If you’ve spent any time on the corner of the internet where "sad girl indie" reigns supreme, you’ve probably stumbled across a specific set of acoustic chords and a whisper-soft vocal that feels like a secret. I'm talking about "In Between." It’s one of those tracks that exists in a weird, ethereal limbo. It isn't on Good Riddance. It didn't make the cut for The Secret of Us. Yet, if you look at the setlist discussions or the frantic TikTok edits, the in between lyrics gracie abrams wrote years ago are arguably more famous than half of her official discography.
Music is weird like that. Sometimes the songs an artist tries to bury are the ones that grow the deepest roots in the fandom. Honestly, "In Between" is the ultimate example of the "Gracie Effect"—it’s intimate, slightly messy, and feels like reading a diary entry you weren't supposed to find.
What is In Between actually about?
Most people assume Gracie is writing about her own heartbreak. That’s her brand, right? Confessional, raw, "I-miss-you-at-3-AM" energy. But here’s the thing: she actually wrote this song for a friend. During a show in Brisbane back in early 2024, Gracie finally cleared the air. She explained that she wrote it about a close friend who had a massive crush on a guy.
The twist? This friend was a die-hard Taylor Swift fan.
Because of that, the in between lyrics gracie abrams penned are littered with "Taylor-coded" Easter eggs. If you listen closely, she’s not just being poetic—she’s playing a game of lyrical hide-and-seek. She even mentioned that she posted it on SoundCloud originally just as a small nod to her friend’s situation.
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The lyrics describe a guy who "laughs at her eyes" and "the glasses on her face." It’s incredibly specific. It’s not a vague pop song about a faceless boy; it’s a character study. It captures that terrifying, shaky middle ground where you aren't quite "together" but you're definitely not "nothing."
Breaking down the Taylor Swift references
You can’t talk about this song without mentioning the Swiftie of it all. Gracie has never hidden her admiration for Taylor, but "In Between" is basically a love letter to that songwriting style.
- Holy Ground: There's a literal mention of "holy ground beneath them."
- Sparks Fly: She follows it up with "sparks fly when they kiss."
It’s almost meta. She’s writing a song about a girl who loves Taylor Swift, using Taylor’s own vocabulary to describe the girl’s life. It creates this layer of nostalgia that hits harder than a standard breakup ballad. When she sings about how "he knows her name" and "she knows he'll always be there," it feels safe and dangerous at the same time.
Why hasn't she released it yet?
This is the million-dollar question. Fans have been screaming for a studio version of "In Between" for years. We saw the same thing happen with "Close To You." That song sat in the vault for seven years before it finally dropped and became a massive hit.
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The reality of the music industry is that sometimes a song just doesn't "fit" the era. Good Riddance was very much an Aaron Dessner, moody, folk-adjacent project. The Secret of Us had a more "extroverted" energy, as Gracie put it. "In Between" sits in—well—the in-between.
It’s a SoundCloud relic. It’s a moment of pure, unpolished songwriting that maybe loses some of its magic if you put it through a high-end studio compressor.
The Lyrics: A Narrative Flow
- The Verse: "I just can't come between 'em / They got their own thing." This establishes the narrator as an observer. She’s watching this delicate dance from the sidelines.
- The Chorus: "She wants it more than everything in-between." This is the core conflict. It’s the desire for the "real thing"—the labels, the security, the "forever"—rather than the murky, undefined space they currently inhabit.
- The Bridge: "He hates it when she's crying / He hates when she's away." It shows a deep level of care, which makes the lack of a formal commitment even more painful.
The Cultural Impact of Unreleased Gracie
There is a specific kind of "clout" in the Gracie Abrams fandom that comes from knowing the unreleased tracks. If you know the in between lyrics gracie abrams hasn't officially put on Spotify, you’re "in." It’s a badge of honor.
This song, along with others like "Abby" or "Deep Red," forms the backbone of her relationship with her core fans. It’s a conversation. By playing these songs live—even if they aren't on the album—she’s acknowledging the people who have been following her since the bedroom-pop days.
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How to listen to In Between in 2026
Since it’s still technically unreleased, you won't find it on her official artist profile. Most fans head to:
- YouTube: There are dozens of lyric videos with millions of views.
- SoundCloud: The original home of the track (if it hasn't been scrubbed).
- Local Files: Let's be real, most people have downloaded a high-quality live rip and synced it to their Spotify via local files.
It’s a DIY experience. That somehow makes the song feel even more personal, like you had to go looking for it.
What you should do next
If you're obsessed with the lyrical depth of "In Between," don't stop there. The song is a gateway drug to Gracie's earlier, more acoustic-focused work.
Go listen to the "This Is What It Feels Like" EP. It carries that same "diary-entry" DNA. Pay attention to "Rockland" or "Camden"—they share that same DNA of localizing pain to a specific place or feeling.
Also, keep an eye on her tour setlists. She’s known to rotate these fan favorites in when the energy is right. If she plays it, pay attention to the bridge—that’s where the real emotional heavy lifting happens.
Stop waiting for a "Deluxe" release. Enjoy the song for what it is right now: a raw, Taylor-coded masterpiece that proves you don't need a massive production budget to break someone's heart. Start a playlist of her unreleased "vault" tracks and see how they bridge the gap between her teenage songwriting and the stadium-filling artist she’s become today.