State Flags of the United States: Why So Many of Them Are Actually Kind of Terrible

State Flags of the United States: Why So Many of Them Are Actually Kind of Terrible

Walk into any state capitol building and you’ll see it. That deep blue field. The gold fringe. A circular seal in the middle that you can't read from more than five feet away. If you’ve ever felt like half the state flags of the United States look exactly the same, you aren't crazy. They do.

Honestly, most of them are a design nightmare.

We’re living through a weird, exciting moment in American vexillology—that’s the fancy word for the study of flags. People are finally waking up and realizing that a "seal on a bedsheet" isn't a flag; it's a document printed on fabric. From Utah to Mississippi, states are throwing out their cluttered, 19th-century leftovers and replacing them with symbols that actually mean something to the people living there. It’s a messy, political, and surprisingly emotional process.

The "Seal on a Bedsheet" Problem

Most state flags of the United States were born out of a very specific historical panic. Around the 1893 World's Columbian Exposition in Chicago, states realized they didn't really have a visual identity. They needed something to hang in their pavilions. The easiest solution? Take the state seal—which was designed to be stamped on a piece of paper in black ink—slap it on a blue background, and call it a day.

This created what experts call the "S.O.B." (Seal on a Bedsheet).

Think about it. If you’re driving down a highway at 70 miles per hour, can you tell the difference between the flags of Kentucky, New Hampshire, Pennsylvania, and Virginia? Probably not. They all look like a blue blob from a distance. Virginia’s flag literally features a woman with an exposed breast standing over a dead tyrant, which is objectively metal, but you can’t tell that when the wind isn't blowing.

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Designers like Ted Kaye, who wrote the literal bible on this stuff called Good Flag, Bad Flag, argue that a child should be able to draw a flag from memory. You cannot draw the Nebraska flag from memory unless you are a savant or have way too much free time. It's a cluttered mess of a steamboat, a blacksmith, and a train. It’s a busy painting, not a symbol.

Why Utah and Minnesota Just Changed Everything

Change is hard. People get weirdly attached to the flags they grew up with, even if those flags are objectively ugly. But we are seeing a massive shift.

Utah just adopted a new flag in 2024. The old one was—you guessed it—a seal on a blue background. The new one? It’s bold. It has a massive beehive (the state’s symbol for industry) and sharp, geometric mountains. It looks like something a person would actually want to wear on a t-shirt. That’s the "merch test." If people won’t wear your flag on a hat, your flag failed.

Minnesota followed suit very recently. Their old flag was a disaster. It featured a pioneer tilling a field while a Native American rode off into the sunset. It wasn't just busy; it was culturally insensitive and messy. The new design is a simplified shape of the state with a North Star. It’s clean. It’s modern. Some people hate it because it looks "too corporate," but at least you can identify it from a mile away.

Then there’s Mississippi. They had the biggest hurdle of all. For over a century, their flag featured the Confederate battle emblem. After years of pressure and a massive social shift in 2020, they ditched it for the "New Magnolia" flag. It was a rare moment where a change in a state flag of the United States felt like a genuine turning point in history rather than just a graphic design update.

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The Good, The Bad, and The Truly Weird

Not every state flag is a failure. In fact, the ones that get it right are some of the most iconic symbols in the world.

  • New Mexico: This is widely considered the gold standard. A simple red Zia sun symbol on a field of yellow. It’s ancient, it’s local, and it’s striking. You see it on bumper stickers, tattoos, and jewelry. It belongs to the people, not just the government.
  • Texas: The Lone Star. It’s simple. It’s bold. It screams "Texas" without needing to write the word "Texas" on it (looking at you, Kansas).
  • Maryland: This flag is a fever dream. It’s the heraldic banner of George Calvert, the first Lord Baltimore. It’s black, gold, red, and white. It breaks almost every rule of modern design, yet it’s so distinct that Marylanders put it on literally everything. Crabs, football helmets, socks—nothing is safe from the Maryland pattern.
  • California: The bear. It’s iconic, though it technically violates the "no words" rule. But the bear is so strong as a silhouette that we give it a pass. Fun fact: the bear on the flag, "Monarch," was one of the last wild California grizzly bears. He’s been dead since 1911, but he lives on in our emojis.

Then you have the weird stuff. Oregon is the only state with a two-sided flag. The front has the seal (boring), but the back has a beaver. Why don't they just make the beaver the whole flag? Nobody knows.

Hawaii’s flag is the only one to feature the British Union Jack. Why? Because King Kamehameha I was a big fan of the British back in the day, and it just sort of stuck, even after Hawaii became a state. It’s a weird colonial relic that feels totally out of place in the middle of the Pacific, yet it’s an integral part of the islands' visual history.

The Politics of Fabric

Changing a flag isn't just about aesthetics; it's a political minefield. In Maine, there’s a massive movement to go back to their 1901 flag—a simple pine tree and a blue star on a buff-colored background. You see the "1901 flag" everywhere in Portland. It’s on every cool brewery’s wall. But the official state flag is still that old blue seal.

Why hasn't it changed yet? Because some people see the old flag as a connection to their ancestors. They feel like changing the flag is an "erasure of history," even if the history being "erased" is just a mediocre drawing of a sailor and a farmer.

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In Illinois and Michigan, there are ongoing talks about redesigns. These states are looking at the success of Utah and Minnesota and wondering why they're still stuck with 19th-century clutter. It usually starts with a contest. A few thousand people submit designs (usually involving a lot of corn or Great Lakes imagery), a committee argues about it for six months, and then the state legislature either approves it or lets it die in a subcommittee.

How to Spot a Great Flag

If you’re looking at state flags of the United States and trying to decide if they’re actually good, follow the NAVA (North American Vexillological Association) rules. They aren't laws, but they’re good guidelines:

  1. Keep it simple. A child should draw it from memory.
  2. Use meaningful symbolism. Every color and shape should have a reason.
  3. Use 2-3 standard colors. Don't go crazy with the palette.
  4. No lettering or seals. If you have to write the name of your state on your flag, your symbol failed.
  5. Be distinctive. Don't just copy your neighbor.

By these standards, about 30 states are failing. But that’s changing. We are in a "Great Redesign" era.

What This Means for You

You might think, "Who cares? It's just a piece of cloth." But flags are the shorthand of identity. In an era where everything is digital and fleeting, a flag is a permanent anchor to a place. When a state gets its flag right, like Arizona or South Carolina (that palmetto tree and crescent moon is perfection), it creates a sense of pride that a state seal never could.

If you live in a state with a "Seal on a Bedsheet," keep an eye on your local news. There’s likely a group of vexillology nerds already lobbying your state representative to fix it.

To really dive into this, start by looking at your own city or state flag. Ask yourself: could I draw this from memory in 10 seconds? If the answer is no, you’re living under a design failure. You can check out the "Vexillology" subreddit or the NAVA website to see the latest redesign proposals. Many of these movements are grassroots; they start with one person making a better design and it spreading through stickers and social media until the government can't ignore it anymore.

Take a look at the "1901 Maine Flag" or the "Mississippi Magnolia" to see how much a simple change can refresh a state's brand. If you're a designer or just someone who hates bad clip art, you can even join a local flag commission or start a petition. The map of American symbols is being redrawn right now, and for the first time in a century, it's actually starting to look good.