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Messages - bengo
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Job offers / Re: [PAID] High Res Character Artist Needed
« on: March 02, 2021, 04:19:03 am »
Sent a follow-up email specifically with the kind of work you're looking for. Link to it will be put here as well-

Pixel Art / Re: Castles and clouds
« on: February 20, 2021, 12:44:53 am »

This edit took me a bit longer than expected, so I hope it helps! For environments like this it's important to group everything into their own value groups, you also want to think about where the most contrast should be (most contrast should ideally be where the focal point is). So places of less interest give less value contrast (like the clouds or mountains) and areas of interest give more contrast. I have always been a big proponent of strong, immediate reads and it's something a lot of environment artists do so I think you want to be able to tell what the big shapes are.

Your clouds and elements should not be randomly placed or sized the same they should be placed with purpose and size varied to give the illusion of depth. They should also be repeated. Don't just put one statue, put multiple and use it as a way to point to the focal point/destination in this case it can also help give depth because it's size reference. As for the clouds, you also want the clouds to point towards the focal point, not randomly placed about. You're directing a scene here, a composition, you're trying to guide the viewer on where to look.

I didn't do it too much here since it's simply an edit but typically you want more detail for what's closer to the viewer and less/simplified detail for things further away. You want to think about the narrative as well- the snow element could be pushed why is it only in one area? These are travellers that have been on the road for awhile correct? So they'd like encounter snow they're obviously cold. You can use the cold exterior to contrast with the warm exterior of the wagon. Where would snow fall? Where would it stay? Etc. You're telling a story though this image so utilize that. Having multiple statues is also a way to show what kind of city this is, maybe the statues are purposely used to advertise which way to go for these sellers.

Something else I didn't do here too much but you can keep in mind is where you put your saturation. You usually want more saturation for focal points and less for areas that aren't focal points. The sky in yours right now is super saturated and has some varied values same with the mountains. Don't forget atmospheric perspective is here too!

I hope this helps, excited to see the next update!

PS Thinking about it, you could add breath fog to the animal and make sure it has snow on there as well. I would've added it but didn't want to spend forever on it.

Job offers / Re: [PAID] High Res Character Artist Needed
« on: February 18, 2021, 01:35:43 am »
Sent an email. I will await your reply. :y:

Pixel Art / Re: Need some help on my sprite CVS styled
« on: February 18, 2021, 01:08:45 am »

Use the image option (a little mona lisa icon) to show your image. I assume CVS means Capcom VS SNK so I tried to match that style more closely. I did this by using colors found in the game, her skintone for instance is copied over completely, changed some design elements and I also gave her a fighting pose. You want to try and make sure your lights and shadows stay separate really try to think about where light would hit and where it wouldn't. I assume on the legs you were trying to make them be in shadow but since the legs aren't bent it ends up looking like a change in the cloth color and not a shadow. If the light is coming from above the legs would be almost completely in shadow. Try to think of highlights on the hair like a ribbon. Anyway, hope this helps!  :y: :)

Pixel Art / Re: [CC] [WIP] Character sprite feedback
« on: November 09, 2020, 09:15:19 pm »
Good edit that retains the style but I would like to clarify why I did what I did in my edit.

The reason I went so extreme with my edit was to showcase the advice I stated below (e.g. breaking the line/not using outline fully though admittedly I could've used more of an outline, using less colors, importance hierarchy and simplifying). Not sure if I fully agree on the readability, of course when you have a black outline it's gonna immediately stick out against mostly anything but, I think the lack of outline while technically "sacrificing" some readability has its own perks (related to a sense of 3dness and the breaking the line principle I stated). An outline around something will definitely make it more readable but I think ultimately it comes down to design.

Changing the bird was just to show how much you could simplify it. Keeping it the same kind of bird is fine too. The colors I chose were to demonstrate how little is really needed. I still don't think the shadow color on the jacket is needed... it's so close in value to the dark "black" outline color which is why I got rid of it in mine. This kinda decision is really up to if you care about palette size (I personally am not a big fan of limited palettes but I do think trying to limit your colors to "only the necessary" can be good practice).

