Honestly, if you’ve spent any time in the Skeleton Clique lately, you know things have been a bit chaotic. We all thought Clancy was the end. Then "Paladin Strait" happened, Tyler Joseph left us on that cliffhanger with Nico, and suddenly the internet was flooded with red tape and theories about a "double album." Well, it wasn’t a double album—it was Breach.
The breach tracklist twenty one pilots officially dropped in July 2025, and it basically flipped the lore on its head. It wasn't just a collection of songs; it was the definitive conclusion to the Dema storyline that started way back with Blurryface.
The Official Songs on Breach
Let’s get the facts straight first. There was a lot of noise online before the release—fake leaks, "Drag Path" truthers, and people guessing titles from blurry t-shirt designs. But when the dust settled, the actual tracklist Tyler wrote out on that yellow pad during his Instagram Live gave us 13 tracks.
- City Walls
- RAWFEAR
- Drum Show
- Garbage
- The Contract
- Downstairs
- Robot Voices
- Center Mass
- Cottonwood
- One Way
- Days Lie Dormant
- Tally
- Intentions
It’s a weird mix.
"City Walls" opens the record with a massive callback to "Holding Onto You." If you listen closely to the outro, Tyler literally screams "entertain my faith," which sent the older fans into a total spiral. It’s heavy, it’s cinematic, and it sets the stage for what feels like a final battle.
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Why The Tracklist Order Matters
A lot of people were confused when "The Contract" came out as the lead single but ended up being track five. Usually, lead singles for this band—think "Overcompensate" or "Jumpsuit"—are the openers.
Not this time.
The placement of the breach tracklist twenty one pilots songs suggests a non-linear narrative. "The Contract" is this hyper-aggressive, industrial-pop track that sounds like Clancy finally signing his life away (or maybe reclaiming it). But having it in the middle of the album suggests that the first four tracks might actually be flashbacks or a "breach" in time.
Then you have "Downstairs." This is a deep cut for the historians. It’s actually a reworked version of a demo from the Regional at Best era, often called "Korea" by fans who trade unreleased tracks. Bringing a 14-year-old song back for the finale of the Dema era? That is peak Tyler Joseph.
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Sonics and Surprises
This album doesn't sound like Scaled and Icy. It doesn't even really sound like Trench. It’s sort of a "maximalist" version of everything they’ve ever done.
Take "Drum Show," for example. It’s the first time we’ve ever heard Josh Dun on lead vocals. He sings the bridge, and while it’s weird to hear him without Tyler’s voice right there, it fits the theme of the "Torchbearer" finally stepping into the light. The production is glitchy, high-energy, and has these hyperpop elements that feel very 2026.
Then there’s "Cottonwood." This one is heavy for a different reason. It’s a piano-led ballad about Tyler’s grandfather, similar to "Legend," but way more somber. The line "I look back in time through a telescope" has basically become the tagline for the entire era.
Breaking Down the Lore Ending
The ending of the breach tracklist twenty one pilots is where things get controversial. "Tally" is a dark, mid-tempo song that sounds like it belongs on Blurryface. It’s the penultimate track, and it leads directly into "Intentions."
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"Intentions" is arguably the most "twenty one pilots" thing to ever happen.
The instrumental is literally "Truce" (the closer from Vessel) played backward. It’s a 2-minute piano piece that brings the entire decade-long journey full circle. It’s not a happy ending. It’s not a sad ending. It’s just... an ending.
What You Should Do Now
If you're still trying to piece together the "City Walls" music video or how the lyrics in "Center Mass" tie back to "Doubt," the best move is to check out the Digital Remains booklet. There are coordinates in there that haven't been fully mapped yet, and they seem to point toward specific locations in Columbus, Ohio.
Listen to the album in reverse order at least once. There's a theory that "Intentions" (as a backmasked "Truce") signifies that the story is a cycle, and the only way to "breach" it is to play the narrative backward. It sounds crazy, but this is the Clique we’re talking about. Nothing is ever just a song.