You've probably seen the grainy TikTok clips. Maybe it’s a "hologram" of a city appearing in the clouds over China or a strange light formation over a stadium that looks just a little too perfect to be a drone show. In the darker corners of the internet, these sightings usually trigger a flood of comments mentioning one specific name. Project Blue Beam. People talk about it like it's an inevitable script for the end of the world, but if you look at the actual history, the story is way weirder than just "the government is faking aliens." It's a mix of 1990s paranoia, sci-fi tropes, and a very specific Canadian journalist named Serge Monast.
Honestly, the whole thing sounds like a discarded Michael Bay script.
The Man Behind the Theory: Serge Monast
To understand Project Blue Beam: what is it, you have to go back to 1994. Serge Monast wasn't a scientist or a government whistleblower. He was an investigative journalist and a poet from Quebec who became convinced that a New World Order was plotting to enslave the planet. He didn't just think the government was corrupt; he thought they were planning a four-stage psychological operation to abolish all traditional religions and replace them with a single global faith led by the Antichrist.
Monast died of a heart attack in 1996, shortly after being arrested and spending a night in jail. His followers, of course, think he was murdered by "psychotronic weapons."
The theory he left behind is remarkably detailed. It claims NASA and the United Nations are working together to create a massive, global light show. They supposedly want to use satellites to project three-dimensional holographic images across the sky, tailored to different regions and languages. If you're in a Christian area, you might see Jesus; in another region, you might see Buddha. The idea is to convince the entire world that their specific god is speaking to them, eventually merging all these figures into one "New Age" deity.
How the Four Stages Are Supposed to Work
Monast was very specific about the "how." He didn't just say "holograms." He broke it down into a chronological sequence that reads like a checklist for a dystopian novel.
Phase One involves the engineered breakdown of all archaeological knowledge. The theory suggests the "elite" will orchestrate fake earthquakes at specific locations around the globe. These quakes will supposedly "discover" new artifacts that "prove" all religious doctrines have been misunderstood for centuries. It’s a way to gaslight the entire human race into doubting their own history.
Then comes the big show. Phase Two is the "Space Show." This is where the satellites come in. Monast claimed that NASA would use the sodium layer of the atmosphere to project gigantic images. They would use "low-frequency" waves to beam thoughts directly into people's heads, making them believe God is talking to them personally. If that sounds familiar, it's because it's a plot point used in several science fiction stories from the 1970s and 80s.
Phase Three gets into "Telepathic Electronic Two-Way Communication." This is basically the idea that the government will use ELF (Extremely Low Frequency), VLF (Very Low Frequency), and LF (Low Frequency) waves to reach people inside their own minds. Each person would be convinced that their own god is speaking to them from within their soul.
Finally, Phase Four is the kicker. It involves three different "manifestations."
- Making humanity believe an alien invasion is imminent at every major city.
- Making Christians believe the Rapture is happening.
- Using electronic and supernatural forces to travel through fiber optics, coaxial cables, and phone lines to "pervade" all electronic devices and drive people to a state of global chaos.
In the resulting panic, the theory goes, the world would gladly accept a New World Order to restore peace.
The Star Trek Connection: Where Did the Ideas Come From?
Critics and researchers have pointed out something pretty hilarious over the years. A lot of Monast’s "Project Blue Beam" ideas bear a striking resemblance to early drafts of Star Trek.
In the mid-70s, Gene Roddenberry wrote a script treatment for a movie called The God Thing. It involved an alien entity visiting Earth and projecting images of religious figures like Jesus and Muhammad to manipulate the population. Later, in the Star Trek: The Next Generation episode "The Devil's Due," a character uses holograms and technical trickery to convince a planet that she is their version of the Devil so she can enslave them.
Did Monast lift these ideas? Or did he genuinely believe the military was using Hollywood to "prime" us for the real thing? Most skeptics point to the former. When you look at the "technical" descriptions Monast used, they often lack any grounding in actual physics or satellite capabilities of the 1990s.
