Movies That Have Lots of Sex: Why They Are Making a Huge Comeback

Movies That Have Lots of Sex: Why They Are Making a Huge Comeback

It feels like for a decade, Hollywood was terrified of the human body. Between the rise of PG-13 superhero dominance and the cautiousness of the early streaming era, the "erotic thriller" basically went extinct. But things are shifting. People are looking for movies that have lots of sex again, not because they’re looking for cheap thrills, but because there is a genuine hunger for adult stories that don't feel sterilized by a boardroom. We’re seeing a massive resurgence in "elevated" eroticism.

Look at Poor Things. Yorgos Lanthimos didn't just include a few scenes; he made sexuality the literal engine of the protagonist's development. It’s messy. It’s weird. It’s funny.

Most people think these films are just about shock value. They're wrong. When a director like Luca Guadagnino or Park Chan-wook leans into the physical, they are usually trying to communicate something that dialogue just can't touch. Tension is a narrative tool.


The Death and Rebirth of On-Screen Intimacy

For a long time, the "Sundance vibe" or the "Marvel formula" dictated what we saw. If a movie was "important," it was usually sexless. If it was "fun," it was for kids. This created a weird vacuum in the middle. Honestly, the industry forgot that adults like watching adult problems.

The turning point? Probably the explosion of international cinema on platforms like MUBI and Netflix.

European filmmakers never really stopped making movies that have lots of sex. They don't have the same Puritanical hangups that haunt American studios. When Blue Is the Warmest Colour won the Palme d'Or at Cannes in 2013, it sparked a massive controversy regarding its length and the intensity of its depictions. Abdellatif Kechiche’s film remains a lightning rod for debate. Critics like Justin Chang have noted how the film’s physicality is inseparable from its emotional weight, even while acknowledging the difficult production environment reported by stars Léa Seydoux and Adèle Exarchopoulos.

Why the "Intimacy Coordinator" Changed Everything

You can't talk about modern cinema without mentioning the rise of the Intimacy Coordinator. This role, pioneered by experts like Ita O'Brien, changed the game. Before this, actors were often left to "figure it out," which led to trauma, blurred boundaries, and—frankly—bad acting.

Now, these scenes are choreographed like stunts.

Because actors feel safer, the performances are actually getting more daring. Normal People (though a series) set the gold standard for this, and film directors are following suit. They realized that when you remove the awkwardness and fear from the set, the resulting scene feels more authentic to the audience. It’s a paradox: more structure leads to more realism.

Breaking Down the Genre: It’s Not Just One Thing

When someone searches for movies that have lots of sex, they might be looking for a dozen different genres. It's a broad bucket.

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  1. The Erotic Thriller: Think Basic Instinct or the more recent Fair Play on Netflix. These are about power. The sex is a weapon or a negotiation tactic.
  2. The Coming-of-Age Odyssey: Films like Y Tu Mamá También. Here, the physicality is about discovery and the fleeting nature of youth. Alfonso Cuarón used the intimacy between the three leads to mirror the political instability of Mexico at the time. It’s genius.
  3. The Period Piece: Lady Chatterley’s Lover (the 2022 version) or Portrait of a Lady on Fire. These use the "forbidden" nature of the act to crank up the stakes.

The French Extremity and Beyond

We have to talk about Gaspar Noé. His film Love was shot in 3D. It wasn't just a movie; it was an assault on the senses. Noé is a provocateur, sure, but he’s also obsessed with the technicality of the human form. Is it for everyone? Absolutely not. But it represents one end of the spectrum where the "sex" is the movie.

On the flip side, you have someone like Sean Baker. In Red Rocket or Anora, he explores the lives of sex workers with a frantic, empathetic energy. There is plenty of nudity and sex, but it’s presented as a job. It’s mundane. It’s stressful. It’s human.


The "Cringe" Factor and Why Some Movies Fail

Not every attempt works. We’ve all seen those movies where a sex scene feels like a music video from 2004. Blue lighting, slow-motion silk sheets—it’s boring.

The reason Saltburn went viral wasn't just because it was provocative. It was because the intimacy was uncomfortable. Emerald Fennell understands that for a scene to stick with you, it has to provoke a reaction beyond just "oh, they're naked." It should make you wince, or laugh, or feel like a voyeur.

Movies that have lots of sex often fail when they try to be "classy."

If you're going to do it, do it. Don't hide behind soft-focus lenses and vague silhouettes. That’s what the 90s did. Modern audiences have seen everything; they value honesty over "tastefulness."

