You’re scrolling through a streaming service, looking for that specific brand of bleak, rain-soaked Danish crime drama that makes a Tuesday night feel more intense. You remember a show. It was gritty. It had a title that felt like a punch in the gut. But when you type in Lost: Those Who Kill, you get a bunch of "no results found" messages or, worse, a list of shows that are almost, but not quite, what you’re looking for. It’s frustrating.
The truth is, tracking down this specific entry in the Those Who Kill franchise (originally Den som dræber) is a bit of a headache because of how the rights were shuffled between networks and international distributors.
Most people are familiar with the original 2011 series or the 2014 American remake starring Chloë Sevigny. But then there’s the rebooted era. Starting around 2019, the series took a hard turn into a new format. We moved away from the "case of the week" style and into deep, dark, seasonal arcs. This transition is where a lot of viewers got "lost" themselves. They weren't sure if they were watching a sequel, a reboot, or a standalone miniseries.
The Confusion Behind the Branding
Let's clear one thing up right away. In Denmark, the show is largely seen as a continuous lineage of the same dark DNA. However, international distributors—the folks who put these shows on Hulu, BBC Four, or Viaplay—love to mess with titles.
Sometimes it’s called Darkness: Those Who Kill. Sometimes it’s Blindness. And occasionally, you’ll see it listed as Lost: Those Who Kill depending on which territory you are in and which specific season is being highlighted. It’s basically a naming convention nightmare.
The series focuses on profiler Louise Bergstein. Unlike the original series which featured Catherine Jensen, the "reboot" seasons (starting with Darkness) shifted the perspective entirely. This change in lead cast often makes casual viewers think they’ve missed a chapter. You haven't. It was a soft reboot designed to allow the show to live on without being tethered to the 2011 storylines.
If you are looking for the "lost" episodes, you are likely looking for the bridge between the 2011 original and the 2019 relaunch. Honestly, that bridge doesn't really exist. They are two separate beasts sharing the same bleak soul.
Why Nordic Noir Fans Are Obsessed With This Franchise
There is something inherently addictive about the way Danish writers handle serial killers. It isn't just about the "who" or the "how." It's about the "why."
In Lost: Those Who Kill—and the various iterations like Darkness and Blindness—the showrunners take a massive risk by often showing us the killer early on. We watch them live their lives. We see them eat breakfast. We see them struggle with their own impulses. It creates a weird, uncomfortable intimacy.
Take the first season of the reboot, for example. The focus on a long-term kidnapping case wasn't just about the police work. It was about the psychological toll on the victim and the kidnapper's bizarre justification for his actions. It’s a slow burn. It’s depressing. It’s brilliant.
Experts in the genre, like Kim Toft Hansen, who has written extensively on the "transnational" nature of Nordic Noir, point out that these shows succeed because they export a specific "Scandi" atmosphere that feels more authentic than the polished procedurals we get from Hollywood. When people search for Lost: Those Who Kill, they are usually hunting for that specific, unvarnished look at the human psyche.
Where the "Lost" Label Comes From
Why does everyone keep calling it "lost"?
- Licensing Gaps: Streaming contracts expire. One day it's on Netflix; the next, it's vanished into the ether of Acorn TV or Topic.
- Regional Locks: If you’re in the UK, you might find it on BBC iPlayer under a different title. In the US, it might be buried in a "foreign language" sub-menu on a platform you barely use.
- The Remake Shadow: The 2014 US version (A&E) was cancelled quickly. Many people looking for the "lost" version are actually looking for those unaired or hard-to-find episodes of the American attempt.
It's a mess.
Tracking Down the Actual Episodes
If you want to watch the Louise Bergstein seasons—which most people consider the "modern" version of the show—you need to look for specific titles.
Darkness: Those Who Kill (2019) is the first major arc. It deals with the disappearance of a young girl in suburban Copenhagen. It's cold. It's desolate.
