If you’ve spent any time lately scouring your streaming apps for a Get Out TV show, you aren’t alone. It’s a weirdly common search. People loved Jordan Peele’s 2017 masterpiece so much that they’re basically manifesting a serialized version of that "Sunken Place" terror. But here is the cold, hard truth right out of the gate: There is no official Get Out television series.
It doesn't exist. Not yet, anyway.
Jordan Peele hasn't signed a deal for a sequel series. Universal hasn't announced a spin-off. So why does everyone keep talking about it? Honestly, it’s a mix of Mandela Effect-style confusion and the fact that Peele has been extremely busy producing other shows that feel like they belong in that same universe. When you see a grainy TikTok thumbnail or a "suggested for you" carousel on a shady streaming site, it’s easy to get sucked into the idea that Chris Washington’s nightmare continued on the small screen.
The Confusion Behind the Get Out TV Show Rumors
Most of the noise around a Get Out TV show stems from The Twilight Zone reboot and Lovecraft Country. Peele was the executive producer and narrator for the 2019 Twilight Zone revival on CBS All Access (now Paramount+). Because his face was the literal introduction to every episode, and the themes often leaned into social commentary and psychological dread, the lines got blurred.
Then came Lovecraft Country on HBO.
That show was a massive, sprawling epic that tackled systemic racism through the lens of pulp horror. It felt so much like the DNA of Get Out—the paranoia, the "polite" white society hiding monsters, the historical weight—that many viewers just mentally filed it under "The Get Out Universe." Misha Green was the showrunner there, and while Peele’s Monkeypaw Productions was involved, it was an adaptation of Matt Ruff’s novel. It wasn’t a sequel.
There's also the "Spiritual Successor" problem. Critics and fans love to label things. When Them premiered on Amazon Prime Video, people immediately called it "the Get Out show." It’s a trope now. Any time a piece of media features a Black family moving into a hostile, eerie white neighborhood, the algorithm starts tagging it with Jordan Peele’s name. This creates a feedback loop. You search for "shows like Get Out," and suddenly you're seeing posters for Them or Kindred that make you think, "Wait, is this part of the franchise?"
What Jordan Peele Has Actually Said
Peele is notoriously protective of his original IPs. He’s mentioned in various interviews, including a notable chat with The Hollywood Reporter, that he likes the idea of "original nightmares." He isn't someone who rushes to cash in on a franchise. While he hasn't strictly ruled out returning to the world of the Armitage family, his focus shifted quickly to Us and Nope.
He’s building a brand, not just a single story.
The industry term is "The Peele Effect." Studios are desperate to replicate that $255 million box office return on a $4.5 million budget. This desperation leads to "lookalike" projects being greenlit. Some are great. Some are... less great. But none of them are an official Get Out TV show.
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Why a TV Adaptation is So Tempting for Studios
Let’s be real for a second. The ending of the movie leaves a lot of doors open. Rod Williams, the TSA hero of our hearts, drives Chris away, but the Armitage estate? That conspiracy was likely way bigger than just one family in the woods.
Think about the world-building potential.
- How far did the Coagula procedure spread?
- Who were the other members of that "bingo" auction?
- Are there other "Sunken Places" being managed by different groups?
A series could easily follow a "monster of the week" format where a new protagonist uncovers a different cell of this body-snatching cult. It’s a goldmine for HBO or Netflix. But that’s exactly why Peele probably hasn't done it. The mystery is the point. Once you explain every gear in the machine, the machine stops being scary. If you give the Get Out TV show a twelve-episode order, you run the risk of over-explaining the science of the brain transplant. You lose the metaphor.
Horror works best in the shadows.
The Real Projects People Mistake for a Get Out Series
If you're looking for that specific vibe, you're likely seeing one of these three things and getting confused:
- Them (Amazon Prime): This is the closest aesthetic match. It’s an anthology series. The first season, Covenant, deals with a Black family in 1950s Los Angeles. It is brutal, polarizing, and very "Peele-esque."
