without giving much critique to the structural part, the actual foundation of the figure drawing - the pose - is weak.
If you act yourself in you will recognize that most people tend to stabilize them (hand on hip) on the standing leg, as long as there is a leg which don't carries a lot of weight.
In terms of exaggerating static standing poses it can add a lot of live if you change the weighting from a 50/50 approach of the legs to something like 30/70.
THis further leads to a stronger stretch and pinch in the torso area and to a contraposting of hipline and shoulder line.
Therefore I also changed the arms. If you want to have the hand on the hip in the front, you should rather change the weighting on the legs in the other direction (and maybe mirror the sarong)
While the figure is still pretty solid in terms of weighting the stronger overall S-curve of the whole body adds a lot more live and tension to the figure.
Compare my rough pose with your underlying much stiffer figure.
Another aspect which is pretty weak in the overall pose is the raised arm, I don't know what's the point of holding the mistletoe(?) up in the air. While the arm in the air would make sense if it's a dancer, the position of the hand don't really follows the overall flow of the pose, neither in your drawing nor in my edit. I would most probably go with another approach for that.
