Why A People’s History of the United States Still Makes People So Angry

Why A People’s History of the United States Still Makes People So Angry

History isn't just a list of dates. It’s a choice. When Howard Zinn sat down to write A People’s History of the United States, he wasn't trying to be "fair." He said that himself. He wanted to flip the script entirely. Most of us grew up with the "Great Man" theory of history, where guys like Christopher Columbus, George Washington, and FDR basically carry the entire country on their backs. Zinn thought that was a lie—or at least, a very convenient half-truth.

He looked at the floor instead of the podium.

If you’ve ever walked into a used bookstore, you’ve seen the spine. It’s thick. It’s usually beat up. Since its release in 1980, this book has sold millions of copies, which is wild for a history text. It’s been in Good Will Hunting. It’s been banned in school districts. It’s been praised as the "true" story of America and trashed as anti-American propaganda. But honestly? Whether you love it or hate it, you can’t really understand how Americans argue about their own past without dealing with Zinn.

The View From the Bottom Up

Most history books start with the winners. They start with the generals who won the battles and the politicians who signed the treaties. Zinn does the opposite. He starts with the Arawak Indians watching Columbus’s ships arrive. He tells the story of the American Revolution not from the perspective of the Founding Fathers, but from the perspective of the colonial farmers who were being drafted into a war they didn't fully understand.

It’s messy.

He spends a lot of time on the stuff that usually gets a single paragraph in a high school textbook. Think about the Bread Riots during the Civil War. Or the way the Lowell Mill girls organized some of the first strikes in the country. To Zinn, these people are the real engine of history. He argues that progress doesn't come because a president is "nice" or "progressive." It comes because regular people—black, white, immigrant, poor—make it too expensive and too dangerous for the people in power to keep things the same.

You’ve got to realize that Zinn was writing this in the wake of the Vietnam War and the Civil Rights Movement. He was a veteran of World War II; he flew bombing missions over Europe. That experience changed him. He saw the "glory" of war from the cockpit of a plane dropping napalm on a French village, and he realized that the official version of events usually leaves out the screams on the ground.

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Why the Critics Won't Let It Go

The pushback against A People’s History of the United States is intense. It’s not just grumpy historians in tweed jackets. We’re talking about massive political fights.

Critics like Rick Wineburg or Mary Grabar argue that Zinn is just as biased as the people he’s criticizing. They say he ignores the good stuff about America—the ideals of liberty, the success of the Constitution, the genuine heroism of the leaders. They claim he cherry-picks quotes to make the U.S. look like a nonstop parade of oppression. And look, they have a point about the bias. Zinn admitted it! He famously said, "You can't be neutral on a moving train."

He wasn't trying to write an objective textbook. He was writing a counter-narrative.

But the controversy goes deeper than just "he's biased." In 2010, the former Governor of Indiana, Mitch Daniels, actually tried to get the book banned from state universities. In 2017, a bill was introduced in Arkansas to ban his books from any publicly funded school. Why? Because the book challenges the "National Myth." When you tell a kid that the American Revolution was partly about wealthy landowners wanting to keep their land without British interference, it changes how they see the government today. That’s scary to people who want a unified, patriotic curriculum.

The Real Impact on How We Think Now

You see Zinn’s fingerprints everywhere today, even if you’ve never opened the book. Every time you see a documentary focusing on the "hidden figures" of history, or a museum exhibit about the lives of enslaved people rather than just the plantation owners, that’s the Zinn effect. He shifted the lens.

He made it okay to ask: "Who is paying for this?"

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Take the story of the transcontinental railroad. A standard history might focus on the "Golden Spike" and the visionary capitalists like Leland Stanford. Zinn focuses on the thousands of Chinese laborers who died in the mountains, underpaid and ignored by the laws of the country they were building. It’s a shift in empathy. It’s the difference between looking at a skyscraper and seeing the architect's drawing versus seeing the sweat of the ironworkers.

