The Greatest American Hero: Why This 80s Flop is Actually a Masterpiece

The Greatest American Hero: Why This 80s Flop is Actually a Masterpiece

Believe it or not, I’m walking on air. If those lyrics just triggered a massive wave of nostalgia, you’re likely thinking about a curly-haired teacher in red pajamas smashing into a billboard. The Greatest American Hero wasn't just another 1980s TV show. It was a weird, messy, and surprisingly heartfelt subversion of the superhero trope long before "The Boys" or "Invincible" made deconstruction cool.

Honestly, the premise is kind of a nightmare. Ralph Hinkley, a remedial ed teacher just trying to keep his students from killing each other, gets gifted a super-suit by aliens. Sounds great, right? Except he loses the instruction manual. Immediately.

What Most People Get Wrong About the Suit

Most folks remember the flying. Or rather, the crashing. Ralph didn't fly like Superman; he flailed like a wounded bird. But the suit—which FBI agent Bill Maxwell affectionately called "magic jammies"—was actually a terrifyingly powerful piece of alien tech.

It wasn't just super strength and invulnerability. We’re talking about a wardrobe that granted:

  • Holographic Vision: He could see events happening miles away.
  • Shrinking: Yeah, he basically pulled an Ant-Man in a couple of episodes.
  • Psychometry: Touching an object let him see its history.
  • Invisibility: Though he usually discovered this one by accident while trying to do something else.

The genius of the show was the "trial and error" aspect. Because there was no manual, Ralph was basically a guy trying to operate a supercomputer with the intellect of someone who just found a weird rock in the desert. He had to learn how to land by literally hitting the ground enough times to figure out the trajectory.

The Lawsuit That Almost Killed the Hero

You can't talk about The Greatest American Hero without mentioning the lawyers. Warner Bros. and DC Comics were not happy. They saw a guy in a red suit with a cape and a chest emblem and immediately thought, "Hey, that’s our guy."

They sued. Hard.

The legal battle of Warner Bros. Inc. v. American Broadcasting Companies, Inc. is a landmark for a reason. DC argued that Ralph Hinkley was a copyright infringement of Superman. The court, however, had a sense of humor. They ruled that while the idea of a superhero might be similar, the expression was totally different.

Superman is a god-like figure of grace. Ralph Hinkley is a scrawny teacher who cringes when people fire guns at him. The judge basically said that because Ralph was such a total klutz, nobody would ever confuse him with the Man of Steel. It was a win for parody and creators everywhere.


Bill Maxwell and the Greatest Partnership on TV

While William Katt was great as Ralph, the show’s secret sauce was Robert Culp as Bill Maxwell. Maxwell was a "dime-store novel G-Man." He was a hard-nosed, right-wing, paranoid FBI agent who saw the suit as the ultimate weapon against "the Commies."

The dynamic was perfect. Ralph was the reluctant pacifist. Bill was the guy screaming "Scenario!" and trying to use alien tech to solve kidnapping cases and bank robberies. They were the original "odd couple" of the superhero world.

That Name Change (The Hinckley Incident)

Here is a bit of trivia that feels like a fever dream. When the show premiered in March 1981, the main character's name was Ralph Hinkley. Less than two weeks later, John Hinckley Jr. attempted to assassinate President Ronald Reagan.

The network panicked.

For several episodes, they actually dubbed over the actors' voices. If you watch closely, you can see their lips saying "Hinkley" while the audio says "Hanley." In some scenes, the students just call him "Mr. H." They eventually changed it back once the news cycle moved on, but it remains one of the weirdest "real world meets fiction" moments in TV history.

The Song That Outlived the Show

"Believe It or Not" is arguably more famous than the series itself. Composed by Mike Post and Stephen Geyer, and sung by Joey Scarbury, it hit No. 2 on the Billboard Hot 100 in 1981. It was only kept off the top spot by Lionel Richie and Diana Ross’s "Endless Love."

Think about that. A TV theme song about a guy who can't fly straight was almost the biggest song in America.

The Legacy of the "Greatest American Heroine"

The show was canceled after three seasons, but creator Stephen J. Cannell wasn't done. He tried to revive it with a spin-off called The Greatest American Heroine.

In the pilot for that series, Ralph’s secret is outed, and he has to give the suit to a new person because he's become too famous. He chooses a woman named Holly Hathaway (played by Mary Ellen Stuart). The pilot never aired as a series, but it was eventually edited into the syndication package as the "final" episode of the original show.

It’s a bit of a bummer of an ending, honestly.

Actionable Insights for the Modern Fan

If you want to dive back into the world of Ralph and Bill, don't just look for a reboot. Here is how to actually appreciate the show today:

👉 See also: Why Julius from Everybody Hates Chris is Still the Most Relatable Dad on TV

  1. Watch for the Practical Stunts: Before CGI, those flying scenes involved William Katt being strapped into a harness and swung in front of a blue screen. The physical comedy is top-tier because the actors were actually struggling with the physics.
  2. Listen to the Score: Mike Post is a legend (Law & Order, The A-Team). The background music in this show is surprisingly sophisticated for an 80s sitcom.
  3. Appreciate the "Everyman" Trope: Notice how Ralph never gets a "superhero name." He’s just Ralph. In a world of "Avengers" and "Justice Leagues," there is something deeply refreshing about a hero who just wants to get home to his kid and finish his grading.

The show proved that you don't need to be perfect to be a hero. You just need to be willing to put on the suit, even if you know you're probably going to hit a wall on the way down.

To experience the show's full impact, track down the original DVD sets rather than relying on chopped-up streaming versions. Many of the original music cues—which were essential to the show's vibe—have been replaced in later digital releases due to licensing issues. Seeing the pilot in its original two-hour format provides the best context for the relationship between the three leads: the teacher, the agent, and the lawyer who kept them both out of jail.