If you’ve spent more than five minutes on social media lately, you’ve heard the refrain. It’s catchy. It’s repetitive. It’s a little bit frantic. Is it Stacy? Is it Becky? Is it Keisha? The lyrics have become the unofficial soundtrack to a thousand "who is calling?" memes and late-night "get ready with me" videos. Honestly, it’s one of those earworms that gets stuck in your head and refuses to pay rent.
But where did it actually come from? While names like Keisha and Becky have been staple references in UK drill and hip-hop for years (shoutout to Russ Millions), this specific viral moment belongs to a 2025 release that brought two OVO heavyweights back together. We’re talking about NOKIA by PARTYNEXTDOOR and Drake.
The story behind the NOKIA lyrics
Released as part of the highly anticipated collaboration between PND and Drake, NOKIA is basically a masterclass in nostalgic toxicity. The song kicks off with a frantic, repetitive pre-chorus that mimics the anxiety of a buzzing phone on a night out. Drake’s voice—paired with a pitched-up, almost frantic vocal layer—starts asking the question: “Who’s callin’ my phone?”
Then comes the name-dropping.
Is it Stacy? (Who’s callin’ my phone?)
Is it Becky? (Who’s callin’ my phone?)
Is it Keisha? (Who’s callin’ my phone?)
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Wait, was it Dani? Or was it PARTY? The list goes on. It’s a classic Drake trope—listing names of women like he’s reading through an old Rolodex or a contact list he hasn't updated since 2011. The song title itself, NOKIA, is a direct nod to that era. Remember the 3310? The brick phones? Life was simpler, but the relationship drama was just as messy.
Why "is it stacy is it becky is it keisha lyrics" went nuclear on TikTok
The internet loves a list. It also loves a relatable "toxic" vibe.
The reason these specific lyrics exploded isn't just because Drake said them. It’s the delivery. The "Is it Stacy?" line is delivered with a specific rhythm that makes it perfect for "POV" videos. You've probably seen them: someone looking at their phone with a look of pure chaos while the beat drops.
Some people think it’s a diss or a call-back to older tracks. For instance, Keisha and Becky was a massive hit for Russ Millions and Tion Wayne back in 2019. By using those same names, Drake and PND are tapping into a cultural shorthand for "girls from the past." It feels familiar. It feels like a shared memory.
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The track is featured on the project $ome $exy $ongs 4 U, and it definitely fits that "late night in Toronto" aesthetic. It’s moody, it’s rhythmic, and it captures that specific feeling of being at a "function" but being distracted by the digital world in your pocket.
Breaking down the meaning: More than just names
Kinda seems superficial, right? Just a guy checking his notifications?
Well, if you look closer at the verse that follows, Drake gets into his usual bag of vulnerability mixed with a bit of ego. He talks about how he could "change your life so easily" while simultaneously begging someone to stay. It’s that classic Drake push-and-pull. He’s the most famous man in the world, yet he’s still wondering who’s calling his phone at 3:00 AM.
The "Stacy, Becky, Keisha" sequence represents the noise of fame. It’s the idea that there are so many people vying for his attention that they all start to blur together into a list of names. It’s a bit cynical, actually. It’s not about the individuals; it’s about the interruption.
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The nostalgic production
The beat is what really sells the lyrics. It has this hollow, ringing quality that actually sounds like a phone vibrating on a wooden table. Producers like Gotcha (who worked on the original Keisha & Becky) and the OVO in-house team have perfected this sound. It’s minimalist. It’s bitpop-influenced.
Interestingly, many fans initially thought the song was a Kesha sample because of the "Tik Tok" name association, but that’s a total misconception. Aside from the name Keisha appearing in the lyrics, there’s no connection to the "TiK ToK" singer. This is pure OVO Sound—dark, atmospheric, and very Toronto.
Common misconceptions about the song
People get stuff wrong about this track all the time. Let’s clear a few things up:
- Is it a remix? No, "NOKIA" is an original track, though it clearly pays homage to the naming conventions of UK Drill.
- Who is Elkan? You might see a credit for "Elkan" on some lyric sites. This refers to the specific vocal processing or additional vocals used in the chorus to give it that high-pitched, almost "glitchy" feel.
- Is it a diss to Kendrick? In the 2026 landscape, everyone looks for a sub-diss in every Drake line. Honestly? This one seems purely about the lifestyle. It’s a vibe-heavy club track, not a war dub.
How to use the song in your own content
If you’re trying to catch the trend, the key is the "phone check." The "is it stacy is it becky is it keisha lyrics" work best when you’re highlighting a moment of confusion or a "who is this?" situation.
- The POV approach: Set the scene where you're getting a "No Caller ID" call.
- The Nostalgia trip: Use the song over clips of old tech (flip phones, old iPods) to lean into the Nokia theme.
- The "Function" transition: Use the line "Where's the function?" to transition from a quiet night in to a chaotic night out.
At the end of the day, NOKIA works because it’s simple. It’s a call and response. It’s a name-check. It reminds us of a time when the only thing we had to worry about was who was calling the house phone—even if now, that phone is a $1,500 smartphone and the drama is ten times worse.
To get the full experience, listen to the track on high-quality headphones. The subtle phone-vibration sound effects in the background of the mix are easy to miss on phone speakers but add a whole other layer to the "Who's callin'?" theme of the song.