Honestly, looking at the trajectory of Tyler, the Creator is like watching a specialized form of chaos slowly turn into a fine-tuned architectural masterpiece. If you were there for the 2011 "Yonkers" era, you remember the cockroach-eating, the Supreme hats, and the sheer hostility of the early Odd Future days. It felt like a fever dream that might burn out by Tuesday.
But it didn’t.
When we talk about Tyler the Creator all albums, we aren't just listing records; we're looking at a guy who basically forced the entire music industry to change its definition of "cool." From the grainy, basement-dwelling textures of Bastard to the stadium-sized synth-funk of Don’t Tap the Glass, Tyler’s discography is a masterclass in how to stay weird and get rich doing it.
The Early Grime: Bastard and Goblin
Back in 2009, Bastard dropped on a random blog, and it sounded like nothing else. It was dark. It was self-produced. Most importantly, it was Tyler talking to his therapist, Dr. TC. People often forget that Bastard isn't technically a "studio album"—it's a mixtape—but it set the lore for everything that followed.
Then came Goblin.
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This was the bridge. Released under XL Recordings in 2011, it’s the album that made Tyler a household name (and a controversial one). It's rough around the edges, sure. Songs like "Radicals" and "Yonkers" were anthems for kids who felt like they didn't fit in anywhere. But if you listen closely, you can hear the jazz chords starting to peak through the distortion. He was already bored with being just a "rapper."
The Pivot to Color: Wolf and Cherry Bomb
By 2013, the shock value was wearing thin for him. Wolf changed the aesthetic entirely. Instead of dark basements, we got Camp Flog Gnaw. The production got lusher. Tracks like "Answer" showed a level of vulnerability that Goblin only hinted at. You’ve got to respect the world-building here; he created characters like Sam and Wolf that made the album feel like a weird summer camp movie.
Then there’s Cherry Bomb (2015).
A lot of fans hated this one at first. It’s loud. It’s messy. The mixing is intentionally blown out. Tyler has gone on record saying this was the first time he truly did whatever he wanted without caring about the "Odd Future" brand. It’s his most experimental work, and honestly, without the chaos of Cherry Bomb, we never get the beauty of what came next.
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The Grammy Era: Flower Boy and Igor
This is where the shift happens. Flower Boy (2017) felt like the sun coming out after a long storm. He traded the aggression for acoustic guitars and Kali Uchis features. It was the first time he got a Best Rap Album nomination at the Grammys. It's a gorgeous record about loneliness and coming to terms with who you are.
But then he did IGOR in 2019.
If you want to understand Tyler the Creator all albums, you have to sit with IGOR. He stopped rapping for large chunks of it. He wore a blonde wig and a pastel suit. It won the Grammy for Best Rap Album, even though Tyler himself pointed out it was more of a pop record. It's a concept album about a love triangle that ends in a total emotional breakdown. It’s arguably his most "complete" piece of art.
The Current Reign: Call Me If You Get Lost to Don’t Tap the Glass
Tyler spent 2021 celebrating his success with Call Me If You Get Lost. He adopted the persona of "Tyler Baudelaire," a world traveler with too many suitcases. It was a return to "rapper" Tyler, but with a billionaire's budget. The deluxe version, The Estate Sale, added even more gems to a discography that was already looking pretty untouchable.
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Then came the 2024-2025 run.
CHROMAKOPIA, released in October 2024, felt like a return to the Hawthorne roots. It was more introspective, dealing with the weight of aging and the complexities of his family. But the real surprise was the 2025 release, Don’t Tap the Glass.
Released on a Monday morning at 6 a.m.—Tyler’s favorite way to disrupt the industry—Don’t Tap the Glass is his shortest album at just over 28 minutes. It's "rap house." It’s built for the dance floor but still has those signature Tyler bridges that make you want to stare at a sunset. Features from Pharrell and Yebba ground it, but the techno and funk influences are what make it stand out. It debuted at No. 1 with 197,000 units, proving he doesn't need a Friday release to dominate.
How to Actually Listen to Tyler’s Catalog
If you're trying to make sense of all this, don't just hit "shuffle." You'll get whiplash. Instead, try these paths:
- The Emotional Growth Path: Listen to Wolf, then Flower Boy, then CHROMAKOPIA. You’ll see a boy become a man.
- The "I Just Want to Dance" Path: Go straight to IGOR and Don’t Tap the Glass.
- The Pure Rap Path: Stick with Call Me If You Get Lost and Goblin.
Tyler is one of the few artists left who treats an "album" like a movie. He does the clothes, the set design, and the music. He’s currently on his Latin American tour, headlining festivals like Lollapalooza in early 2026. The best way to keep up is to ignore the "industry standards" and just wait for the next Monday morning drop. Keep an eye on his Golf Wang socials; that’s usually where the first hints of the next era live.