Montana of 300 Songs: What Most People Get Wrong About the Rap God

Montana of 300 Songs: What Most People Get Wrong About the Rap God

If you’ve spent any time in the dark, lyrical corners of YouTube over the last decade, you’ve seen the face. Bandana tied tight, eyes locked on the lens, and a flow that sounds like a semi-truck losing its brakes on a steep grade. That’s Montana of 300. Most people know him for the remixes. They think he’s just the guy who "hijacks" popular beats and raps better than the original artist. Honestly? That’s barely scratching the surface of what makes montana of 300 songs a whole different breed of hip-hop.

He’s not just a "drill rapper." Calling him that is kinda like calling a master chef a "sandwich maker" because he used bread once. Walter Anthony Bradford—his real name—came out of Chicago with a chip on his shoulder and a vocabulary that would make a Scrabble champion sweat. He doesn't drink. He doesn't do drugs. He just raps.

The Chiraq Remix: A Five-Minute Masterclass in Violence and Poetry

Let's talk about the elephant in the room. The "Chiraq Remix." When this dropped back in 2014, it didn't just go viral; it felt like a tectonic shift. Most rappers use a remix to catch a vibe. Montana used it to stage a hostile takeover.

The song is five minutes of pure, unadulterated aggression. No hook. No bridge. Just bars.

You’ve probably heard the line that everyone quotes: "To us she was a loving mother, but to other motherf***ers she was clientele." He’s talking about his own mother’s struggle with addiction. It’s brutal. It’s honest. And it’s why people latched onto his music. He wasn't just talking about the block; he was talking about the trauma that built the block.

What’s crazy is the structure of that specific song. He starts off relatively calm, almost conversational. Then, as the minutes tick by, his voice gets higher, louder, and more desperate. By the end, he’s practically screaming at you. It’s like watching a man slowly lose his mind in real-time, except he never misses a single syllable.

Why Every May 20th Matters

If you're a real fan, you know the date. May 20th. For years, Montana dropped his biggest projects on this specific day. Fire in the Church in 2016. Don't Doubt the God in 2017. Pray for the Devil in 2018.

✨ Don't miss: The Lil Wayne Tracklist for Tha Carter 3: What Most People Get Wrong

Fire in the Church was the moment he proved he could actually write an album. Up until then, critics were saying he was just a "YouTube rapper." Then he dropped "Holy Ghost" and "Angel With an Uzi." These aren't just songs; they’re cinematic experiences.

He uses religious imagery not because he’s a gospel artist, but because he sees the streets as a spiritual battlefield. In "Holy Ghost," he raps at a pulpit. He’s questioning the Bible, systemic racism, and his own morality all in the same breath. It’s dense stuff. You have to listen to it three times just to catch the metaphors.

The "Rap God" Label: Arrogance or Accuracy?

In 2022, he dropped an album literally titled Rap God. It’s 25 tracks long. Two hours of music.

Who does that?

In an era where most rappers are dropping two-minute songs designed for TikTok loops, Montana went the opposite way. He gave us a marathon. Songs like "The Last Dance" show that even a decade into his career, his "me against the world" attitude hasn't faded.

He’s independent. He’s always been independent. He famously turned down major label deals because he didn't want anyone "recouping" his hard work. He’s essentially the CEO of his own life, and that independence shines through in the lyrics. He talks about the industry like it’s a scam, warning younger rappers not to sign their lives away for a chain and a rented car.

🔗 Read more: Songs by Tyler Childers: What Most People Get Wrong

The Songs You Probably Missed (But Shouldn't)

Everyone knows "Ice Cream Truck." It’s catchy. It’s the closest thing he has to a "hit" in the traditional sense. But if you want to understand the depth of montana of 300 songs, you have to go deeper.

  1. "Wifin' You"
    This one caught everyone off guard. It’s a love song. Sorta. It shows his melodic side, proving he can actually sing a bit without sounding like a robot. It’s got over 100 million streams for a reason—it’s relatable.

  2. "Busta Rhymes"
    From the Don't Doubt the God era. This is Montana at his most technical. The flow switches are dizzying. It’s called "Busta Rhymes" because he’s trying to match that legendary speed and energy.

  3. "FGE Cyphers"
    These are family affairs. Featuring his Fly Guy Entertainment crew (Talley of 300, No Fatigue, etc.), these tracks are usually 6 to 10 minutes long. They’re like a lyrical gym. Everyone is just trying to outrap each other.

The Complexity of the 300 Name

People always get this wrong. No, he’s not in Chief Keef’s 300 set. He’s actually said multiple times he’s "300 no BD" (Black Disciples). The "300" comes from the movie. The Spartans. The idea of a small group of warriors standing against an empire.

It fits his brand perfectly. He’s a lone wolf. He doesn't need a massive entourage or a label's marketing budget. He just needs a microphone and a beat that he can dismantle piece by piece.

💡 You might also like: Questions From Black Card Revoked: The Culture Test That Might Just Get You Roasted

What to Do Next if You're Just Starting

If you're new to this, don't just hit "shuffle" on Spotify. You'll get overwhelmed.

Start with the Cursed With a Blessing mixtape. It’s the foundation. Then, watch the music videos. Montana is a visual artist as much as a musical one. The way he performs for the camera adds a layer of intensity you just don't get from the audio alone.

After that, go find his "Computers" remix. It’s arguably one of the hardest verses in the history of the genre. Just be prepared to hit the back button a lot—you’re going to miss half the bars on the first listen.

Honestly, the best way to experience his music is to treat it like a puzzle. He’s hiding double and triple meanings in almost every line. He’s a writer's rapper. If you’re looking for background music for a party, this might not be it. But if you want to hear someone push the English language to its absolute limit, you’re in the right place.


Actionable Next Steps:

  • Listen to the "Chiraq Remix" and "Holy Ghost" back-to-back. This gives you the full spectrum of his style—from raw street aggression to philosophical depth.
  • Watch the music video for "Wifin' You" to see his versatility and how he handles a more mainstream, melodic sound.
  • Check out the Rap God album (2022) if you want to see how his style evolved into a more polished, "master of the craft" aesthetic over the years.