- Hunters (Amazon Prime): Jordan Peele executive produced this. It’s about Nazi hunters in the 70s. It has that mix of high-stakes tension and historical trauma, but it's totally different tonally.
- The Last OG: Weirdly, because Jordan Peele co-created this TBS comedy with Tracy Morgan, some people expect a horror twist. There isn't one. It's just a solid sitcom.
The Cultural Impact That Keeps the Search Alive
We are living in an era of "Social Horror." Before 2017, that wasn't really a dominant buzzword in the mainstream. Now, it's everywhere. Because Get Out defined the genre for the modern era, any show that attempts to use horror as a mirror for racial dynamics gets compared to it.
The search for a Get Out TV show isn't just about wanting more of Chris and Rose. It’s about a hunger for that specific type of storytelling. We want stories that make us feel uncomfortable about the world we actually live in, disguised as a supernatural thriller.
The "Sunken Place" became a cultural shorthand. It’s a meme. It’s a political reference. It’s a feeling. When a concept is that sticky, people naturally assume there’s more of it. We are conditioned by Marvel and Star Wars to expect "content" to be infinite. We think if a movie is good, there must be a prequel, a sequel, and a ten-episode limited series on Disney+.
Sometimes, a movie is just a movie.
How to Get Your Fix Without a Real Show
Since the actual Get Out TV show doesn't exist, you have to look elsewhere. But you have to be discerning. Not everything labeled "the next Get Out" actually understands what made the film work. It wasn't just the "white people are evil" trope—it was the deep, psychological betrayal of "liberal" microaggressions.
If you want that specific flavor, check out Swarm on Amazon. It’s co-created by Donald Glover (who, let’s remember, is a close peer of Peele). It captures that surreal, unsettling energy of a world that looks normal but feels fundamentally "off." It’s about fandom, but the horror elements are top-tier.
You could also dive into Atlanta. While it's a "comedy," episodes like "Teddy Perkins" are more horrifying than 90% of actual horror movies. It uses the same "Black man in a strange house" DNA that made Get Out a hit.
Actionable Steps for the Horror Fan
Stop falling for the clickbait. If you see a YouTube trailer titled "GET OUT 2: THE SERIES (2026) - Official Trailer," look at the channel name. It’s almost certainly a "Concept Trailer" made by a fan using AI and old footage of Daniel Kaluuya.
Here is how you actually stay informed:
- Follow Monkeypaw Productions: This is Jordan Peele's actual company. If they are making a show, they will announce it on their official socials first.
- Check the Credits: If you like a show’s vibe, look for the writer, not just the "Executive Producer." Often, big names like Peele or J.J. Abrams put their name on a project to help it get funded, but they aren't the ones in the writers' room every day.
- Watch the "Old" Stuff: If you haven't seen The Twilight Zone (the 1959 original), go back. Peele’s entire style is built on the foundation laid by Rod Serling. You’ll see the seeds of the Get Out TV show that never was in those black-and-white episodes.
The reality is that we might never get a direct continuation. And honestly? That’s probably a good thing. We don't need a 20-hour explanation of how the brain-swapping surgery works. We just need more filmmakers who are allowed to be as bold as Jordan Peele was in 2017.
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Look for original stories. Support new Black horror directors like Nia DaCosta or Justin Simien. The spirit of Get Out is alive in their work, even if the title on the screen is different. Keep your eyes peeled for upcoming Monkeypaw projects, but stop waiting for a show that hasn't been invited into the house yet.
To stay truly updated, set a Google Alert for "Monkeypaw Productions" rather than the movie title itself. This filters out the fan-made "concept" trailers and brings you actual industry news regarding Jordan Peele's developmental slate. Also, keep an eye on the horror-centric trades like Bloody Disgusting or Fangoria, as they usually break casting news months before mainstream outlets pick up the trail. If a series ever does go into production, it will likely be under a working title to avoid the very hype that currently fuels these rumors.