You’ve seen her face. Maybe it was as a teenager desperately hiding a chaotic home life in a Welsh suburb, or perhaps more recently, navigating the messy sexual politics of small-town North Dakota. Gabrielle Creevy is one of those actors who doesn't just "play" a character—she sort of haunts them.
Honestly, it’s rare to see a career trajectory move this fast without losing its soul. We’re talking about a girl from Port Talbot who was working in a local gym not too long ago and is now starring opposite Paul Bettany. If you’re trying to keep track of the Gabrielle Creevy movies and tv shows worth your time, you’ve probably noticed she doesn't really do "easy" roles. She picks the stuff that hurts a little bit to watch.
The Breakthrough: In My Skin
If we’re being real, everything starts with In My Skin. This isn't just another teen drama. Creevy plays Bethan Gwyndaf, a 16-year-old living a double life. At school, she’s funny and sharp; at home, she’s the primary caregiver for her mother, who has bipolar disorder, while dealing with a father who is, frankly, a nightmare.
Creevy won a BAFTA Cymru for this, and she deserved it. There is a specific scene in the first series where she’s just sitting on a bus, and you can see about five different emotions fighting for space on her face without her saying a word. It’s masterclass-level acting. The show ran for two series (2018–2021), and by the time it finished, it was pretty clear she was going to be huge.
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Making the Jump to the US: Three Women
A lot of British actors struggle when they head across the pond. The accents get wonky, or the roles feel thin. But in Three Women (2024), Creevy held her own against Shailene Woodley and Betty Gilpin.
She plays Maggie, a student who gets into a complicated, "inappropriate" relationship with her English teacher. It’s uncomfortable. It’s supposed to be. What’s interesting here is how Creevy avoids making Maggie a simple victim. She gives her this steely, quiet dignity that makes the eventual fallout feel much more heavy. If you haven't seen it, it’s on Starz (and was briefly a big talking point on social media for its raw take on female desire).
The Big Budget Era: Black Doves and Amadeus
Lately, the projects have been getting bigger. Much bigger.
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- Black Doves (2024): This is a Netflix spy thriller set in London during Christmas. Creevy plays Eleanor. She’s working alongside Keira Knightley and Ben Whishaw. It’s a total shift from her indie roots—faster paced, more stylized, but she still brings that grounded energy she’s known for.
- The Guest (2025): A BBC four-part miniseries where she plays Ria Powell. This one feels a bit more like a return to her psychological drama roots, focusing on tension and hidden motives.
- Amadeus (2025/2026): This is the one everyone is talking about right now. It’s a reimagining of the Mozart/Salieri rivalry. Creevy plays Constanze Mozart, Wolfgang’s wife. It aired on Sky in the UK late last year and is hitting Starz in the US in early 2026. Playing a historical figure is a massive test, but early reviews suggest she brings a modern, fiery edge to Constanze that we haven't seen in previous adaptations.
Wait, What About the Movies?
Creevy is definitely more of a "TV powerhouse," but she’s been popping up in films too. You might have spotted her as Doris Michael in Operation Mincemeat (2021). It’s a small role in a massive ensemble cast (Colin Firth, Matthew Macfadyen), but it showed she could fit into a period piece just as easily as a gritty contemporary drama.
She also has a credit in I'm Not in Love (2021), though that’s more of a deep-cut indie film for the completionists out there.
Why She’s Actually Different
Most "rising stars" feel a bit manufactured. You can see the PR machine working behind them. With Creevy, it feels different. Maybe it’s the Welsh roots or the fact that she didn't come from a "nepo baby" background—she actually had to win a scholarship to attend ArtsEd in London because the fees were, in her words, "absolutely crazy."
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There’s a grit there. Whether she’s playing a spy in Black Doves or a grieving daughter in In My Skin, she doesn't try to look "TV pretty." She looks like a person. That’s why her filmography is growing so fast; directors know they can throw her into a high-pressure scene and she’ll find the truth in it.
The Full Checklist: Gabrielle Creevy Movies and TV Shows
If you want to do a proper binge-watch, here is the chronological rundown of her most significant work:
- Gwaith/Cartref (2011): Her debut. A Welsh-language school drama.
- Casualty (2012 / 2019): She’s appeared twice in different roles. It’s basically a rite of passage for British actors.
- In My Skin (2018–2021): The must-watch. This is where she becomes a star.
- 15 Days (2019): A dark miniseries about a family murder.
- The Pact (2021): She plays Tamsin in this BBC ensemble thriller.
- Operation Mincemeat (2021): Her big-screen debut.
- Three Women (2024): Her major US breakout role.
- Black Doves (2024): The Netflix spy era.
- The Guest (2025): Leading the BBC miniseries.
- Amadeus (2025/2026): Playing Constanze Mozart opposite Will Sharpe.
If you’re just starting out, skip the early stuff and go straight to In My Skin. It’s only ten episodes total, and it’ll give you a better idea of why she’s being cast in everything right now than any Wikipedia summary ever could.
Once you've finished In My Skin, the logical next step is to track down Three Women to see how she handles a completely different setting. It’s a heavy watch, but it’s probably her best performance outside of her Welsh projects. After that, keep an eye on the Starz schedule for the US premiere of Amadeus—it’s likely to be the show that makes her a household name internationally.