It’s easy to look at a title like Sex Hysteria and think you know exactly what you’re getting. You probably expect a lot of shock value, maybe some overt club tracks, and a general "bad girl" aesthetic. But if you’ve actually sat down with the jessie murph sex hysteria songs that dropped in 2025, you know it’s way weirder and more vulnerable than that. Honestly, it’s kinda heavy.
Jessie Murph has this way of taking these massive, messy emotions—the kind that make you feel like you're losing your mind—and turning them into something that sounds like a late-night drive through Alabama. The album isn't just a collection of tracks; it’s a specific reclamation of a word that used to be used to shut women up.
Why the "Sex Hysteria" Label Matters Now
Back in the day, doctors used to diagnose women with "hysteria" for basically having a pulse or feeling too much. If you were angry, anxious, or just didn't want to follow the rules, they'd lock you up. Jessie’s basically taking that insult and wearing it like a crown.
The title track itself, "Sex Hysteria," is the heart of the project. It’s not just about physical stuff. It’s about that feeling of falling back into a cycle you know is bad for you. She sings about being "supposed to be in Paris" but ending up "embarrassed" on a terrace. It’s that relatable, "why did I do this again?" energy. You've probably been there—knowing a relationship is toxic but feeling that "sexy hysteria" pull you back in anyway.
It’s visceral.
The songwriting on the jessie murph sex hysteria songs leans heavily into this idea of "learned love." That’s a term Jessie used herself when talking about the album film. It’s the idea that we learn how to love based on the chaos we saw growing up. If your first examples of love were loud and painful, you start looking for that same "hysteria" in your own partners.
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The Breakdown of the Standout Tracks
Most people found their way to the album through "Blue Strips." It’s a banger. Let’s be real, the Sexyy Red remix took it to another level of IDGAF energy. But that song is almost a distraction from the darker, more "hysterical" core of the record.
Take a look at "The Man That Came Back."
This is easily the most devastating song she’s ever written. It took her three years to finish it. It’s a bare-bones piano ballad where she confronts her father. She talks about the "holes in the walls" and the "bruises on her skin." It explains why the hysteria exists in the first place. You can’t understand her songs about toxic men without understanding the first man who let her down.
Then you’ve got "Touch Me Like a Gangster." It sounds like something Amy Winehouse would have done if she grew up in the South. It’s got that 1960s beehive-hair style, but the lyrics are modern and raw. It tackles themes of BDSM and power dynamics, but it doesn't feel like it’s trying to be edgy for the sake of it. It feels like she’s trying to find control in a world that feels out of control.
The Visual World of the Deluxe Era
In late 2025, Jessie released a short film called SEX HYSTERIA THE END. If you haven't seen it, it's pretty intense. It’s about ten minutes long, directed by Logan Rice, and it’s meant to be a "visual representation" of healing.
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She uses this imagery of birds in cages turning into butterflies. Kinda cliché on paper? Sure. But in the context of her lyrics about generational trauma, it hits different. The film follows Jessie and a young fan named Charlotte, showing how these patterns of "hysteria" pass down from one person to another. It’s basically a warning that if you don't "jump" and break the pattern, you're just going to keep living the same sad song over and over.
What Most People Get Wrong
The biggest misconception about the jessie murph sex hysteria songs is that they are "pro-chaos."
When you hear a track like "1965" or "Bad As The Rest," it might sound like she’s glorifying the mess. But if you listen to the bridge of almost any song on the record, there’s a moment of clarity. She’s not saying the chaos is good; she’s saying she’s stuck in it.
There's a line in "Gucci Mane" (which samples the 2009 classic "Lemonade") where she admits she knows she loves "shitty men." She isn't proud of it. She’s just being honest about the state of her life. That’s the "vulnerability" her label keeps talking about in the press releases. It’s not "pretty" vulnerability; it’s the "I’m a mess and I don't know how to fix it" kind.
How to Listen to the "Sex Hysteria" Era
If you’re just getting into Jessie Murph, don't just put the album on shuffle. It’s actually built to be a journey.
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- Start with the rage: Listen to "Gucci Mane" and "Blue Strips." These are the songs you play when you want to feel untouchable.
- Move to the messy middle: This is where tracks like "A Little Too Drunk" and "Couldn't Be Worse" live. This is the reality of the morning after.
- Finish with the truth: You have to listen to "The Man That Came Back" and the title track "Sex Hysteria."
The deluxe edition added eight new songs, including collaborations with 6lack on "Forever." It rounds out the story by showing a slightly more "settled" side of her, but the edge never really goes away. It shouldn't. That edge is why people relate to her so much.
She isn't a polished pop star. She’s a 21-year-old from Alabama who is figuring out her life in front of millions of people. Some days that looks like a "mansion in Malibu," and some days it looks like a "ten-minute film about trauma."
Actionable Insights for Fans
If you're trying to really "get" the jessie murph sex hysteria songs, stop looking for a perfect pop hook and start looking for the "learned love" she talks about.
- Watch the "1965" and "Sex Hysteria" videos back-to-back. They are visually linked and show the evolution of her "Femme Fatale" character.
- Read the lyrics to "The Man That Came Back" before you listen to her songs about boyfriends. It changes how you hear her voice.
- Check out the "SEX HYSTERIA THE END" short film. It’s age-restricted for a reason, but it provides the "shift in perspective" Jessie says is the key to the whole era.
The jump is the only way anything ever changes. That’s the message. You can live in the hysteria, or you can use the music to find your way out of it.
The era of the "hysterical" woman being a bad thing is over. Jessie Murph just turned it into the biggest album of 2025.
Next Steps: You can dive deeper by exploring the specific track-by-track breakdown of the That Ain't No Man That's The Devil mixtape to see how these themes of "the devil" evolved into the "hysteria" of the current album.