The Impact of the Male Gaze vs. Female Gaze

This is a huge topic in film schools right now. For decades, the camera in these movies acted like a leering bystander. It focused on specific body parts in a way that felt objectifying.

But look at a film like How to Have Sex (2023).

Director Molly Manning Walker uses the camera to show the experience of the protagonist, rather than just the act itself. The "lots of sex" in this movie isn't celebratory; it’s a nuanced look at consent, peer pressure, and the blurred lines of a party holiday. It’s an essential watch because it deconstructs the very idea of "sex movies."

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Ranking the Heavy Hitters: What to Actually Watch

If you want to understand the evolution of this niche, you have to look at the benchmarks.

The Masterpiece: Eyes Wide Shut (1999)
Stanley Kubrick’s final film is a psychological labyrinth. It’s about the idea of sex more than the act itself, but the orgy sequence remains one of the most haunting and expensive-looking depictions of hedonism ever put to film. It’s cold, detached, and brilliant.

The Emotional Wreck: Shame (2011)
Steve McQueen and Michael Fassbender created a brutal portrait of sexual addiction. This isn't a "fun" movie. It’s a movie that uses frequent, graphic encounters to show a man who is completely empty inside. It’s an incredible example of how "lots of sex" can be used to depict profound loneliness.

The Modern Classic: The Handmaiden (2016)
Park Chan-wook. This is a heist movie, a romance, and a revenge thriller all in one. The intimacy here is stylized and incredibly choreographed. It’s gorgeous to look at, but it also serves the plot perfectly. Every touch is a plot point.


Does This Stuff Even Belong on Streaming?

The "Streaming Wars" have been great for movies that have lots of sex. Why? Because you can watch them in private.

The theater experience for a movie like Nymphomaniac is... awkward. But on a laptop? It’s just another piece of cinema. Netflix’s 365 Days or the 50 Shades franchise (which started in theaters but lived on streaming) proved there is a massive, underserved audience for this.

The problem is the "Algorithm-ification" of content.

Streaming services want "watch time." Sometimes they greenlight movies with high "heat" factors just to get clicks, leading to a drop in quality. We’re seeing a lot of "erotic" movies that have zero soul. They are essentially high-budget soap operas.

The Technical Side: Lighting and Skin

Cinematographers hate and love these scenes. Lighting skin is hard. You want it to look natural but not "medical."

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In Blonde, the controversial Marilyn Monroe biopic, the lighting shifts constantly to reflect her mental state. The intimacy in that film is intentionally harrowing. The DP (Director of Photography) has to balance the exposure so that the bodies don't just turn into a "flesh-colored blob" on screen. It requires immense technical skill to make these scenes look like art rather than home videos.

Realism vs. Fantasy

There's a growing divide in movies that have lots of sex.

On one side, you have the "Realists." Think Andrea Arnold (American Honey). The sex is sweaty, awkward, and often happens in the back of a van or a cheap motel. It feels like real life.

On the other side, you have the "Stylists." Think Nicolas Winding Refn. Everything is neon, slow, and hyper-aesthetic.

Both are valid. The mistake is thinking that one is "better" than the other. Realism gives us empathy; stylization gives us myth.


Actionable Insights for the Savvy Viewer

If you’re looking to explore this side of cinema without falling into the trap of watching garbage, here is how to filter the noise:

  • Follow the Director, Not the Hype: If a director like Paul Verhoeven, Catherine Breillat, or Pedro Almodóvar is behind the camera, the nudity isn't just a marketing gimmick. It's part of their artistic language.
  • Check the Production Pedigree: Films produced by A24, Neon, or Searchlight tend to handle adult themes with much more nuance than "straight-to-streaming" originals.
  • Look for "Festival Darlings": Movies that premiered at Cannes, Berlinale, or Venice and were noted for their "graphic nature" are usually trying to push boundaries in an interesting way.
  • Read the "Intimacy" Reviews: Look for mentions of how the scenes were handled. If critics mention that the chemistry feels "earned," you're likely looking at a high-quality film.

The landscape of movies that have lots of sex is changing because our culture is changing. We’re moving past the "shame" phase and into a "curiosity" phase. We are finally allowing movies to be as messy and physical as real life actually is.

To find the best examples of this genre today, start by looking at international cinema—specifically from France, South Korea, and Denmark. These regions are currently leading the way in integrating raw sexuality with high-concept storytelling. Avoid the "Top 10 Sexiest Movies" lists on major lifestyle sites; those are usually just SEO bait for the same five mainstream movies. Instead, look into the filmography of actors like Isabelle Huppert or Tilda Swinton, who have spent their careers choosing projects that refuse to shy away from the physical reality of being a human being.