Miley Cyrus on Nicki Minaj: What Really Happened With That VMA Call-Out

Miley Cyrus on Nicki Minaj: What Really Happened With That VMA Call-Out

You remember where you were. It was 2015. The MTV VMAs were basically the Super Bowl of pop culture chaos, and Miley Cyrus was at the center of the storm as the host. Everything seemed like the usual scripted spectacle until Nicki Minaj walked up to the mic to accept her award for "Anaconda." She thanked her pastor—classy move—and then she turned her head. That neck snap was the shot heard 'round the world.

"And now back to this bitch that had a lot to say about me the other day in the press," Nicki said, looking dead at Miley. "Miley, what's good?"

The camera panned to Miley. She looked like she’d just seen a ghost, or maybe just a really angry Harajuku Barbie. It wasn't just a meme; it was a collision of two massive egos and a very real conversation about race, tone, and who gets to control the narrative in Hollywood. People still argue about whether it was staged. Honestly? If you watch Miley’s face, she’s not that good of an actress. That was pure, unadulterated shock.

The Interview That Sparked the Fire

So, why was Nicki so mad? It actually started with an interview. A few days before the show, Miley Cyrus on Nicki Minaj became the headline of a New York Times profile. The reporter asked Miley about Nicki’s frustration over "Anaconda" not being nominated for Video of the Year. Nicki had pointed out that if she were a different "kind" of artist (read: thin and white), she probably would have been nominated.

Miley didn’t just disagree; she went for the jugular. She called Nicki "not too kind" and "not very polite." She basically told the most successful female rapper on the planet that she was making the issue all about herself.

Miley's exact logic? "If you want to make it about race, there’s a way you could do that. But don’t make it just about yourself."

🔗 Read more: Wife of Nelson Mandela: What Most People Get Wrong

It was the ultimate "tone policing" moment. Miley, who was famously in her Bangerz era and catching heat for cultural appropriation (the dreads, the twerking, the using Black backup dancers as "props"), was telling a Black woman how to talk about racism.

The irony was thick. Thicker than the "Anaconda" video itself.

What Most People Get Wrong About the Beef

A lot of folks think this was just a "catfight." It wasn't. That’s a lazy way to look at it. Nicki wasn't just mad about a snub; she was pointing out a systemic bias in how MTV rewards certain aesthetics.

When Miley said Nicki was "not polite," she was feeding into a very old, very tired stereotype: the "Angry Black Woman."

By the time Nicki got on that stage, she wasn't just accepting a moonman. She was reclaiming her space. When she said "Miley, what's good?" she was demanding accountability in real-time. Miley’s response—"We all do interviews, and we all know how they manipulate shit"—felt like a weak pivot. It was the celebrity version of "my account was hacked."

The 2019 Reigniting: "Cattitude" and Perdue Chickens

You’d think after four years, they’d both move on. Nope.

👉 See also: Kevin Hart Wedding Ring: Why the Comedian’s Bling is Still Trending in 2026

In 2019, Miley released a song called "Cattitude." It had a line that made everyone’s ears perk up: "I love you Nicki, but I listen to Cardi." At the time, Nicki Minaj and Cardi B were in the middle of their own legendary feud (remember the shoe-throwing incident at Fashion Week?).

Miley tried to play it off as a joke. She even posted captions like "I love you Selena, but I listen to Demi." She told radio hosts that there's no beef, she’s a vegan, blah blah blah.

Nicki Minaj was not laughing.

She took to her Queen Radio show and let loose. She called Miley a "Perdue chicken" and brought up some old rumors about Miley and producer Mike WiLL Made-It. Nicki’s point was simple: don't use my name for clout if you don't actually respect the work.

"A Perdue chicken can never talk shit about queens," Nicki said.

It was a reminder that in the world of rap, respect isn't given; it's earned. And if you've been "disrespectful" in a magazine article once, Nicki doesn't forget. Ever.

Where Do They Stand Now?

Is there a 2026 update? Mostly, it’s a cold war. They aren't exactly sending each other Christmas cards. Miley has shifted her image again—moving into her rockstar Endless Summer Vacation era—and has steered clear of commenting on other artists' drama. She seems to have learned that "politeness" is a subjective thing.

Nicki, meanwhile, continues to protect her legacy with a diamond-encrusted fist.

The legacy of the "Miley, what's good?" moment is that it forced a lot of white pop stars to look in the mirror. You can't just "borrow" the culture when it's fun and then complain when the people who live that culture speak up.

Moving Forward: Lessons from the Feud

If you’re a creator or just someone who spends too much time on TikTok, there are a few takeaways here that actually matter:

  • Tone Policing is a Trap: Focusing on how someone says something instead of what they are saying is a great way to lose an argument.
  • Context is King: You can't strip a person's lived experience away just because it makes you uncomfortable.
  • Own Your Words: If you say something in an interview, be prepared for the person you talked about to show up at your job. Literally.

The next time you see a celebrity "beef," look past the memes. Usually, there's a much deeper conversation about power and identity happening just beneath the surface. For Miley and Nicki, it was never just about a trophy; it was about who gets to speak and who has to listen.

To understand the full impact of these industry shifts, you should look into how award show criteria have changed since 2015 to include more diverse voting committees. Research the "MTV VMA Voting Committee" reforms to see if the industry actually listened to the "Anaconda" critique. Additionally, watching Miley’s 2024 Grammy acceptance speech provides a stark contrast to her 2015 persona, showing her growth in acknowledging the artists who paved the way before her.