Tino. That’s what his friends call him. To the rest of the world, he’s His Royal Highness Prince Constantine Alexios of Greece and Denmark. But let’s be real for a second—being a prince when your country hasn't had a monarchy since 1973 is a pretty unique vibe. It’s a mix of heavy historical baggage and the absolute freedom of a London socialite.
He’s not just some guy in a suit. Honestly, if you scroll through his digital footprint, you’re more likely to see him covered in charcoal or ink than sitting on a throne. Born in New York City in 1998, Constantine Alexios is the eldest son of Crown Prince Pavlos and Crown Princess Marie-Chantal. He’s the grandson of the late King Constantine II, the last reigning monarch of Greece. Because of that, he's technically first in line to a throne that doesn't exist. It’s a weird spot to be in.
The Godparent Factor
You can tell a lot about a person by who shows up to their christening. For Constantine Alexios, that list was basically a "Who's Who" of European power. We’re talking Prince William (the current Prince of Wales), King Felipe VI of Spain, and even the Crown Prince of Denmark.
This isn't just trivia. It shows how deeply the Greek royals are woven into the fabric of every other royal house in Europe. They might not have a palace in Athens anymore, but they have a permanent seat at the table in London, Madrid, and Copenhagen. Prince William, specifically, has been a mentor figure. There's a famous photo of a young William at the christening, looking every bit the dutiful godfather. It’s a relationship that bridges the gap between the "working royals" of the UK and the "royal-adjacent" life Tino leads.
Life Between London and New York
Constantine Alexios grew up in a world that was essentially borderless. After moving from NYC to London as a kid, he attended Wellington College. If you aren't familiar, Wellington is one of those elite British boarding schools where future leaders—and rebels—are forged.
He didn't just stick to the UK, though. He headed back to the States for university, attending Georgetown in Washington, D.C. This is a bit of a family tradition; his father, Pavlos, and his cousin, King Felipe of Spain, both studied there. It gave him a chance to live a somewhat "normal" life, or at least as normal as it gets when your family name is synonymous with European history. People at Georgetown knew him, but he wasn't followed by paparazzi every day. He could just be a student. A student with a very famous godfather, sure, but a student nonetheless.
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Why the Art World is Obsessed
While his sister, Princess Olympia, took the fashion world by storm, Constantine Alexios went a different route. He’s an artist. And not just a "hobbyist" artist who dabs at a canvas once a year. He is genuinely, deeply into the grit of creation.
His work is dark. It’s textured. It’s often monochromatic. He spends a lot of time in his studio, which looks more like a chaotic workshop than a royal drawing room. He works with sculpture, photography, and painting. You’ll see him posting shots of his hands stained with ink or his studio floor covered in scraps. It’s a far cry from the polished, curated image most people expect from a royal.
- He draws inspiration from mythology (fitting, right?).
- He focuses on the human form, often in distorted or raw ways.
- He uses social media as a gallery, sharing raw glimpses of the process.
This artistic streak makes him relatable to a generation that values authenticity over titles. He isn't trying to sell you a "royal lifestyle." He's trying to show you a piece of his mind. It’s a smart pivot. In a world where monarchies are often seen as outdated, being a "cool artist" keeps him relevant without him needing to wear a crown.
The Weight of the "Crown"
When King Constantine II passed away in early 2023, things changed. Suddenly, the "Prince" title felt a bit heavier. Even though Greece is a republic, the funeral in Athens was a massive event. Thousands of people turned out. Constantine Alexios was right there, front and center, helping carry the coffin.
It was a moment of stark reality. It reminded everyone that despite the tattoos and the art studio, he is the heir. If Greece ever decided they wanted a King again—which, let’s be honest, is highly unlikely—it would be him. He handles this with a sort of quiet dignity. He doesn't campaign for it. He doesn't talk about it much. He just exists as a bridge between a royal past and a modern, creative future.
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Relationships and the Public Eye
You can't be a young, handsome prince without the tabloids losing their minds over your dating life. For a while, the big story was his relationship with Poppy Delevingne. Yes, that Poppy Delevingne. The model and socialite who is part of London’s "It" crowd.
The age gap (she’s about 12 years older) set the gossip columns on fire. They were spotted wandering through West London, looking like every other stylish couple. It felt very "modern royal"—no stuffy protocols, just two people hanging out in Chelsea. While they've reportedly moved on, it cemented Tino’s status as a fixture in the international social scene. He’s not hiding in a castle; he’s out in the world.
A Different Kind of Influence
Prince Constantine Alexios represents a shift in how we view royalty. He’s part of a group of "displaced" royals who have to figure out who they are when their primary job description (ruling) has been deleted.
- Identity over Title: He leans into his talents rather than his lineage.
- Digital Presence: He uses Instagram not for PR, but for self-expression.
- Global Citizenship: He’s as much a New Yorker as he is a Greek or a Brit.
He isn't trying to be a 19th-century caricature. He’s a guy who likes hunting in the English countryside, painting in his studio, and traveling with his siblings. He’s remarkably close with his brothers, Achileas-Andreas, Odysseas-Kimon, and Aristidis-Stavros. They seem like a tight-knit unit, which is probably necessary when your family history is as complicated as theirs.
Navigating the Modern World as a Royal
There’s a lot of pressure. People expect him to be a certain way. They want the Prince Charming act. But Tino seems to reject that. His aesthetic is a bit more "troubled artist" than "Disney Prince."
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He’s been involved in some modeling—most notably for Dior, photographed by the legendary Karl Lagerfeld for the "Little Black Jacket" project. But even then, he didn't look like a catalog model. He looked like a character. He has this brooding intensity that works well for the camera but also suggests there's a lot going on beneath the surface.
What's Next for the Prince?
Honestly, he’s probably going to keep doing exactly what he’s doing. Growing his art career. Maintaining those high-level royal connections. Being a face for a new kind of aristocracy that is more about culture and influence than land and power.
He’s in his mid-20s now. The "wild child" years are transitioning into something more substantial. Whether he’ll eventually take on a more formal role within the Greek community remains to be seen. For now, he seems content to let his work speak for itself.
Actionable Insights for Following His Journey
If you’re interested in the modern evolution of European royalty or just want to see some cool art, here is how you can actually keep up with what he’s doing without getting lost in the tabloid noise.
- Follow the Art, Not Just the Name: Look for his work under his nicknames or art collectives. He often avoids using his full title in creative spaces to ensure the work is judged on its own merit.
- Watch the "Working" Royals: To see where he fits in the hierarchy, watch the big events of the British or Spanish royal families. His presence (or absence) at weddings and funerals tells you everything you need to know about his standing in the "Royal Club."
- Understand the Context: Remember that the Greek Royal Family operates differently than the Windsors. They are essentially private citizens with titles. This gives them a level of commercial freedom (like starting fashion brands or art studios) that Prince William or King Charles simply don't have.
- Look for the Photography: His photography is perhaps his most accessible medium. It captures a side of high society that feels less like a gala and more like a behind-the-scenes documentary.
Constantine Alexios is a case study in 21st-century identity. He’s a Prince of a fallen monarchy, a New Yorker by birth, a Londoner by habit, and an artist by choice. He’s not waiting for a throne to be relevant. He’s already built his own world, and frankly, it looks a lot more interesting than a palace.