You know the feeling. It's 2 a.m., you’ve cycled through Blonde for the thousandth time, and you start digging. You end up on some obscure Reddit thread or a Discord server dedicated to tracking every snippet of audio Frank Ocean has ever breathed near a microphone. Fans are basically digital archaeologists at this point. We aren’t just looking for music; we’re looking for the most wanted Frank Ocean grails that have been teased, leaked in 5-second low-quality clips, or mentioned in passing by producers like Malay Ho or Vegyn.
It is a weird form of torture. Frank is the king of the "blink and you'll miss it" era. He'll play a song once at a club night in New York, like one of his PrEP+ parties, and then it vanishes into the ether. Honestly, the mystery is part of the brand now. But for the people who actually care about the songwriting, the search for these lost tracks is a full-time obsession.
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The Myth of "These Days" and the 2019 Era That Wasn't
Back in 2019, it felt like we were on the verge of a new album. Frank was releasing singles like "DHL" and "In My Room." He was selling 7-inch vinyls for songs called "Little Demon" and "Dear April." But then, everything shifted. One specific track, "These Days," became the white whale for the community.
"These Days" is a cover of a Jackson Browne song, but Frank's version—which surfaced in a high-quality leak relatively recently—is something else entirely. It’s stripped back. It’s vulnerable. It captures that specific melancholic frequency he owns. For years, it was just a rumor. When it finally leaked, it confirmed what most of us suspected: there is a vault of finished, studio-quality material that is just sitting on a hard drive somewhere.
Why hasn't he dropped it? Who knows. Maybe the vibe changed. Maybe the loss of his brother, Ryan Breaux, in 2020 understandably derailed his creative output and his desire to share that specific era of his life. When you’re an artist who values autonomy as much as Frank does—remember, he literally bought himself out of a Def Jam contract by releasing Endless—you don't owe the public a release schedule.
Looking for "Changes" and the Rosalia Collab
If you want to talk about the most wanted Frank Ocean collaborations, you have to talk about the "Changes" video. This isn't just a "maybe it exists" situation. There is actual footage.
In 2020, a video surfaced showing Frank and Rosalia on a set. It looked high-budget. It looked intentional. The song itself, often referred to as "Changes," features this hypnotic, repetitive beat that sounds like nothing else in his catalog. It’s faster, more aggressive, yet still retains that hazy Ocean atmosphere.
The snippet circulated on TikTok and Twitter for months. Every time a major festival lineup is announced, or every time Rosalia mentions "Francisco" in an interview, the fans lose it. But the video remains unreleased. The song remains a "low-quality" rip from a leak. It’s a reminder that Frank treats his art like a museum curator. If the lighting isn't right, the exhibit doesn't open.
The Coachella 2023 Fallout
We can't talk about unreleased Frank without talking about the Coachella 2023 set. It was polarizing. Some people called it a masterpiece of performance art; others felt insulted by the late start and the reworked versions of his hits.
But the real sting was the "ice rink" version of the show that never happened. Rumors suggest that an entire visual album or a series of new tracks were supposed to be debuted or integrated into that performance. Instead, we got a stripped-back, somewhat chaotic set. The "Coachella versions" of songs like "White Ferrari" (the house remix) are now high on the list of what fans want in a studio format. They exist in a weird limbo—officially performed, but unofficially distributed through fan-made "remastered" YouTube uploads.
Why the "Most Wanted Frank Ocean" Tracks Stay Hidden
It’s about the "Prestige." If Frank Ocean dropped music every Friday like some rappers do, he wouldn't be Frank Ocean. The scarcity creates the value.
- The Perfectionist Streak: Michael Uzowuru and other collaborators have hinted at the sheer volume of work Frank creates. He isn't lazy. He's precise. If a song doesn't fit the narrative arc of a project, it gets cut. Most artists would use those cuts as "deluxe edition" filler. Frank just deletes the link.
