Honestly, if you’ve spent any time at all watching Indian television over the last decade, you’ve seen her face. It’s hard to miss. Sonarika Bhadoria didn’t just play a character; she became the face of a literal goddess for millions of people. But when we talk about sonarika bhadoria movies and tv shows, there is this weird tendency to act like she vanished after her stint as Parvati.
She didn’t. Not even close.
Most people basically equate her entire career with Devon Ke Dev... Mahadev. It makes sense, I guess. The show was a juggernaut. We’re talking about a series that hit TRPs of 8.0—numbers that current showrunners would probably trade their souls for. But Sonarika's journey is actually a pretty fascinating case study in trying to break out of the "mythological" box. It’s a box that is notoriously hard to escape in the Indian industry. Once people see you with a halo and a trident, they have a hard time seeing you in a leather jacket or a rom-com.
The Mythological Peak and the Risk of Typecasting
Let’s look at the facts. Sonarika debuted in 2011 with Tum Dena Saath Mera. It was a sweet, grounded show about a young couple in a big city. It was fine. But then Mahadev happened in 2012.
Suddenly, she was Parvati.
The chemistry she had with Mohit Raina (who played Shiva) was electric. It wasn’t just "good TV"—it was a cultural phenomenon. But here’s the thing: she left that show at the absolute peak. People were shocked. There were rumors, there was drama, but mostly, there was a girl who was barely 20 years old and didn't want to spend the rest of her life in heavy prosthetic jewelry.
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Breaking into the Big Screen
After TV, she did what most ambitious actors do. She headed for the movies.
If you look at the sonarika bhadoria movies and tv shows list, you’ll notice a heavy tilt toward the South. Specifically Telugu cinema. Her debut there was Jadoogadu in 2015 opposite Naga Shourya. It was a bold move. She wasn't playing a goddess anymore; she was a contemporary lead.
Some critics liked her. Others? Not so much. A reviewer from the Deccan Chronicle once noted she was "glamorous and does her part well," while others felt she looked a bit "homely" for certain commercial roles. It’s a tough crowd.
Her filmography grew quickly:
- Speedunnodu (2016): A remake where she played Vasanthi.
- Eedo Rakam Aado Rakam (2016): A comedy that actually did quite well at the box office.
- Saansein (2016): Her big Bollywood debut. It was a horror-romance. It didn't exactly set the world on fire, but it proved she could carry a Hindi film.
- Indrajith (2017): Her foray into Tamil cinema.
The 2018 Comeback to Television
By 2018, Sonarika realized that while movies were great, TV was where her deepest fan base lived. She came back with Prithvi Vallabh – Itihaas Bhi Rahasya Bhi.
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This wasn't your typical "saas-bahu" soap.
She played Princess Mrinalvati. She was fierce. She was a warrior. It was a huge departure from the gentle Parvati image. Then came Dastaan-E-Mohabbat Salim Anarkali, where she played the legendary Anarkali opposite Shaheer Sheikh. She looked stunning, the production values were insane, but the show struggled to find its footing and ended sooner than expected.
She even dipped her toes into the thriller genre with Ishq Mein Marjawan in 2019. Playing Netra Sharma Singh showed a darker, more mysterious side of her acting. It’s these choices—the pivots from goddess to warrior to mystery woman—that make her career more interesting than a simple IMDb list suggests.
What’s Happening Now in 2026?
Life has changed a lot for her recently. If you've been following the news, you know she’s in a very different chapter of her life. After a long-term relationship with businessman Vikas Parashar, they tied the knot in a gorgeous ceremony in Rajasthan in early 2024.
But the biggest update?
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Sonarika and Vikas welcomed their first child, a baby girl named Virika, in December 2025. The name is a blend of their names—Vikas and Sonarika. It’s a "brave and graceful" name, as she described it.
Naturally, her work schedule has slowed down as she focuses on motherhood. However, for fans wondering about new projects, the Telugu film Saradaa has been on the horizon for a while. Industry murmurs suggest a late 2026 release, though dates in the film industry are basically written in sand until the trailer drops.
Sorting Through the Sonarika Bhadoria Filmography
If you’re trying to catch up on her best work, don't just stick to the viral clips. Here is a realistic way to navigate her career:
- The Essentials: You have to watch at least a few episodes of Devon Ke Dev... Mahadev. It’s where the magic started. The "Kali" episodes are widely considered the peak of the series.
- The Warrior Phase: Watch Prithvi Vallabh. Her performance as Mrinalvati is arguably more complex and physically demanding than her mythological roles.
- The Big Screen: If you want to see her in a commercial setup, Eedo Rakam Aado Rakam is probably her most accessible and fun Telugu film.
- The Bollywood Attempt: Saansein is worth a watch if you like 2010s-style horror-romance with good music.
Why She Still Matters
Sonarika Bhadoria represents a specific era of Indian entertainment. She was one of the first major TV stars to leverage social media to show her real personality, which occasionally got her into hot water with "traditional" fans who couldn't separate her from the Goddess Parvati persona. She pushed back. She stood her ground.
She proved that an actress can be "divine" on screen and a modern, independent woman off it.
Actionable Insights for Fans
- Streaming Platforms: Most of her TV work, including Mahadev and Prithvi Vallabh, is available on Disney+ Hotstar.
- Social Media: Her Instagram is the best place for updates, especially now that she is sharing glimpses of her life as a new mom.
- Future Projects: Keep an eye on regional cinema news for Saradaa. Regional films often get delayed or move to OTT platforms like Prime Video or Netflix without much fanfare.
Whether she returns to a full-time acting schedule in 2027 or chooses to stay behind the scenes for a while, her impact on the mythological genre remains untouched. She set the bar for how those characters are played. Everyone else is just following her lead.