You’re wandering around Blim City, soaking in the neon slime and the general chaos of Squanch Games’ absurdist universe, when you run into him. Or maybe you don't. That's the thing about High on Life Jason. He isn't some massive raid boss or a pivotal plot point that changes the fate of the cosmos. He’s just... Jason.
Most people play through the entire game without ever really noticing him. They’re too busy listening to Kenny’s neurotic rambling or trying to figure out how to stop the G3 Cartel from turning humanity into cosmic drugs. But if you're the type of player who pokes your nose into every corner of the map, you'll find that Jason represents everything that makes this game weirdly special.
He’s a guy. A human guy. In a universe where everyone else is a bug, a blob, or a talking gun, seeing a dude named Jason feels almost more alien than the aliens themselves.
Why High on Life Jason is the Ultimate Easter Egg
Honestly, the humor in this game relies on the subversion of expectations. You expect grand space opera tropes, and instead, you get a guy standing in a corner who feels like he wandered out of a mid-2000s sitcom.
Finding High on Life Jason isn't about unlocking a secret weapon. It’s about the "Wait, what?" moment. Squanch Games, led by the creative DNA of Justin Roiland (prior to his departure), specialized in these non-sequiturs. Jason is the personification of a joke that has no punchline, which somehow makes it funnier.
He's located in the Slums. If you haven't been there yet, it’s the place that looks like a trash heap had a baby with a laser tag arena. You'll find him standing near some pipes. He’s just a human. In a shirt. Being Jason.
The Lore (Or Lack Thereof)
There isn't a deep wiki page for this guy because there isn't supposed to be. He doesn't have a tragic backstory involving the destruction of Earth. He isn't a secret resistance leader. When you interact with him, the game doesn't trigger a massive cutscene.
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- He’s just standing there.
- He acknowledges his name is Jason.
- He doesn't really belong.
That's the joke. In a game where every character is screaming or leaking fluid, Jason is mundane. The mundane becomes the bizarre.
Is Jason Actually Important to the Speedrun?
Short answer: No.
Long answer: Still no, but he’s a landmark. Speedrunners use visual cues to optimize their movement through Blim City and the Slums. While High on Life Jason doesn't provide a glitch or a skip, his position is a common "turn left at the weird human guy" marker for players still learning the layout.
Some players actually confused Jason with other NPCs during the early days of the game's release on Xbox Game Pass. Because the game is so visually dense, a "normal" looking character actually stands out more than the monsters.
Common Misconceptions About Jason
I've seen threads where people swear he's a reference to Friday the 13th. He isn't. There's no hockey mask. No machete. No summer camp. Others think he’s a developer cameo. While Squanch Games did put a lot of themselves into the project, Jason is more of a generic asset used to create a "fish out of water" vibe.
He's a "Jason." He’s the guy you went to high school with who was okay at math and liked mild salsa.
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How to Find Jason Without Getting Lost
If you want to see High on Life Jason for yourself, you need to head down to the Slums. This is the first major area you explore after getting Kenny.
- Warp to Blim City.
- Head toward the entrance of the Slums (follow the waypoint for the 9-Torg bounty).
- Once you descend the initial elevator and clear the first platforming section, start looking at the NPCs on the periphery.
- He’s usually hanging out near the water/slime edge.
Look for the most boring person you've ever seen. That’s your guy.
The Philosophy of the "Random Human" NPC
Why do developers do this? It's a technique called "Contrast Comedy." When everything is "wacky," nothing is wacky. By placing High on Life Jason in the middle of a literal alien slum, the developers remind the player how ridiculous the rest of the world is.
It’s the same reason the game includes full-length B-movies like Tammy and the T-Rex. It shouldn't be there. It makes no sense. And yet, sitting on a virtual couch watching a real movie inside a fake world is the most "High on Life" experience you can have. Jason is the NPC version of that.
He is a glitch in the aesthetic, not the code.
What This Says About Human NPCs in the Game
Humans are rare in this game for a reason: we're being used as "poppers." The G3 Cartel views us as a commodity. Seeing a human just hanging out, not in a cage or being smoked through a pipe, is actually a bit of a plot hole if you think too hard about it.
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But don't think too hard. This is a game where your gun tells you about its divorce.
Practical Steps for Completionists
If you are trying to 100% the game or just want to see every bit of dialogue, don't expect a trophy for finding Jason. Instead, use him as a mental checkpoint for exploring the Slums.
- Check the corners: Most of the best jokes in the game are hidden in corners where players forget to look.
- Talk to everyone: Even if they don't have a prompt, some NPCs have "bark" lines that trigger when you stand near them.
- Ignore the waypoint: The yellow dot is your enemy if you want to find characters like Jason. Take the long way around.
The real value of High on Life Jason is the realization that the game doesn't take itself seriously, and neither should you. He's a reminder to slow down and look at the weirdness.
Go find Jason. Take a screenshot. Realize he has absolutely nothing to say to you that will help you kill Garmantuous. Then move on and keep bounty hunting. That’s the most authentic way to experience the Slums.
Next Steps for Players:
- Visit the Slums immediately after getting the Jetpack to reach higher platforms Jason might be near.
- Equip different Gatlians when talking to NPCs; sometimes characters like Sweezy or Gus have unique reactions to the environment.
- Search for the "Secret Lab" hidden near the end-game areas for more human-related lore that puts Jason's existence into a slightly darker context.