Daw. Its cute.
The black outline is sorta bugging me tho.
I would suggest getting rid of it altogether, making it have a full black outline (loosing the sellout altogether,) or on the hair, only outlining the bottom of the hair in black, and maybe using your darkest shade as an outline for the top, and using the black outline to hint at shadows.
Of those suggestions, I think the last is probably going to be the closest to what you are going for, and look the best.

*EDIT*
PS. To make transparent images in graphics gale, you go to the top left button on the frame (so, in the frame window, there will a button labeled "..." in the top left corner, right above the thumbnail.) Then check the box that says 'transparent' and choose a color. Hit 'OK', and you are good to go. If the image is animated, you then want to go back to the tab, after checking it for the first image, and check 'all frames'. for some reason or another, you cant set the color of transparency AND apply it to all frames at the same time, and thats even weirder because you NEED to use transparency to use onion skinning on your animations.
*EDIT*

You are on the right track now, dont expect to look like cure overnight.
The biggest thing holding you back on that last one is the ramp on your line. (Im sure there is a better way of saying that.)

Basically, right now you are jumping around a bunch of random lengths of segments. You want to try and smooth into and out of different lengths.
Here, one of these is worth a thousand words, especially in a language you are having trouble with.


*EDIT* Apparently I have trouble with English too, and I grew up speaking american.

I think you should find a middle ground between the too many colors version and the current version. Specifically, the body and face of the new version looks way better, but the highlights in the hair on the version with too many colors look amazing, and really compliment the chibi-anime look, so I would keep them.
Your idle looks pretty good, but I have a slight problem with it. Basically, the hair torso and arms appear to be slightly rotating, but the legs and face dont. My solution would be to either loose the subpixel work on the hair, and just make the head move back and forth, well changing the legs slightly to make it look like he is shifting his weight back and forth, or make the legs and face rotate along with the rest. If you go that path, slight rotation on the legs/hips and more rotation on the face/head.

Alright, so some minor amount of explanation. This is the main character for an RPG I may or may not make once I finish my current (kind of mostly almost finished) project.
The legs are pretty unfinished, the rest... needs some work. The bits that are particularly troublesome are the tits, the neck, and the flower/tootoo thing.
The neck is supposed to be overly slender and long, but Im having some difficulty getting it to come out right. I either end up making her look like a geraf, or the effect gets slightly lost. Im also a tad bit annoyed with it, because I know the neck should kind of blend its way into the area of the head just under her ears, but if I do that its pretty much impossible to make it sender, so meh.
The tits are mostly just... busy. In my concept sketches, I had these vines kind of circling up under them, and covering/cupping them with some over sized leaves, but conveying that at this size without it just looking busy is giving me a headache.
The tootoo, just doesnt look like its coming out far enough, basically. I think I could maybe add a highlight? I feel kind of ridicules using another color on just that part, but it would be shared by the weapon... so that might be okay...

I was also trying for a kind of weird effect with the 'outlines' on this one, and Im not really sure how well I pulled it off. I kind of wish wash on weather I think the effect worked or not, so I think just an extra set of eyes on that would do me wonders. Basically, I was looking at a bunch of french early impressionist/late romantic stuff, and noticed this really neat effect, where they would kind of use something like sellout (this is more the late romantic side of things, mind you. Bouguereau's Birth of Venus is a prime example.) to make the figures glow, by using the highlight rather then the shadow. I tried to apply something kind of like it, but with the glow coming more from the light source, as apposed to back lighting, so that it could still blend in with varied environments.
Unfortunately, Im nowhere near that level of talented, so Im kind of unsure of the affect I got.