Breaking Down the Major Themes

Zinn’s narrative basically follows a few core threads that repeat over hundreds of years:

  1. The "Slight Extension of Liberty": Zinn argues that the people in power often grant small reforms just to prevent a full-blown revolution. It’s a safety valve.
  2. The Color Line: He dives deep into how wealthy elites intentionally sowed racism between poor whites and enslaved Black people to prevent them from teaming up against the rich.
  3. War as a Distraction: He’s incredibly cynical about American foreign policy. In his view, most wars are fought to secure markets or distract from domestic problems.

It’s a heavy read. It’s cynical. It’s often depressing. But it’s also strangely hopeful because it suggests that the power to change things has always lived with the people, not the guys on the money.

Is It Actually Accurate?

This is the big question. If you’re using A People’s History of the United States as your only source of history, you’re going to have a skewed view. Most professional historians—even the liberal ones—will tell you that Zinn plays fast and loose with nuance. He paints in broad strokes. He tends to view history as a struggle between "The Elite" and "The People," which can sometimes oversimplify incredibly complex events.

For example, his treatment of the New Deal is famously harsh. He sees it as a way to "save capitalism" rather than a genuine attempt to help the poor. While there’s truth to that, it also ignores the massive, tangible relief that millions of people actually received.

But being "factually wrong" isn't usually the charge. It’s about "omission." Zinn doesn't lie about the fact that Andrew Jackson oversaw the Trail of Tears. He just chooses to make that the center of the story instead of Jackson's "frontier democracy." It’s a choice of what to emphasize.

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How to Read It Today Without Getting Fooled

If you’re going to dive into Zinn, or if you’re revisiting it because you saw it on a syllabus, you have to read it with a critical eye. Don't take it as Gospel. Take it as a lawyer’s closing argument for the defense.

Read it alongside something more traditional. Compare how Zinn describes the 1920s (as a period of labor strife and corporate greed) with how a business historian describes it (as a period of unprecedented growth and innovation). The truth is usually somewhere in the messy middle.

The real value of A People’s History of the United States isn't that it gives you all the answers. It’s that it teaches you to ask better questions. It makes you look at a statue in a park and ask: "Who put this here, and what were they trying to make me feel?"

Actionable Ways to Engage With This History

If you want to actually understand the "people's history" of your own area or the country at large, don't just stop at one book. History is an active process.

  • Visit local archives: Most towns have a historical society. Look for the records of labor unions, local civil rights chapters, or women’s clubs. That’s where the "real" history is buried.
  • Check the primary sources: Zinn relies heavily on diaries and letters. You can find these online at the Library of Congress. Read the words of a Civil War soldier or a 19th-century factory worker for yourself.
  • Look at the "Zinn Education Project": They offer a lot of resources that provide different perspectives on standard history lessons. It’s a great way to see how these ideas are being taught to the next generation.
  • Diversify your shelf: If you read Zinn, follow it up with something like These Truths by Jill Lepore. She’s a Harvard historian who tries to bridge the gap between the "Great Man" history and Zinn’s "Bottom Up" approach.

History isn't a dead thing. It’s not just a dusty book on a shelf. It’s a constant, living argument about who we are and where we’re going. Zinn didn't want you to agree with everything he wrote. He wanted you to stop being a passive consumer of the stories told by the winners. He wanted you to realize that you’re part of the story, too.

Start looking for the gaps in the stories you were told. Look for the people who weren't invited to the signing ceremony. That’s where the real history starts.


Next Steps for Deepening Your Knowledge

To truly grasp the complexities of American history, your next step should be to explore the primary source documents Zinn references. Visit the National Archives online or search for the Densho Digital Repository to read first-hand accounts of Japanese American incarceration—a topic Zinn highlights to challenge the "good war" narrative of WWII. By comparing these raw accounts with both Zinn’s interpretation and standard textbook summaries, you’ll develop a sharper ability to spot bias and understand the nuance of the American experience.