By the way Mathias, what is the anatomy book you own? I've been looking into getting one but I'm not sure which I should get.
So sorry Jakten. A little late! I got a couple mediocre books laying around but then I have one that really shines:
Anatomy for the Artist by Sarah Simblet. My next anatomy quest reference will be one of those ridiculous muscle mags, just for fun.
Nice work so far, everyone.
Dennis, I wouldn't get too caught up in skeletal minutia. I'm sure we're all busy people so we must choose our battles wisely - time is short. Myself, when it comes to bones, I'm concerned mainly with the basic construction and then how certain bones affect a figure's appearance - for instance how the ileum of the pelvis causes those lateral bulges where the torso connects to upper thighs, scapula cause the protrusions on the upper back, etc. It's great to know what underlying factors are affecting a figure's topography.
I want to memorize all marot bones, be able to draw a proportional skeleton with all major bones in place, and then move on. Same for muscles I guess.
I may try some posemaniacs ref.
I think the key to gaining an understanding of how to draw something is numerous, rapid, exploratory sketches. Repetition makes your brain learn. Brain research tells us that every time the same action causing the same neuron path to be blazed in the brain by electricity, the "memory impression" deepens, solidifying memory - the more you do it, the more you know it.
I'll toss another practice sheet from me into the pile. As you can see, I'm favoring quick sketches. Not trying to create any fine detailed works of art, just trying to gain a grip on the human figure.
Still battling correct proportioning, but in while doing so am slowly gaining a leg up on how everything comes together.
The body is a complex sum of numerous volumes all working together. It's 3D and twists and turns as it wills. I'm trying to get away from 2D flatness. I tend to practice orthographically stale straight-on frontal or profile views.One area of art that compels me in my goal of anatomical domination is renaissance era paintings. I've always loved them. The wonderful human bodies painted by the oldies back then are inspiring to me. Why not scope out a few neat examples:
