Pedro Pascal as Mister Fantastic: Why the Backlash Was Totally Wrong

Pedro Pascal as Mister Fantastic: Why the Backlash Was Totally Wrong

Honestly, when Marvel first announced that Pedro Pascal was playing Reed Richards, the internet basically had a collective meltdown. People were shouting about his age. They were worried he was too "cool" or too rugged to play a nerdy scientist. Some fans even joked he was becoming the "Side Quest King" of Hollywood—just popping up in every single franchise until he eventually plays every character in existence.

But then The Fantastic Four: First Steps actually hit theaters in July 2025.

Suddenly, the "too old" complaints vanished. Seeing Pedro Pascal as Mister Fantastic didn't feel like watching a weary Joel Miller or a stoic Mandalorian. It felt like watching a genius who is genuinely, deeply in love with his family but also carrying the weight of the entire world on his shoulders. It was a vibe. A very specific, 1960s-retro-futurism vibe that actually made sense for a man in his late 40s leading a team into the unknown.

The Reed Richards We Didn’t Know We Needed

For years, we’ve seen Reed Richards portrayed as this stiff, almost robotic academic. Ioan Gruffudd gave us the classic version, and Miles Teller gave us the "angry young genius" take. Pascal, though? He leaned into the warmth.

Director Matt Shakman clearly wanted a Reed who was a father first and a scientist second. In First Steps, we aren't watching a man discover he has powers; we're watching a man who has already been a hero for four years. This Reed is established. He’s already built the Future Foundation. He’s already a celebrity on Earth-828. Pascal plays him with this frantic, brilliant energy where he’s constantly tinkering with gadgets while trying to remember if he’s supposed to be at a press conference or changing a diaper.

It’s messy. It's human.

The biggest surprise for a lot of people was the emotional stakes. In the movie, when Galactus (voiced by the terrifyingly bassy Ralph Ineson) finally shows up, the conflict isn't just about punching a giant space god. It’s about Reed and Sue (Vanessa Kirby) realizing their unborn child, Franklin, might be the key to saving the planet. Pascal's performance during the "choice" scene—where the public actually starts protesting against his family—is some of the best acting we've seen in the MCU in years.

That Controversial Stretching (or Lack Thereof)

If you went into the theater expecting Pascal to be turning into a human trampoline every five seconds, you were probably disappointed. One of the biggest talking points after the film's release was how "minimal" his powers felt.

Unlike the 2005 movie where Reed was constantly twisting into pretzels to grab a beer from the fridge, Pascal’s Mister Fantastic uses his elasticity with a lot more restraint. It’s more utility than spectacle. He’ll stretch an arm to catch a falling civilian or flatten his body to absorb an impact, but the CGI is used sparingly.

Some fans on Reddit hated this. They called it "budget-cutting."

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I actually think it was a smart move. Let’s be real: stretching powers often look incredibly goofy in live-action. By focusing on Reed’s brain and his role as a husband, Shakman avoided the "uncanny valley" rubber-man effect that plagued previous versions. Pascal's Reed uses his mind as his primary weapon. When he does stretch, it feels like a deliberate, slightly uncomfortable physical exertion rather than a cartoonish gag.

Why the 1960s Setting Changed Everything

The world of The Fantastic Four: First Steps isn't the New York we know. It's Earth-828. It’s a "retro-future" where the technology looks like something out of a Syd Mead painting. There are flying cars, but they look like they were designed in 1963.

This setting is why Pedro Pascal works.

He fits that "Mid-Century Modern" aesthetic perfectly. There’s a certain optimism to his version of Reed Richards that would feel out of place in the cynical, post-Blip mainline MCU. He’s a man of the Space Race. He believes science can fix anything. That naive hope is what makes the ending of the film so gut-wrenching when they realize they have to leave their reality behind.

The Box Office Reality Check

We have to talk about the numbers, though. While critics mostly liked the film (it’s sitting at a decent fresh rating, though some top critics were harsh), the box office was... complicated. It opened with a massive $117 million domestic weekend, but the "clobbering" happened later.

By the time it hit Disney+ in November 2025, it had only made about $521 million worldwide. In the world of $200 million budgets and massive marketing spends, that’s not exactly a home run. Some analysts blamed "superhero fatigue," but honestly? I think it was just a very weird, very specific movie. It didn't feel like a standard Marvel flick. It felt like a high-concept sci-fi drama that happened to have superheroes in it.

What's Next for Pascal’s Reed Richards?

If you stayed for the post-credits scenes, you know the story is nowhere near over. We saw a four-year time jump showing a young Franklin Richards, and we know the team is headed for the Sacred Timeline.

The big question now is how Pascal’s version of the character will interact with the rest of the Avengers. We already know the Fantastic Four have a massive role in Avengers: Doomsday (releasing late 2026). Seeing Pedro Pascal's optimistic, "dad-energy" Reed Richards face off against Robert Downey Jr.’s Doctor Doom? That is going to be the cinematic event of the decade.

Actionable Takeaways for Fans

If you’re trying to keep up with the complicated lore of Pascal’s debut as Mister Fantastic, here’s what you actually need to know:

  • Watch the 1960s cues: The film is packed with references to 1963/1964. The "All You Need Is Love" teaser wasn't just a gimmick; it defines the team's motivation.
  • Don't expect "The Sacred Timeline": This movie takes place in a different universe. When they show up in the next Avengers movie, they will be "fish out of water" in our version of Earth.
  • Focus on the family dynamic: The "First Steps" in the title refers to parenthood as much as it does to space exploration. The relationship between Reed and Sue is the actual engine of the plot.
  • Look for the "Future Foundation": The tech Reed develops in this film is significantly more advanced than what we've seen from Stark or Wakanda, which will likely cause some friction when the universes collide.

The backlash was wrong. Pedro Pascal didn't just play a superhero; he gave the MCU a soul again. Whether he's stretching his limbs or just trying to navigate the politics of a planet that wants to sacrifice his son, he's proven that he is the smartest man in the room—and the most interesting one to watch.