Music and politics have always been messy roommates. But when Natasha Owens dropped her single back in mid-2024, she didn't just walk into the room; she blew the doors off.
Natasha Owens The Chosen One became an instant lightning rod. Honestly, you've probably seen the clips on TikTok or Truth Social, where the song basically became the unofficial soundtrack for the MAGA movement. It wasn't just a catchy tune for a specific crowd. It was a statement that landed her in the Oval Office with a commemorative plaque in late 2025.
But here’s the thing. Most people hear the title and immediately jump to "blasphemy." They think she's calling a politician a deity. If you actually look at the lyrics and the story behind the track, the reality is a bit more nuanced—and way more interesting.
What Most People Get Wrong About the Lyrics
The biggest misconception is that the song deifies Donald Trump. It's a fair assumption if you only read the title, but the very first line of the song tries to shut that down. Owens literally sings, "I’m not saying he’s something divine."
She’s being pretty blunt there.
The track was co-written by Owens, her husband David, producer Ian Eskelin, and conservative media personality Wayne Allyn Root. If that last name sounds familiar, it's because Root famously called Trump the "Chosen One" on Newsmax years ago. That comment sparked a global media firestorm at the time, and this song is essentially the musical evolution of that moment.
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Owens has been vocal in interviews, specifically on platforms like America UnCanceled, explaining that the "chosen" label is about biblical precedent, not divine equality. She points to figures like David or Saul—imperfect men used for a specific purpose. It’s a "vessel" argument.
The Prophetic Timing
When the song was released in June 2024, it was already doing well. Then July happened.
The attempted assassination in Butler, Pennsylvania, changed everything for this track. Suddenly, the lyrics about "arrows in his back" and "divine protection" felt less like metaphors and more like a play-by-play for her audience. The song's social media impressions exploded, eventually surpassing 2 billion.
It’s rare for a song to hit the zeitgeist that precisely. Whether you're a fan or a critic, you can't deny the "viral contagiousness" that followed that event.
The Industry Shift: From CCM to MAGA Powerhouse
Natasha Owens wasn't always the "patriotic powerhouse" the headlines call her now. She started as a staple in the Contemporary Christian Music (CCM) world. She toured with heavy hitters like Michael W. Smith and Jason Crabb.
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But then, things got complicated.
Owens claims she was essentially "canceled" by the mainstream Christian music industry for her vocal support of Trump. Instead of fading away, she leaned in. Hard.
- 2022: Released American Patriot, a pivot toward nationalism.
- 2023: Dropped "Trump Won," which hit #1 on iTunes and #5 on the Billboard Digital Sales Chart.
- 2024: Released "The Chosen One" and the album That America.
This wasn't just a career change; it was a brand rebuild. She stopped trying to fit into the Nashville CCM mold and started playing at Mar-a-Lago, CPAC, and RNC events. By 2025, she was presenting awards to the President himself in the People’s House.
Why the Controversy Won't Die
The backlash to the song didn't just come from the political left. A lot of the loudest criticism came from within the church.
If you browse through r/Christianity or talk to certain theologians, the word "idolatry" comes up a lot. Critics argue that even with the "not divine" disclaimer, the imagery used—lions, kings, and "Judas kisses"—blurs the line too much.
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Some listeners found the lyric "There's only one Don" (a play on "only one God") particularly unsettling. It conjures a weird mix of religious reverence and "Godfather" style loyalty. Owens, for her part, stands by the "Warrior" imagery. She’s not trying to win over the critics; she’s singing to a base that feels under attack.
The Numbers Don't Lie
Whatever your personal take is, the data behind the song is massive. We aren't just talking about a few thousand streams.
- Social Media: Over 2 billion impressions across TikTok and X.
- Charts: Top 20 status and consistent performance on Digital Song Sales.
- Live Impact: She performed during inauguration week and has become a fixture at conservative gatherings.
The song succeeded because it tapped into a specific feeling of "us vs. them." It’s a source of hope for one side and a source of deep concern for the other.
Actionable Takeaways for Listeners and Creators
If you're looking at this as a case study in modern media or just trying to understand the fuss, keep these points in mind:
- Analyze the context: Don't just read the title. The "imperfect man used by a perfect God" theme is a massive pillar of conservative Christian thought that explains why the song resonates so deeply with its target audience.
- Watch the pivot: Owens' career shows that getting "canceled" in one niche can sometimes lead to a much larger, more loyal audience in another if you're willing to be unapologetic.
- Recognize the timing: The success of the song proves that in the age of social media, being "prophetic" (even by accident) is the ultimate viral engine.
Whether "The Chosen One" is a bold statement of faith or a step too far into political worship is something people will be debating for a long time. But in terms of cultural impact? The debate is already over. Natasha Owens found her lane, and she’s driving it at full speed.