If you’ve ever found yourself driving late at night with the windows down, there is a high probability you’ve had Victoria Monét’s JAGUAR EP on loop. It’s basically the law of R&B at this point. But out of all the tracks that shimmer with that '70s-inspired, honey-glazed production, one song specifically stopped everyone in their tracks. We're talking about touch me victoria monet lyrics.
It’s not just a song. Honestly, it’s a moment.
The Story Behind the Porsche
When the song first dropped in August 2020, fans were already vibrating. The production by D'Mile is so lush it feels like velvet, but the lyrics were what really started the conversations. Victoria sings about a transition from "hands on the wheel" to "hands on my thigh." It's intimate. It's specific. And for a lot of people in the LGBTQ+ community, it felt like a breakthrough because of how unapologetically it used female pronouns.
Victoria doesn't hide behind metaphors here.
She literally sings, "Girl, it's been too long." In an industry that often plays it safe with "you" or "them" to keep things "radio-friendly," this was a loud, clear statement of identity. Victoria, who came out as bisexual in 2018, has been open about how freeing it was to stop writing pronouns that weren't accurate. She told Apple Music that she didn't think we get enough songs that are directly saying "this is about a woman" in such a sexual, confident way.
That Kehlani Connection
Okay, we have to talk about the remix. If the original was a spark, the remix with Kehlani was a full-blown wildfire. For years, there was this low-key internet theory that Victoria and Kehlani had a "thing." Fans were acting like FBI agents, cross-referencing lyrics and social media posts.
Then the remix happened.
Kehlani hops on and the chemistry is... well, it’s palpable. You can hear it in the bridge. Kehlani whispers "you sound good," and Victoria coos back. It felt less like a professional collaboration and more like we were eavesdropping on a private conversation.
It wasn't just fan fiction, either. In 2023, Victoria finally confirmed what everyone suspected: she and Kehlani actually dated. She wrote the song about Kehlani, and then had the absolute nerve (the iconic kind) to put her ex on the remix. Imagine being so cool with your ex that you make a hit song about your past together while you’re literally pregnant with your current partner's child. That’s top-tier maturity.
Breaking Down the Lyrics (Wait, the Nails?)
There’s one specific line in the song that became an instant "if you know, you know" for the queer community.
"And when you rock them short nails, that's low-key sentimental / Now keep 'em cut though so there ain't no incidentals."
If you’re scrolling through touch me victoria monet lyrics and wondering why she’s giving a shoutout to a manicure, it’s not about fashion. It’s a very direct, very spicy reference to safety and intimacy in sapphic relationships. It’s one of those "Easter eggs" that proves Victoria wasn't just writing a generic love song; she was writing from a lived experience.
Kehlani’s verse on the remix leans even harder into this:
- "I'll stop rockin' nails for you."
- "I'll park the Porsche and drop the top."
- "You're beggin' me to make a move / I'm beggin' for a sip of juice."
The "sip of juice" line? Yeah, she went there. It’s explicit but somehow remains incredibly classy and smooth, which is the Victoria Monét specialty.
Why This Song Actually Matters
Beyond the "who is it about" gossip, Touch Me represents a shift in how R&B handles queer desire. Historically, the genre has been a bit of a boys' club, or at least a space where female artists were expected to perform for the "male gaze."
Victoria flipped the script.
She isn't performing for a guy. She’s exploring her own pleasure and her own attraction. The song is a "boudoir banger," but it’s also a document of self-assurance. When she sings, "I still gotta learn 'em all," referring to her partner's tattoos, she’s talking about the slow, methodical process of getting to know someone's body.
It's beautiful. It's human. It's kinda perfect.
The Production Secrets
We can't ignore the sounds. The track features legendary involvement from Babyface (Kenneth Edmonds), who has a writing credit. That’s why it feels like a classic 90s slow jam but with a modern, "alt-R&B" twist. D’Mile, the producer, used live instrumentation to give it that "warm" feeling. It doesn't sound like it was made on a laptop in a bedroom; it sounds like it was recorded in a studio with expensive rugs and dim lighting.
What Most People Get Wrong
A common misconception is that the song is just about a "hookup." While it definitely captures that "sunrise after a night together" vibe, Victoria has described it as "very personal" and "documenting the details of real experiences."
It’s about the lingering connection.
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Even when she and Kehlani moved on, the respect remained. Victoria’s partner, John Gaines, was apparently totally fine with the collaboration, which speaks volumes about the "no-drama" energy Victoria carries. She’s mentioned in interviews that she doesn't like the idea of people being "dead" to her just because a relationship ended.
Actionable Next Steps
If you've been inspired by the depth of these lyrics, here is how you can dive deeper into the world of Victoria Monét:
- Listen to 'Hate The Club' by Kehlani: This is widely considered the "other side" of the story. Kehlani sings, "Drunk when I call you Monét," which Victoria directly references in the Touch Me remix.
- Watch the 'A Jaguar Christmas' Live Version: Victoria released an orchestral arrangement of the song that strips away the synth and lets the vocals really breathe. It’s hauntingly good.
- Check the Credits: Look into D'Mile's other work if you like this sound. He’s the architect behind Silk Sonic, and you can hear those same DNA strands in Touch Me.
- Read the 'Jaguar' Tracklist in Order: The song serves as the finale to the EP for a reason. It’s the "afterglow" of the entire project.
The lyrics to Touch Me aren't just words on a page. They are a blueprint for how to be honest, how to be sexy, and how to be yourself without asking for permission.