Pat Benatar Running With The Shadows Of The Night Lyrics: What Most People Get Wrong

Pat Benatar Running With The Shadows Of The Night Lyrics: What Most People Get Wrong

You know that feeling when a song starts and you’re immediately transported to a specific era? For anyone who grew up with MTV in the early '80s, that opening synth swell and the driving beat of Pat Benatar’s 1982 hit are basically a time machine. But honestly, if you sit down and actually look at the Pat Benatar running with the shadows of the night lyrics, there’s a massive disconnect between what people remember and what the song is actually about.

Most of us picture Pat in that iconic WWII flight suit, dodging Nazis and looking like a total boss. That music video was everywhere. It basically defined her "tough girl" persona for a whole generation. But here’s the kicker: the lyrics have absolutely zero to do with fighter pilots, World War II, or commando raids.

In fact, the song’s origins are way more "gritty New York street kid" than "heroic aviator."

The "Runaway" Reality Behind the Words

The song wasn’t even written for Pat Benatar. It was penned by D.L. Byron, a songwriter who was trying to get a track into the 1980 cult film Times Square. If you haven't seen it, the movie is about two teenage runaways in New York City who form a punk band. It’s dark, messy, and very "pre-Disney" Times Square.

When you read the lyrics through that lens, everything clicks.

  • "We're running through the shadows of the night"
  • "So come and take my hand, it’ll be alright"
  • "The hungry hunter, he makes his laws / With the barrel of a gun"

It's a song about survival. It's about being young, broke, and marginalized in a world that doesn't want you. When Pat got her hands on it for the Get Nervous album, she and her guitarist/husband Neil Giraldo tweaked some things, but that core "us against the world" energy stayed.

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Why the Music Video Lied to Us (In a Good Way)

So, if the song is about runaways, why the heck are we watching a mini-movie about a 1940s riveter dreaming of being a flying ace?

Basically, by 1982, music videos were becoming a high-stakes arms race. You couldn't just stand in front of a curtain and sing anymore. Pat Benatar was a massive star, and her team wanted something cinematic. They hired director Mark Robinson and went for a full-blown narrative.

Fun Fact: The Famous Faces You Missed

If you go back and watch the video today, you’ll notice a couple of "before they were famous" cameos that are kinda wild:

  1. Judge Reinhold: He plays the fellow pilot. This was right around the time he was doing Fast Times at Ridgemont High.
  2. Bill Paxton: He plays a Nazi radio operator. Yes, the future Aliens and Twister star was once a villain in a Pat Benatar video.

Pat herself later admitted in her memoir, Between a Heart and a Rock Place, that they felt a little ridiculous in the costumes. She said they were "just rockers dressed up," while Reinhold and Paxton were actual actors taking the job seriously. It’s a funny bit of rock history that adds another layer to the Pat Benatar running with the shadows of the night lyrics legacy.

Breaking Down the Key Lyrics

Let's look at the actual text. The song opens with a plea for surrender—not to an enemy, but to the moment.

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"You said, 'Oh girl, it's a cold world out there' /
'Leaving all our doubts and fears behind'"

This is classic rock rebellion. It’s the "midnight angel" line that always gets people, though. In the video, Benatar’s plane is named Midnight Angel. In the song? It’s a metaphorical figure of hope. "Midnight angel, won't you say you will?" It’s a prayer for a break in the clouds, a chance to escape the "hungry hunter" mentioned in the second verse.

The "hungry hunter" is a great piece of lyricism because it’s vague enough to fit anything. In the original runaway context, it’s likely the police or predatory adults. In the music video, it’s the literal Nazi forces. In your own life? It’s probably your boss or a looming credit card bill. That’s why the song works. It’s universal.

The Grammy Connection and Cultural Impact

You can’t talk about this track without mentioning that it earned Pat her third consecutive Grammy for Best Female Rock Vocal Performance in 1983. Think about that for a second. She won four of those in a row. She was literally the undisputed queen of rock for the first half of the decade.

Get Nervous was a pivotal album. It peaked at #4 on the Billboard 200 and showed that Pat could handle more "new wave" synth sounds without losing her hard rock edge. "Shadows of the Night" hit #13 on the Hot 100, but its impact felt much bigger because of the constant MTV rotation.

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What Most People Miss

People often forget that before Pat Benatar made it a hit, other artists actually recorded it. Helen Schneider had a version that was apparently huge in Germany. Rachel Sweet also did a version in 1981.

But none of them had the "Benatar Factor."

Pat has this specific way of phrasing things—that mezzo-soprano power mixed with a street-smart sneer—that made the Pat Benatar running with the shadows of the night lyrics feel like a personal manifesto. When she sings "I will win in the end," you actually believe her.

How to Appreciate the Song Today

If you want to really "get" the song, try this:

  • Listen to the D.L. Byron original demo. It’s much more stripped back and helps you hear the "runaway" theme clearly.
  • Watch the video with the sound off. Notice the storytelling. It’s essentially a short film about female empowerment and escapism.
  • Check out the Rock of Ages version. Mary J. Blige covered it for the movie, and it brings a totally different, soulful energy to the words.

Honestly, the song is a masterclass in how a performance can re-contextualize a set of lyrics. It started as a song about kids hiding in the New York subway and ended up as an anthem for anyone fighting an uphill battle.

If you’re looking to dive deeper into the era's music, your next step should be checking out the rest of the Get Nervous album—specifically "Little Too Late." It captures that same high-energy transition from 70s rock to 80s pop-rock perfection. You might also want to look up the "Midnight Angel" aircraft used in the video; it’s a T-6 Texan, a staple of WWII training that's still a favorite at airshows today.