Finger Skateboard Tricks: Why Most People Struggle to Land Them

Finger Skateboard Tricks: Why Most People Struggle to Land Them

You’ve probably seen those tiny wooden or plastic boards. They look like toys, right? Honestly, if you call a high-end finger skateboard a toy to a dedicated enthusiast, you might get a very long lecture about bearing wheels and ply construction. Fingerboarding isn’t just about flicking a piece of plastic across a desk. It’s about muscle memory, physics, and a weirdly specific type of digital dexterity that most people never bother to develop.

Landing clean tricks for finger skateboards is hard.

It’s frustrating. Your fingers will feel like uncoordinated sausages for the first week. But once that first kickflip clicks, everything changes. You start seeing the world differently. A coffee mug isn't a mug; it’s a rounded ledge. A laptop is a manual pad.

The Physics of the Pop

Before you try to go full Martin Ehrenberger—who, by the way, basically pioneered the modern fingerboard scene through Blackriver—you have to understand how the board actually leaves the ground. It isn't magic. It's leverage.

Most beginners try to "lift" the board. That's a mistake. You don't lift it. You snap it. Your middle finger sits on the "tail" (the back end), and your index finger stays near the middle or just behind the front bolts. To get any air, you have to pop the tail against the surface so hard that the nose rises.

Then, you slide.

That's the secret. The index finger slides forward to level the board out in mid-air. If you don't slide that front finger, the board just verticalizes and hits you in the knuckle. It’s an ugly sight.

Why Your Ollie Sucks

Let’s be real: your first hundred ollies will be terrible. You’ll probably use your whole hand or "cheat" by pulling the board back quickly to get friction. This is known as the "backwards drag," and it’s a habit you need to kill immediately.

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Real tricks for finger skateboards require a stationary start or forward momentum. To fix a weak ollie, try practicing on a vertical surface like your thigh or a wall. Gravity helps the board stay against your fingers, allowing you to feel the "catch." Once you feel that stickiness, take it back to the flat table.

Mastering the Flip: It's All in the Wrist (Kinda)

Once you can ollie over a pencil, you’ll want to flip. The Kickflip is the "Great Filter" of fingerboarding. Many people quit here.

The mechanics are subtle. You pop the ollie, but as the board rises, your index finger doesn't just slide straight; it flicks off the side of the nose—the "pocket." This creates the longitudinal rotation.

  • The Over-Flick: You’re probably hitting it too hard. The board spins like a helicopter. Relax.
  • The Rocket Flip: Your tail isn't popping high enough. The board stays diagonal.
  • The Prime Catch: This is when you stop the rotation with your fingers while the board is still at the peak of its arc. That’s the mark of a pro.

There’s also the Heelflip, which is notoriously more difficult on a fingerboard than a real skateboard. In real life, you use your heel. On a board the size of a candy bar, you have to flick your index finger away from your body. It feels unnatural. It feels wrong. But when it works? It’s the smoothest looking move in the game.

Grinds, Slides, and the Anatomy of the Ledge

If you aren't grinding, you're missing half the fun. This is where tricks for finger skateboards get creative. You have the 50-50, which is just both trucks on the rail. Boring? Maybe. Fundamental? Absolutely.

Then there’s the Smith Grind. This is where it gets stylish. The back truck is on the ledge, but the front truck is dipped down and away. It requires a specific kind of pressure from your index finger to keep the nose pointed down without falling off the rail entirely.

The Under-Appreciated Slappy

You don't always have to pop. "Slappy" grinds involve smashing the trucks onto a curb or ledge without a formal ollie. It sounds easy, but it requires a specific angle of approach. In the fingerboard community, especially with the rise of "realistic" street skating styles, slappies have become a badge of honor. They show you understand the flow of the "spot" rather than just throwing a triple-kickflip-to-nothing.

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Why Your Setup Actually Matters (But Not Why You Think)

You’ll see professional fingerboards from brands like FlatFace or Mike Schneider’s Joycult wheels that cost over $100. Beginners often think this is a scam.

It’s not.

A cheap plastic board from a grocery store has "dead" pop. The bushings (the little rubber bits in the trucks) are usually hard plastic, meaning the board doesn't lean or turn. Imagine trying to drive a car where the steering wheel only moves in 45-degree chunks.

A "pro" setup uses:

  1. 7-Ply Maple Decks: These give a "thip" sound when they hit the table that plastic just can't replicate.
  2. Urethane Wheels: These actually grip the surface. If you’re skating on a glass table, plastic wheels will slide everywhere. Urethane squeaks. It feels like a real skate wheel.
  3. Tuned Bushings: These allow you to "carve." This is crucial for landing tricks at an angle and rolling away clean.

However, a $150 board won't give you skill. It only removes the limitations of the hardware. You still have to put in the hours.

Advanced Transitions and "Flow"

Eventually, you’ll move past single tricks. You start looking at "lines." A line is a sequence. Kickflip into a boardslide, shove-it out, manual across the desk, and a drop-off.

The most difficult thing to master isn't the flip; it's the "revert." This is when you land a trick in "switch" or "fakie" and rotate the board 180 degrees immediately upon landing. It requires a delicate touch. If you press too hard, the board stops. Too light, and it flies away.

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The "Switch" Struggle

Switch is when you perform tricks using your "non-dominant" finger positions. If you usually pop with your middle finger, try popping with your index. It feels like learning to write with your left hand. It’s humbling. But if you want to be respected in the scene, you can't just be a one-trick pony. You have to be "ambidextrous" with your fingers.

Misconceptions About Fingerboard Culture

People think it’s just for kids who can't skate.

Actually, the demographic has shifted heavily toward adults. We’re talking engineers, designers, and professional skaters who use it as a way to "fidget" or visualize tricks. The World Cup of fingerboarding—Fast Fingers—takes place in Germany and draws huge crowds. It’s a serious subculture with its own "video part" etiquette.

If you film a video, don't use "slow motion" to hide a bad landing. The community will notice. They call it "moon gravity." It’s better to land a simple trick perfectly than a complex one with "extreme" slow-mo and shaky hands.

Actionable Steps to Improve Your Skills

If you're serious about getting better, stop mindlessly flicking the board while watching YouTube. You need intentional practice.

  • The Soft Surface Method: Practice your flips onto a bed or a couch cushion. Because the surface is soft, the board won't bounce away as much. This lets you focus entirely on the finger flick rather than the "catch."
  • The Tape Trick: If your fingers keep sliding off the board, check your grip tape. Most pro boards use "foam tape" (like RipTape). If it’s dirty, it loses its grip. Use a piece of Scotch tape to "dab" the foam and pull off the dust and skin cells. You’ll be shocked at how much better it feels.
  • Low and Slow: Try to keep your ollies as low as possible. Anyone can huck a board three feet in the air with a giant arm movement. The real skill is popping a 1-inch ollie onto a small book with zero wasted motion.
  • Film Yourself: Set your phone up in slow-mo and watch your fingers. Are you "clawing" the board? Are your other fingers getting in the way? Usually, the "pinky and ring finger" are the culprits—they tend to curl in and hit the board. Keep them tucked back or relaxed.

Fingerboarding is a game of millimeters. You’re training tiny muscles in your hand that aren't used to this kind of precision. Take breaks. Hand cramps are real, and "fingerboarder's elbow" (a weirdly specific tendonitis) is a joke until it happens to you. Keep the movements fluid, focus on the "pop-and-slide," and eventually, the board will feel like an extension of your hand.

Start by mastering the stationary ollie until you can do it ten times in a row without thinking. Then, and only then, move to the kickflip. Consistency is the only thing that separates a "toy" user from a fingerboarder.