You know that feeling when you hear a voice so pure it makes the hair on your arms stand up? That’s the Lee Ann Womack effect. But honestly, if you’ve been paying attention to the Nashville fringes lately, you’ve probably noticed that her DNA didn't just stop with her. It’s actually flourishing in some pretty unexpected directions.
Lee Ann Womack daughters aren't just names in a "where are they now" fluff piece. They are legitimate artists carving out paths that look almost nothing like the "I Hope You Dance" legacy you might expect.
We're talking about Aubrie Sellers and Anna Lise Liddell. One is a "garage country" pioneer with a grit that rivals Led Zeppelin. The other is a younger, more private presence who literally grew up on a tour bus. Neither of them seems particularly interested in being the next cookie-cutter country princess.
Aubrie Sellers: The "Garage Country" Maverick
Aubrie Lee Sellers was born in 1991. Her dad is Jason Sellers, a powerhouse songwriter who’s penned hits for everyone from Rascal Flatts to Reba. You’d think with parents like that, she’d just slide into a major label deal and play the game, right?
Wrong.
Aubrie took one look at the Nashville machine and decided to do the exact opposite. She actually spent years studying acting at the Lee Strasberg Theatre and Film Institute in LA before music finally pulled her back in. But when she came back, she brought a distorted, fuzzy, rock-and-roll edge with her.
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She calls it "garage country."
It’s a vibe. Think traditional country songwriting but drenched in the kind of raw energy you’d find in a basement punk show. Her 2016 debut, New City Blues, wasn’t just a "pretty girl with a guitar" record. It was biting. Songs like "Magazines" and "Paper Doll" basically call out the shallow celebrity culture she saw her mom navigate for years.
Making Her Own Way
Honestly, it’s refreshing. Most kids of famous singers try to sound just like their parents to cash in. Aubrie? She’s out here citing Screamin’ Jay Hawkins and The Kinks as influences.
She eventually left the major label system entirely to go independent. Why? Because she wanted control. She watched her mother fight for artistic integrity for decades, and Aubrie decided she wasn't going to spend her career asking permission to be loud.
- Key Album: Far From Home (2020)
- Vibe: Cinematic, moody, and surprisingly heavy.
- Fun Fact: She and Lee Ann sang "White Dove" together on a Ralph Stanley tribute album, and the harmony is—frankly—chilling.
Anna Lise Liddell: Growing Up in the Spotlight
Then there’s Anna Lise. Born in early 1999, she’s Lee Ann’s daughter with her longtime husband, producer Frank Liddell. If that name sounds familiar, it’s because Frank is the guy behind some of Miranda Lambert’s biggest records.
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Anna Lise is a bit more of a mystery compared to her sister. While she hasn't dropped a massive solo discography yet, she's been a part of the family business since she was in diapers. If you go back and watch the music video for "I Hope You Dance," those two little girls running around? That’s Aubrie and Anna Lise.
The Tour Bus Childhood
Lee Ann has been pretty vocal about the struggle of being a "normal mom" while being a superstar. She used to talk about how she’d pick band members based on how they’d be around a six-year-old on the bus. Anna Lise basically grew up in the back of a Prevost.
Despite the fame, the Liddell household was apparently pretty grounded. Chores were mandatory. The girls weren't treated like "star kids" at home. That groundedness shows. While Anna Lise has made appearances—singing backup or showing up at industry events—she hasn't rushed into the spotlight. In a world where every celeb kid is an influencer by age 12, that's actually kind of impressive.
Why the Womack Legacy Hits Different
Most people get it wrong. They think the "Lee Ann Womack daughters" story is just about country royalty continuing a dynasty. But it’s actually a story about rebellion.
Both daughters seem to have inherited their mother's stubborn streak. Lee Ann was always the "traditionalist" in a world of pop-country crossovers. She fought for the fiddle and the steel guitar. Aubrie and Anna Lise seem to have taken that "do it your way" spirit and applied it to their own lives.
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Aubrie’s 2026 release "Subatomic" is a perfect example. It doesn't sound like Nashville. It sounds like someone who has spent a lot of time thinking about how to bridge the gap between soulful roots and modern experimentation.
What You Should Do Next
If you’re a fan of Lee Ann Womack, don't just expect her daughters to give you more of the same. They are their own people.
Start by listening to Aubrie Sellers' New City Blues. It’s a masterclass in how to use a country pedigree to create something entirely new. Pay attention to the lyrics. You'll hear the perspective of someone who grew up behind the curtain and decided she didn't want to live in the spotlight—she wanted to build her own.
Keep an eye on the credits of upcoming Americana and indie-country projects. The Womack-Liddell-Sellers family tree is deeply rooted in the technical side of the industry, from production to session work. Their influence is everywhere, even when their names aren't on the marquee.
Grab a pair of good headphones, pull up "Light of Day," and hear what happens when a country legend's daughter decides to turn the volume up to eleven. It’s a hell of a ride.