. It’s just you, River, and a nightmare.
What’s Actually Happening in the Barn?
The house is just the preamble. The barn is the main event.
When you finally break into the barn at the Cyberpunk 2077 house on a hill, you find the victims. They’re hooked up to machines, kept in a state of suspended animation, being "fed" a chemical cocktail that’s supposed to keep them young or "pure" in Harris’s twisted mind. It is visual storytelling at its most visceral.
- The monitors flickering with vital signs.
- The sound of the respirators.
- River’s panicked reaction when he sees his nephew, Randy.
It’s heavy stuff. Most games would make this a simple "shoot the bad guy" mission. Cyberpunk makes you live in the silence of the aftermath. You have to shut down the machines. You have to check the bodies. You realize that Harris isn't even there; he's in a coma in a hospital, and this horror show has been running on autopilot.
The Technical Reality of the Quest
From a gameplay perspective, the Cyberpunk 2077 house on a hill questline is a heavy lift for the engine. The lighting in the barn uses specific volumetric fog to create that "dusty, stagnant" air look. If you’re playing with Ray Tracing on, the reflections on the medical glass and the damp floors make the scene feel sickeningly real.
There’s a common bug here, too. Sometimes the mines don't render properly if you approach from the south at high speed. I’ve seen players blow up because the game engine couldn't keep up with their bike speed. Slow down. The game wants you to feel the dread.
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Why This Quest Matters for V’s Story
V is dying. Their brain is being rewritten by Johnny Silverhand. Most of the game is about high-stakes corporate espionage and the soul-crushing weight of capitalism. But the Cyberpunk 2077 house on a hill reminds you that in the shadows of the megastructures, there are more primitive, personal monsters.
It grounds the world. It’s not all cyber-ninjas and hacking. Sometimes it’s just a lonely, sick man in a farmhouse. This contrast is what makes Night City feel like a real place rather than a cardboard movie set. It shows the "human" cost of a society that has completely abandoned its fringes.
Secret Details You Probably Missed
If you explore the house thoroughly—and I mean really look at the junk items and the shards—you find a deeper layer of tragedy. There’s a computer upstairs. Read the emails. They detail the slow collapse of the farm’s finances and Harris’s growing obsession with his "work."
- Check the bedside table for a picture of Harris as a kid.
- Look at the labels on the chemical drums in the barn; they’re industrial-grade fertilizers repurposed for human "preservation."
- Notice the lack of food in the kitchen. Harris wasn't eating. He was consumed.
The Cyberpunk 2077 house on a hill is a lesson in "show, don't tell." The game doesn't give you a long monologue about why Harris is evil. It shows you the empty fridge and the medical bills.
How to Get the Best Outcome
A lot of people mess this up. They rush. If you don't find the right clues in the Braindances, you can actually fail to find the correct farm. There are several farms in the area. If you pick the wrong one, the victims die.
To save everyone (well, as many as possible):
Look for the billboard in the BD.
Identify the model of the lighting fixtures.
Listen to the specific ambient sounds of the nearby power station.
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If you save Randy, River’s story continues, and you can eventually get his unique revolver, Crash. It’s one of the best power pistols in the game, mainly because of its low recoil and high crit chance. But more than the loot, you get a sense of closure that is rare in the Cyberpunk universe.
The Psychological Impact of the Setting
Why does everyone call it the Cyberpunk 2077 house on a hill instead of just "Edgewood"? Because the hill represents the isolation. In a city where you’re constantly surrounded by millions of people and blaring advertisements, the silence of that hill is deafening.
It’s a tonal shift that works because it’s so unexpected. You spend 40 hours fighting cyborgs, then suddenly you’re in a slasher movie. It’s brilliant. It’s also a bit of a commentary on the "American Dream" gone sour—the idyllic farmhouse turned into a factory of death.
Actionable Steps for Your Next Playthrough
If you're heading back into Night City or playing for the first time on a current-gen console, don't sleep on this quest. Here is exactly how to handle it for maximum impact:
- Wait until night: Seriously. Approach the house at 2:00 AM in-game time. The lighting is completely different, and the red glow of the mines is much more ominous.
- Invest in Technical Ability: You want at least 12-14 points here to interact with all the environmental objects in the house and barn. It opens up more dialogue and lore.
- Read the Shards: Don't just scoop them up. Actually open your menu and read the journals found in the house. They bridge the gap between "The Hunt" and the broader world of Night City's failing agricultural sector.
- Bring a Sniper: If you're low level, don't try to run through the mines. Use a sniper rifle to detonate them from a distance. It’s louder, but safer.
- Follow up with River: After the quest, wait a few in-game days. He’ll invite you over for dinner. Do it. It’s one of the few moments of genuine human connection V gets, and it makes the horror of the farm feel like it was worth overcoming.
The Cyberpunk 2077 house on a hill isn't just a map marker. It's a reminder that even in 2077, the oldest horrors—loneliness, madness, and neglect—are still the most terrifying. Check your corners, watch the red lights, and don't breathe the air in the barn for too long.