✨ Don't miss: Rhode Island Attorney General Arrested: What Really Happened with the Newport Incident
Why People Still Believe It in 2026
If the theory is so "out there," why does it still trend every time there's a weird light in the sky?
Technology has actually caught up to some of the "fictions" Monast proposed. In 1994, the idea of a 3D hologram in the sky was pure fantasy. Today, we have massive drone swarms that can create incredibly complex, moving 3D images in the night sky. We have "Voice to Skull" (V2K) technology patents—though their actual effectiveness is highly debated and often exaggerated. We have highly realistic AI-generated voices and deepfakes.
When people see how easily a "deepfake" can deceive, the leap to "the government can fake a deity" doesn't feel as impossible as it did thirty years ago.
Social media fuels this. A video of a "fata morgana" (a complex optical illusion that makes distant objects, like ships or cities, appear to float in the sky) can go viral in minutes. To a casual observer, a floating city over the ocean looks exactly like what Monast described. Without a background in meteorology, "Blue Beam" becomes a convenient, albeit terrifying, explanation.
Real-World Counter-Arguments and Logic Gaps
If you're looking at this objectively, there are some massive holes.
First, the sheer scale of the coordination required is mind-boggling. We're talking about every government on Earth—nations that can't even agree on trade tariffs or climate goals—secretly working together to fake a religion. The logistics of launching and maintaining thousands of holographic projectors in orbit without a single amateur astronomer noticing is, frankly, impossible.
Second, the "telepathic" part. While science has made strides in brain-computer interfaces (think Neuralink), we are nowhere near being able to beam complex, coherent, and culturally specific religious sermons into the minds of 8 billion people simultaneously using radio waves. The power requirements alone would be astronomical.
Third, the "Star Trek" problem mentioned earlier. When a "secret plan" looks exactly like a popular TV show plot, it’s usually because the person who "uncovered" it was influenced by the show, not because the government is uncreative.
✨ Don't miss: The Presidents of the United States List: What History Books Usually Skip
Impact on Modern Culture
Project Blue Beam has moved beyond a simple conspiracy theory. It's now a lens through which a significant portion of the population views any unusual aerial phenomenon. When the U.S. government started releasing UAP (Unidentified Anomalous Phenomena) reports a few years ago, the Blue Beam crowd didn't see it as a disclosure of alien life. They saw it as the "pre-game" for Phase Four.
To them, the government "admitting" there are things in the sky they can't explain is just the setup for the fake invasion. It creates a "heads I win, tails you lose" scenario for the government: if they hide info, they're conspiring; if they share info, they're setting up a "psy-op."
Moving Forward: How to Spot the Difference
So, how do you distinguish between a weird atmospheric event and a "holographic test"?
- Check the Optics: Holograms require a medium to reflect off of. You can't just project light into empty air and have it stop at a certain point to create a 3D shape. There needs to be dust, mist, or a screen.
- Look for Parallax: If you move your head or your location, a real object in the sky will shift in relation to the background. A projection would likely have glitches or "flatness" when viewed from certain angles.
- Verify the Source: Most "floating cities" are Fata Morganas, which happen when light bends through layers of air at different temperatures. These always happen near horizons.
- Follow the Money: Who benefits? A global holographic show would cost trillions. The economic collapse following such an event would destroy the very wealth the "elites" are supposedly trying to protect.
Ultimately, the story of Project Blue Beam: what is it tells us more about human psychology than it does about secret government tech. It’s a manifestation of a deep-seated distrust in institutions and a fear of a rapidly changing technological world. It's easier to believe in a grand, cinematic master plan than it is to accept that the world is chaotic and no one is really in control.
If you want to dig deeper into the actual science of what's possible, look into the current state of atmospheric optics and "directed energy" research. You'll find that while we can do some cool things with lasers and drones, we're a long way off from faking the Second Coming. Keep your eyes on the sky, but keep your feet on the ground. Be critical of low-resolution videos that claim to show "glitches in the matrix" and always look for the meteorological explanation first. Most of the time, the truth is just physics, not a global conspiracy.