So, when you're talking about volume, you've got light hitting areas where it wouldn't be receiving light (like the legs) assuming the light is coming from above (the hair and the specular on the hair indicates from above). I opted to simplify and stylize to avoid this lighting issue (that shirt in reality wouldn't be that white because it wouldn't get hit by light for the most part) though the other way would be to of course keep it consistent... but since we're at suc ha small size that could be a problem. Personally I think the change from top on the hair, to the the side on the chest and arms, to the other side light on the legs is too major of a difference. I suppose you're still technically showing the volume this way but lighting-wise will be logically confusing.

Ultimately it comes down to when there's errors or when there's design choices. Sometimes it can be a design choice and even an error could be a design choice if it arguably looks better. I felt the design choices I made helped improve the sprite over-all (I don't think the un-logic of the lighting works) or at least helped demonstrate the critiques I gave. It's up to you to decide what you want to do or how you want to tackle this. The critiques I would say you certainly want to do though is make the legs skinner make them less bent, modify the shoulders so they're not awkwardly tilted and make sure the lighting follows one direction. The lighting thing can be quite difficult though, since even in my edit the bird's lighting is slightly different from the girl's but I felt it wasn't drastic enough to be super noticeable and helps the readability of the bird (though who knows, you could probably do top lighting and it'd look fine, it's really close to that as is).

Pixel Art / Re: [CC] [WIP] Character sprite feedback
« on: November 09, 2020, 09:18:11 am »

Cute sprite! I've done some modifications-
1) I think you're using too many colors. When I say too many colors what I mean is you have colors that don't really serve a purpose. It's a fairly small amount but I think the palette could be further down-sized. Too many colors that serve a similar value purpose it's just unnecessary. Also, not enough saturation sprinkled in there for my taste.
2) Break the line. With pixel art we're limited to a very small size typically which means we can't make a line thinner than 1px. So in order to give the illusion of an even thinner line you can simply get rid of the outline. At this size it's so small adding an outline can make a shape look fatter than you want it to be. You can also use SelOut (selective outlining). You'll see Boktai use this technique of breaking the line and it works quite well.
3) Give more importance to areas of interest and less important to areas that are secondary. As you can see, most of my color variation is higher up especially on the head and hair. The hair gets 5 colors for instance and there's more detail. The eyes and head have a lot of color too. Meanwhile the legs are practically black except for the addons she has (I've also made the legs skinner like in her original art).
4) Simplify! I think this sums up really what I was doing, it's one of the reasons I changed the bird's palette completely. In art, but especially at small resolutions like this, you want to make sure you simplify and verify the audience knows what it's looking at.

Hope it helps.  :y:

PS This is a bit of a sloppy edit so you may find some small errors (like a pixel sticking out on her pants). I wanted to do enough to get my point across but that was all. Hope to see it finished it looks nice.

Devlogs & Projects / Re: On the take - Visual novel
« on: October 25, 2020, 11:07:05 am »
Neat stuff

Pixel Art / Re: Anya Oliwa's Face feedback
« on: October 14, 2020, 11:08:12 am »
Oh wait, just remembered, my apologies that Samus sprite wasn't yours it was Jmrhdb's (you did an edit for him). Well for this the other thing I'd recommend is doing bigger with it other than that it's really down to fundamentals and practicing those. Specifically for this you can check out Proko's head drawing videos. it's good you're practicing, keep doing that.

Pixel Art / Re: Anya Oliwa's Face feedback
« on: October 14, 2020, 10:55:37 am »
Fundamentals will help you immensely. That's my biggest recommendation.

Also, fixing work after you're given critiques is helpful. I did a 10-20 min edit on your samus sprite I recommend checking it out.

Sent a reply over, hope to hear from you soon. I embedded/attached some background stuff I've done to the email as well as my portfolio.

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