- Legal Hurdles: Samples. Clearances. The boring stuff. Frank loves to interpolate. Sometimes those interpolations are hard to clear when you're an independent artist who wants to keep 100% of the control.
- The Loss of the "Look at Us, We're in Love" Era: Many fans believe an album titled Look at Us, We're in Love was scrapped entirely. The visual aesthetic—those little icons on the bottom of the "DHL" and "In My Room" cover art—suggested a 13-to-15 track project. We only got a handful of them.
Is "Little Demon" the Greatest Loss?
"Little Demon" (feat. Skepta) is a legendary casualty. People actually paid for the vinyl. They waited months. Then, they got an email saying the song wouldn't be shipping and they were getting a different song instead (which turned out to be "unreleased" anyway).
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The Arca remix of "Little Demon" was played at a PrEP+ party, and it’s absolute fire. It’s grimey, it’s electronic, and it shows a side of Frank that Blonde fans might not be ready for. It represents a pivot toward club culture that we might never see fully realized.
The Ethics of Leaks
It’s a touchy subject. On one hand, you want the music. You’re a fan. You want to hear the genius. On the other hand, Frank has been very vocal about his desire for privacy and control over his narrative. When a song like "These Days" leaks, it’s a violation of his process.
But the community around the most wanted Frank Ocean tracks isn't going anywhere. Sites like Blonded.blog and various Discord servers act as digital libraries. They track "eras." They categorize "snippets." They even try to track down the outfits he wears in 3-second Instagram stories to see if he's in a specific studio in London or Paris.
It's a level of "stan" culture that borders on investigative journalism.
What You Can Actually Do Now
Stop waiting for a surprise drop. Seriously. It’ll happen when it happens. In the meantime, there are ways to experience his "lost" work without just refreshing his Spotify page.
- Listen to the blonded RADIO archives on Apple Music. There are transition pieces, freestyle snippets, and curated vibes that you won't find on the studio albums.
- Check out the "Endless" video. A lot of casual fans still haven't seen or heard the full version of Endless because it’s not on the main streaming platforms in a standard tracklist format. It contains some of his best work ("Unity," "Wither," "Higgs").
- Support the collaborators. If you like the Frank sound, follow the people he works with. Vegyn, Buddy Ross, Rostam Batmanglij, and Malay. They often carry that same sonic DNA into their solo projects.
- Keep your expectations in check for the "new album." Whenever it comes, it probably won't sound like Blonde. Frank is an artist who moves forward, not backward. The songs you're looking for from 2019 are likely "old" to him now.
The hunt for the most wanted Frank Ocean music is really just a testament to how much he matters to the culture. We aren't just looking for catchy tunes. We’re looking for the next chapter of a story that has shaped the last decade of R&B and pop music.
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If you're desperate for that specific sound, your best bet is to look into the "fan edits" on YouTube where producers have cleaned up live recordings. It’s the closest we’re going to get until Frank decides it’s time to open the vault again.
Don't buy into "group buys" or shady Discord leaks that ask for money. Most of those are scams or involve people selling stolen data. Just appreciate the mystery. The "not knowing" is part of being a Frank Ocean fan. It makes the moments when he actually does release something—like a random photo book or a luxury jewelry line—feel that much more significant. Sorta.
Actionable Insights for the Dedicated Fan:
- Archive Exploration: Visit the "Wayback Machine" for the Blonded.co website to see past "eras" and aesthetic shifts that often preceded unreleased snippets.
- Credit Digging: Use databases like ASCAP or BMI to search for registered song titles under Christopher Breaux. This is often where fans find titles of songs that haven't been heard yet.
- Physical Media: Keep an eye on secondary markets like Discogs for the "blonded" zines and physical-only releases. Some of the most rare Frank material is tucked away in the "Boys Don't Cry" magazine CD.
- Contextual Listening: Study the "PrEP+" setlists from 2019. Many of the songs played there by Justice or Sherelle featured Frank vocals that remain unreleased to this day.
The music exists. It's real. It's just not ours yet.