When Lil Uzi Vert dropped Eternal Atake 2 in late 2024, the internet basically had a collective "wait, what?" moment. Most people expected a space-age sequel to the 2020 masterpiece. Instead, we got a chaotic, gritty, and sometimes confusing trip through Uzi’s current psyche. Right in the middle of that storm sits Meteor Man, a track that has divided the fanbase like almost nothing else in Uzi's massive catalog.
Some call it an experimental masterpiece. Others call it a "stinker." Honestly, both might be right.
Why Meteor Man Is the Song Nobody Can Agree On
You’ve probably seen the Reddit threads. The ones where fans argue if Uzi has "lost it" or if they’re just years ahead of the curve. Meteor Man is the center of that hurricane because it feels so... unfinished? Or maybe it’s just too finished. The track runs for 3 minutes and 47 seconds—making it the longest song on Eternal Atake 2. In a world of two-minute TikTok snippets, that’s an eternity.
The production is handled by a heavy-hitting team: Cashmere Cat, Lil 88, Henney Major, and Jalan Lowe. It’s got that "microwave" sound that critics like to complain about. It’s crunchy. It’s distorted. It sounds like it was recorded inside a malfunctioning supercomputer.
The lyrics? They’re classic Uzi but turned up to eleven. "Tell 'em don't call my phone," they rap, before diving into a repetitive, almost hypnotic loop about Comme des Garçons and, well, "giving dome."
The "Aura" Factor
One of the most talked-about parts of Meteor Man is the chorus. If you can even call it that. It’s basically Uzi chanting "This is an aura" over and over.
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- It's a meme.
- It's a flex.
- It's kind of annoying?
- It's weirdly catchy.
If you’re looking for the deep, celestial storytelling of the first Eternal Atake, you aren't going to find it here. This isn't "XO TOUR Llif3." It’s Uzi in a mosh pit, probably wearing something that costs more than your car, not caring if you understand the words or not.
What People Get Wrong About the Eternal Atake 2 Era
There’s this narrative that Eternal Atake 2 was just a rushed project to fulfill a contract. People point to Meteor Man as evidence because of its raw, unpolished feel. But looking at the credits tells a different story. Mike Dean—yes, that Mike Dean—handled the mixing and mastering. You don't bring in the guy who finishes albums for Kanye and Travis Scott if you’re just throwing trash at the wall.
The "grittiness" of the track is a choice.
Uzi told Complex that the motivation for this sequel came from how the first EA was leaked and messed with. They wanted to push a narrative of not caring. Meteor Man is the sonic embodiment of that "I don't care" attitude. It’s intentionally jarring. It’s meant to throw you off.
A Quick Breakdown of the Vibe
- The Beat: A glitchy, trap-heavy landscape produced by Cashmere Cat and Lil 88.
- The Flow: High-energy, repetitive, and heavily processed.
- The Baltimore Connection: Uzi throws in nods to Baltimore ("She got that Baltimore tooth," "Diamonds they hit like Ray Lewis"). It’s a specific energy that most casual listeners missed.
- The Length: At nearly four minutes, it demands you sit with the chaos.
Is Meteor Man Actually "Bad" or Just Different?
Let’s be real. If you’re a fan of the Luv Is Rage 2 era, this song probably hurts your ears. It lacks the melodic polish of Uzi's biggest hits. But if you look at where hip-hop is heading in 2026—more distorted, more experimental, less "radio-friendly"—Uzi is just doing what they've always done: leading the pack.
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Critics from outlets like BC Heights argued that the song (and the album) failed to connect to the cosmic themes of the original Eternal Atake. They aren't wrong. There’s a disconnect between the "Meteor" in the title and the "mosh pit" in the speakers.
But maybe that’s the point.
A meteor isn't a graceful star; it’s a rock falling through the atmosphere at 25,000 miles per hour, burning up and making a mess. Meteor Man is that impact. It’s loud, it’s destructive, and it leaves a crater.
How to Actually Listen to This Track
If you try to listen to this while sitting at your desk with AirPods in, you’re going to hate it. It’s not "study music." It’s "ignore your problems and jump around" music.
To get the most out of it:
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- Turn up the bass. The low end on this track is where the "aura" actually lives.
- Don't focus on the lyrics. Half of them are distorted beyond recognition anyway.
- Listen in context. It follows "Light Year (Practice)" and leads into "Paars in the Mars." It’s part of a three-song run of pure, unadulterated chaos.
Honestly, the biggest misconception is that Uzi "forgot" how to make hits. They didn't. They just got bored of making them for us. Meteor Man is Uzi making music for Uzi. Whether we like it or not is secondary.
Actionable Insights for Uzi Fans
If you're still trying to wrap your head around this song or the current state of Uzi’s career, here is how you should approach it.
First, stop comparing everything to 2017. That Uzi is gone. The artist we have now is interested in texture and "vibe" over traditional song structure. Second, check out the production credits on the rest of the album. Seeing names like WondaGurl and Brandon Finessin alongside Cashmere Cat shows that this wasn't a solo DIY project; it was a calculated shift in sound.
Finally, give it three more listens. It sounds like a joke, but Uzi’s music has a weird way of "clicking" only after the fourth or fifth spin. The "aura" chant starts to sound less like a meme and more like a mantra.
Whether Meteor Man ends up being a cult classic or a forgotten experiment, it stands as one of the most honest moments in Lil Uzi Vert's discography. It’s messy, it’s loud, and it’s exactly what they wanted to make. In an industry of polished, AI-sounding clones, maybe a little bit of beautiful, human mess is exactly what we needed.