Let’s be real for a second. Most horror movies treat the "funny one" like a sacrificial lamb. They crack a few jokes, maybe trip over a rug, and then they’re gone by the forty-minute mark. But when it comes to Rachel Sennott Bodies Bodies Bodies is the movie where that trope got absolutely wrecked. If you haven't seen it—or if you've only seen the TikTok clips of her screaming about her podcast—you’re missing out on the smartest performance in modern satire.
Sennott plays Alice. She’s the girl who brings an older boyfriend named Greg (played by a very chill Lee Pace) to a hurricane party at a mansion. She’s also the girl who thinks a Libra moon is a valid defense for murder. Honestly, it’s iconic.
Why Alice is the Secret Weapon
People love to talk about the "vibes" of A24 movies, but Halina Reijn’s Bodies Bodies Bodies is less about atmosphere and more about the absolute chaos of being trapped with your "best friends" who actually hate you. Amidst all the backstabbing and literal throat-slitting, Alice is the only person who feels... well, human. In a very specific, chronically online, slightly annoying way.
While everyone else is trying to be the "main character" or the "smart one," Alice is just trying to survive the night without losing her mind or her follower count. Sennott plays her with this incredible earnestness. She isn’t a caricature of a Gen Z girl; she’s a person who has fully swallowed the language of therapy and social justice and uses it to describe things like "body dysmorphia" while standing in a room full of corpses.
That Podcast Line (You Know the One)
You've probably heard the line. The one where she defends her podcast because it’s "a lot of work." In the middle of a literal bloodbath, Alice is devastated—not because people are dying, but because her friends "hate-listen" to her show. It’s funny because it’s true. It hits that specific nerve of modern insecurity where being unliked is actually scarier than being murdered.
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Sennott’s delivery is what makes it work. She doesn’t wink at the camera. She’s genuinely hurt. It's that dedication to the bit that turned a 95-minute slasher into a career-defining moment for her.
The Genius of Rachel Sennott's Performance
Before this, Sennott was already the queen of "anxiety cinema" thanks to Shiva Baby. If you haven't seen that, go watch it immediately—it's basically a horror movie but the monster is just your relatives asking when you're going to get a job. But in Rachel Sennott Bodies Bodies Bodies, she had to do something different. She had to be the comic relief in a movie that was already a comedy.
How do you do that without being "too much"?
- Physicality: Watch her walk. She’s wearing these ridiculous glow-stick necklaces and carrying herself with a sort of frantic, "I’m having fun, right?" energy.
- The Reaction Shots: Half of her best moments are just her face in the background while Amandla Stenberg or Pete Davidson are arguing.
- The Sincerity: When she says, "I've never been shot before, and it really fucking hurts," it’s one of the most honest lines in horror history.
Most characters in slashers die with a scream or a final stand. Alice dies with a complaint. It’s perfect.
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Facts vs. The Internet: What People Get Wrong
There's this weird misconception that Bodies Bodies Bodies is a movie for Gen Z. I’d argue it’s a movie about them, and maybe even a little bit against them. It’s a satire. When Alice yells about someone being "ableist" for calling someone a psychopath, the movie isn't saying she's right. It's showing how we use these big, heavy words to win arguments that don't even matter.
Rachel Sennott basically became the face of this specific brand of satire. She’s carved out this niche where she plays characters who are deeply "messy" but somehow you still want to hang out with them. Alice is a bad friend. She’s self-absorbed. She’s kind of a mess. But when she’s off-screen, the movie feels a little darker and a lot less fun.
The "Alice" Effect on Sennott's Career
Since the movie dropped in 2022, Sennott’s trajectory has been insane. She went from the indie darling of Shiva Baby to a genuine star who can carry a studio comedy like Bottoms (which she also co-wrote).
It’s hard to imagine anyone else in the role of Alice. Could someone else have played the "podcaster" archetype? Sure. But they probably would have made her a villain or a total airhead. Sennott gave her a soul. She made her the girl you actually know—the one who’s always "sending you light and love" but will absolutely forget to pick you up from the airport.
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Actionable Takeaways for Movie Buffs
If you’re looking to dive deeper into why this performance works, or if you’re just a fan of the "Sennott-verse," here is what you should do next:
- Watch the "Final Showdown" Scene Again: Focus only on Alice’s face. The way she tries to stay "woke" while people are literally being accused of murder is a masterclass in comedic timing.
- Double Bill it with Shiva Baby: See the range. Going from the high-tension, claustrophobic dread of Shiva Baby to the neon-soaked chaos of Bodies shows why she’s one of the best of her generation.
- Listen to the Script: Pay attention to how the characters use "Twitter speak" in real life. It’s a great study in how language evolves—and how it can be weaponized.
The truth is, Rachel Sennott Bodies Bodies Bodies is a pairing that just worked. It’s one of those rare times where the actor and the material are perfectly in sync. Alice isn't just a character; she's a vibe, a warning, and a legend. And honestly? She was right about the Libra moon.
Next time you’re watching a horror flick and the "funny one" dies first, just remember Alice. She lasted longer than most, and she did it while wearing more glow-sticks than a 2012 rave. That's talent.
To really appreciate the nuance Sennott brings to her roles, watch her recent work in I Used to Be Funny. It’s a much more somber take on her comedic persona, showing the darker side of the "funny girl" trope she mastered in Bodies Bodies Bodies.