Ever wonder what the world would look like if men just... stopped being necessary? Not in a "men are annoying" kind of way, but in a literal, biological sense. That's the premise of the no men beyond this point movie, a 2015 Canadian mockumentary that basically takes the concept of "The Future is Female" and runs with it until there are almost no dudes left.
Honestly, I’ve seen a lot of sci-fi, but this one hits differently. It’s not some high-octane Mad Max desert brawl. It’s a dry, quiet, and incredibly funny look at a world where women started reproducing via parthenogenesis in the 1950s.
The Setup You Probably Didn't Expect
The movie, directed by Mark Sawers, presents itself as a serious documentary. It’s set in an alternate 2015 where the youngest man on Earth, Andrew Myers (played by Patrick Gilmore), is 37 years old. No boys have been born in nearly four decades.
It all started in 1952.
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A near-Earth object almost hit the planet, and suddenly, women started having "virgin births." At first, the guys in charge didn’t believe it. They called the women liars. They blamed "hysteria." But then a nun got pregnant in a remote convent, and the world had to face facts: men were becoming obsolete.
Why the No Men Beyond This Point Movie Isn't What You Think
People usually go into this movie expecting a radical feminist manifesto or a "battle of the sexes" action flick. It’s neither. It’s actually a satire of bureaucracy and social engineering.
When the women took over, they didn't just replace the men; they changed how society functioned entirely.
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- Asexuality is the Norm: In this world, most women have become asexual. Romantic passion is seen as "crooked" or weird.
- The Period Holiday: Since all women’s cycles eventually synced up, the government just declared a three-day national holiday every month. Talk about practical.
- Men’s Sanctuaries: The remaining men aren't in prison; they’re in these sleepy, nursing-home-style "sanctuaries" where they’re fed estrogen-heavy diets to keep them docile. They mostly just play lawn bowls and complain.
Andrew, our protagonist, is one of the few men still allowed in general society. He works as a housekeeper for a family of women—Iris and Terra. He’s basically a domestic servant, and he’s totally fine with it. He’s mild-mannered, quiet, and honestly kind of sweet.
The "Crooked" Romance
The plot kicks in when Iris, one of his employers, starts developing "feelings" for him. In this universe, that’s a huge scandal. It’s treated with the same weight as coming out was in the mid-20th century.
There's this great line Iris says while painting a portrait of Andrew: "No one wants a picture of a man hanging over the fireplace." It perfectly captures the movie's vibe—men aren't hated; they’re just considered decorative and slightly irrelevant, like a rotary phone or a VCR.
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Where Most People Get It Wrong
A lot of viewers assume the movie is trying to say a world without men would be a perfect utopia. But Sawers is smarter than that. He shows that while war and violence have decreased, the world has also lost its spark.
There’s no internet. There’s no space program. Innovation has slowed down because the governing body—made up mostly of very old, conservative women—prioritizes stability over everything else. It’s a "polite" dystopia.
Practical Takeaways for Fans
If you're looking to watch the no men beyond this point movie, it’s a bit of a cult find. It isn't always on the big streamers like Netflix or Max.
- Check the "Free" Apps: It frequently pops up on Tubi, Pluto TV, or the Roku Channel. It’s the kind of indie gem that thrives on ad-supported streaming.
- Watch with a Group: This is a great "discussion" movie. Whether you're a film student or just someone who likes weird "what if" scenarios, the social commentary provides plenty of fuel for a late-night chat.
- Look for the Details: Keep an eye on the background. The fake news clips and archival footage are where some of the best jokes are hidden, especially the "expert" interviews where female historians explain why men were so angry all the time.
Basically, if you want a sci-fi movie that makes you think without making your head explode from complex timelines, this is the one. It’s a weird, deadpan journey into a world that almost was—or maybe, according to the film, a world that’s just around the corner.
To get the most out of your viewing, try pairing it with other "sociological sci-fi" like The Lobster or even The Handmaid's Tale for a total tonal contrast. Watching how different creators imagine the collapse of traditional gender roles tells you more about our current world than the fictional ones they build.