@PDD: you need to post more man, nice work 
Thanks.

I'm trying to, but it's hard to keep up.
I really respect your consistency, need to find a way to hype myself up to do the same.
Well small steps for now, and maybe over time I'll get back to posting daily.
A quick sketch while shopping at Ikea with Jengy.
Not time for anything else.


Wolfy, can you describe what each of the lines you've drawn on the girls represents?
@Ambivorous: Don't really use them to draw, the main lines of importance are highlighted in green, it should look familiar to you, it's the gesture. I will use some horisontal lines sometimes to align things but they are not consistently the same and don't serve any constructive purpose:
@Ambivorous
To put it another way, not every mark on a page has an immediately specific or unique description.
Or a 1 to 1 relation to a physical feature, like a line used to represent an anatomical form.
But they all fall under construction, and each is a tool to help the artist create the drawing.
Volumes, length, alignment, angle, projection etc are examples of using relative marks as tools without necessarily "drawing anything".
These help you create and judge 2D and 3D relationships.
A combination of those marks together lay out a guide for you to apply another layer of construction marks or marks with a physical and polished intent.
Whether you leave them in or not is up to you.
A lot of times I erase out construction lines from my drawings as I work, after finished a mark as a tool I no longer need it. --> more often when using a single layer approach rather than having construction on a layer below
But it's useful to leave it in while working for overall comparison as you develop the art.