If you saw Stephanie Beatriz at the Golden Globes back in 2014, she looked nothing like the terrifying, leather-clad Detective Rosa Diaz. She was wearing glasses. She was smiling. Honestly, it was a bit of a shock for fans who only knew her as the toughest cop in Brooklyn’s 99th precinct.
She later joked that the whole experience felt like her first prom. You're basically running on adrenaline the whole time, trying to remember to breathe while Meryl Streep is just chilling a few tables away. That was the year Brooklyn Nine-Nine actually took home the big trophy for Best Television Series – Musical or Comedy, an underdog win that truly put the show on the map.
But when you look back at the Stephanie Beatriz Golden Globes history, there’s a weird gap between her impact on culture and the individual hardware she has on her shelf.
The Mystery of the Missing Nominations
It’s kinda wild to think about. Stephanie Beatriz has been the voice and face of some of the most massive cultural touchstones of the last decade. She gave us Rosa Diaz, an LGBTQ+ icon who redefined the "tough girl" trope. Then she became Mirabel Madrigal in Encanto, leading a Disney phenomenon that had every toddler (and adult, let’s be real) screaming "Waiting for a Miracle" at the top of their lungs.
Yet, as an individual performer, the Hollywood Foreign Press Association—the folks who used to run the Globes—never gave her a solo nomination.
Brooklyn Nine-Nine won. Encanto won Best Animated Feature in 2022. But Beatriz herself? She’s usually there to represent the "team" rather than herself. It feels like a massive oversight when you consider the range she has. You've got the gravelly, deadpan baritone of Rosa on one hand and the vibrant, vulnerable, high-energy Broadway-style belt of Mirabel on the other.
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That isn't just "acting." That’s technical wizardry.
Why 2022 Was Bittersweet
The 2022 ceremony was supposed to be the big moment for Encanto. The movie was everywhere. The soundtrack was breaking Billboard records. If there was ever a time for a voice actor to break into the mainstream acting categories at the Stephanie Beatriz Golden Globes timeline, this was it.
But 2022 was the "quiet" year for the Globes. Because of the internal scandals and the boycott from Hollywood, there was no televised ceremony. There was no red carpet. No "first prom" feeling. Encanto won its award, but the cast didn't get that iconic Beverly Hilton ballroom moment.
Honestly, it sucks. Beatriz has spoken about how much Mirabel meant to her—representing a Colombian family that wasn't defined by the usual tropes of violence or crime. To have that win happen behind closed doors felt like a missed opportunity to celebrate that shift in representation.
Breaking Down Her Major Award Hits (and Misses)
To understand where she stands, you have to look at the full picture. She hasn't been ignored by everyone, just the "big three" televised shows sometimes.
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- Imagen Awards: This is where she dominates. She won Best Supporting Actress for Brooklyn Nine-Nine in 2018.
- Gracie Awards: She’s a two-time winner here. These awards focus on programming created for women, by women, and about women.
- Critics Choice: She actually won a Best Animated Performance award from the Hollywood Critics Association for Encanto.
- SAG Awards: She shared in the ensemble nominations for the 99, which is basically the highest compliment you can get from your peers.
The Glass Ceiling for Voice Actors
There’s a bigger conversation here about how the Stephanie Beatriz Golden Globes narrative fits into the industry's bias. Usually, if you're "just" a voice in an animated movie, the awards bodies think the animators did all the work.
They’re wrong.
Watch a behind-the-scenes clip of Beatriz recording "Waiting for a Miracle." She’s crying. She’s physically exhausted. She’s acting with every fiber of her being, but because her face isn't on screen, the Globes rarely consider those performances for the "Best Actress" categories. It’s a weird holdover from an older era of Hollywood.
What’s Next for Stephanie?
She isn't slowing down. With her lead role in Twisted Metal on Peacock and her voice work in Hazbin Hotel, she’s constantly proving that she can carry a show, whether she's physically on screen or behind a microphone.
She's also moved into directing, helming the "He Said, She Said" episode of Brooklyn Nine-Nine, which tackled the #MeToo movement with a level of nuance that most sitcoms wouldn't touch. She’s building a resume that makes it impossible to ignore her for much longer.
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If you’re a fan looking to support her work beyond the awards circuit, here’s what you should actually do:
- Watch "The Light of the Moon": This is her "prestige" film. It won the Audience Award at SXSW and shows a side of her acting that is raw, difficult, and incredibly powerful. It’s the performance that should have had her in the Oscar/Globe conversation years ago.
- Listen to her podcasts: She’s done scripted fiction podcasts like Tejana where she really gets to show off her lead-actor chops.
- Follow the Imagen Awards: If you want to see where Latino talent is actually being recognized and celebrated properly, that’s the ceremony to watch.
The Stephanie Beatriz Golden Globes story isn't over. Whether she gets that solo trophy or not, she's already changed the landscape of what a Latina lead looks (and sounds) like in Hollywood. And honestly? That's worth way more than a gold-plated statue.
Next time she’s at the Beverly Hilton, hopefully it's for a "Best Actress" nod for a role that lets her be exactly as loud and talented as we know she is.
Actionable Insight: If you want to see the performance that most critics believe was her "snubbed" masterpiece, go find the 2017 indie film The Light of the Moon. It's a heavy watch, but it proves she has the dramatic range that the major awards shows have yet to fully reward.