Blindness: Those Who Kill (2021) follows Louise as she gets involved in a cold case that turns very hot, very quickly. This season actually feels more like a psychological thriller than a traditional cop show.
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There is also a third season, Lost: Those Who Kill (often titled Blodige Veje or Boundless in some markets), which focuses on a double murder that links back to a gang-related execution. This is usually the season that people have the hardest time finding because the distribution rights were split during a period of corporate restructuring at Viaplay.
The Psychological Weight of Louise Bergstein
Natalie Madueño, the actress who plays Louise, brings a very specific energy to the role. She’s not a "super-cop." She’s a profiler who feels every bit of the trauma she investigates.
In the world of Lost: Those Who Kill, the hero isn't invincible. She's actually quite fragile. This is a hallmark of the series. While the 2011 version had a more "action-oriented" feel with its lead duo, the newer seasons are much more internal. We spend a lot of time in Louise’s head. We see her making mistakes. We see her getting too close to the subjects.
That’s why people keep looking for it. It doesn't feel like a cookie-cutter show. It feels like a genuine exploration of what it does to a person to stare into the abyss every single day for a living.
Common Misconceptions You Should Ignore
You might hear that you need to watch the 2011 series to understand the new ones. You don't.
While they share a title and a general "vibe," the Louise Bergstein era is essentially its own thing. Think of it like the True Detective model where the themes remain, but the story resets.
Another big mistake? People think the US remake is the "definitive" version. It isn't. Not even close. The American version tried to add too much "sparkle" to a story that needs to be gray and drizzly. If you want the real experience of Lost: Those Who Kill, you have to stick with the Danish productions. Subtitles are your friend here. Dubbing ruins the atmospheric tension that the actors work so hard to build.
Technical Specs and Visual Style
The cinematography in these later seasons is breathtaking in a very depressing way.
The color palette is restricted. Lots of blues, grays, and muted greens. They use a lot of natural light, which in a Danish winter means "not much light at all." This isn't just an aesthetic choice; it reflects the isolation of the characters. Whether it’s a victim trapped in a cellar or a detective trapped in her own mind, the visual language of the show screams "claustrophobia."
How to Actually Watch It in 2026
Availability changes month to month. However, the best bets for finding Lost: Those Who Kill currently involve a few specific steps.
First, check Viaplay directly if you are in a region they support. They are the primary producers. In the US and Canada, keep an eye on "boutique" streaming services like Topic or MHz Choice. These platforms specialize in European crime dramas and are far more likely to have the full run than a giant like HBO or Netflix.
If you are in the UK, the BBC has historically been the home for this franchise, but they often cycle content out after a year. You might need to check secondary digital storefronts like Amazon or Apple TV to buy the seasons individually.
Actionable Steps for the Dedicated Viewer
Don't just give up because it's not on your front page. Here is how you navigate the hunt:
- Search by Lead Actress: Instead of searching for the title, search for "Natalie Madueño." This often bypasses the weird title translations and brings up her filmography, which will lead you directly to the correct seasons.
- Use a VPN Strategically: If you have a subscription to a service that carries it in another country (like Viaplay in Sweden), a VPN can help you access the content you’re already paying for but can't see due to your current GPS coordinates.
- Check Physical Media: Believe it or not, the "Lost" seasons are often available on Blu-ray/DVD through European retailers. If you’re a die-hard fan, owning the physical copy is the only way to ensure it doesn't vanish again when a licensing deal falls through.
- Avoid the 2014 Version: If the poster has Chloë Sevigny on it, that’s the American remake. It’s not "bad," but it’s not the one people are usually searching for when they want the authentic Nordic experience.
- Look for "Den som dræber": Use the original Danish title in your search bar. Global databases like IMDb or TMDb use the original title as the primary key, which can lead you to "alternate titles" listed by country.
The search for Lost: Those Who Kill is almost as much of a mystery as the cases within the show. But for those who appreciate the dark, methodical pace of Danish crime fiction, the effort is well worth it. You just have to know which name the show is using this week.