Let’s be real for a second. If you’re looking for bands similar to Falling in Reverse, you probably aren't just looking for "another metalcore band." You’re looking for that specific, chaotic cocktail of Ronnie Radke’s ego, trap-metal beats, post-hardcore nostalgia, and those occasional "wait, is he rapping right now?" moments.
It’s a weird niche. Honestly, most Spotify algorithms fail at this because they just throw you into a generic 2010s Warped Tour playlist. But the DNA of Falling in Reverse has mutated so much from The Drug in Me Is You to Popular Monster that "similar" depends entirely on which era you’re obsessed with.
The Post-Hardcore Identity Crisis
To find anything remotely close to Ronnie’s songwriting, you have to look at the bands that also refused to stay in their lane. Escape the Fate is the obvious starting point, specifically the Dying Is Your Latest Fashion era. It’s the literal origin story. Since Ronnie left, the band has gone through a dozen iterations, but if you want that snarky, high-energy guitar work, their early stuff—and even parts of the self-titled record with Craig Mabbitt—hits that same nerve.
But maybe you’re into the newer, darker stuff.
Take I Prevail. They’ve mastered the art of the "hybrid" song. They don't just have a singer and a screamer; they have a blueprint that blends electronic textures with arena-rock choruses. Their album Trauma was a massive turning point. Much like Falling in Reverse, they took a lot of heat from purists for incorporating "poppy" elements, but the streaming numbers don't lie. They’re heavy when they need to be and catchy enough to get stuck in your head for three days.
Then there’s Bring Me The Horizon.
They are the kings of the genre-shift. If Falling in Reverse is the American version of "we do whatever we want," BMTH is the British equivalent. They started in deathcore and ended up doing collaborations with Ed Sheeran and Grimes. If you love the polished, cinematic production of Voices in My Head or Zombified, then POST HUMAN: SURVIVAL HORROR is mandatory listening. It’s aggressive, it’s digital, and it’s unapologetically modern.
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Why the "Rap-Rock" Label is Often a Trap
Everyone points to the rapping. Ronnie Radke likes to rap. We get it. But most "rap-rock" is just bad Nu-Metal.
What Falling in Reverse does is different because it feels like a genuine collision of modern SoundCloud rap aesthetics and modern metal production. From Ashes to New handles this balance better than almost anyone else in the scene right now. They don't feel like a Linkin Park cover band; they feel like a group that grew up on both Dr. Dre and Pantera. Songs like Panic have that bounce that fits perfectly on a playlist next to Watch the World Burn.
You’ve also got Hollywood Undead.
They’ve been doing the mask thing and the rap-rock thing forever. They're a bit more "party-centric" than Falling in Reverse, but the attitude is the same. It's that "us against the world" mentality. If you’re looking for that specific blend of bravado and heavy riffs, they’re basically the cousins of the FIR sound.
The Weird and the Wonderful: Emerging Sounds
- Bad Omens: They are currently the darlings of the scene. While Noah Sebastian isn't rapping about his haters, the production on THE DEATH OF PEACE OF MIND shares that ultra-slick, industrial-pop-metal sheen that defines recent FIR tracks.
- Motionless In White: Chris Motionless shares Ronnie’s flair for the dramatic. They lean more into the Gothic/Industrial side of things, but the theatricality is a direct match. If you like the "music video as a short film" vibe, this is your next stop.
- Zero 9:36: This is a bit of a wildcard. He’s technically a solo artist, but his live show is a full rock band. He’s a rapper who screams. Or a screamer who raps. Either way, the grit in his voice on tracks like The End or Adrenaline bridges the gap between hip-hop and hard rock in a way that feels authentic, not forced.
The "Ego" Factor and Theatricality
Let’s talk about the elephant in the room. Part of why people love (or hate) Falling in Reverse is the personality. Ronnie is a lightning rod. Finding bands similar to Falling in Reverse often means finding frontmen who aren't afraid to be the "villain."
Ice Nine Kills fits this perfectly.
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Spencer Charnas is a master of branding. Every song is a horror movie. Every music video is a production. While the music is more technical and leans heavily into "theatricore," the dedication to a concept is identical. They aren't just releasing songs; they are building a "cinematic universe." That’s the same energy Ronnie puts into his "Trilogy" of videos.
Palaye Royale is another one.
Musically? They’re more art-rock and Brit-pop influenced. But the vibe? Total chaos. They have that same cult-like following and a frontman who lives and breathes the aesthetic. If you’re bored of bands that look like they just rolled out of a Guitar Center, Palaye Royale provides that visual stimulation that Falling in Reverse fans usually crave.
Why It’s Hard to Match the "Ronnie Sound"
The reality is that Falling in Reverse is a Frankenstein’s monster of genres. You can find a band that sounds like the guitars, or a band that sounds like the vocals, but finding both is rare.
Ice Nine Kills has the theatrics.
I Prevail has the radio-ready heaviness.
From Ashes to New has the rap-rock flow.
Bad Omens has the futuristic production.
If you’re building a playlist, don't just stick to the "Fans Also Like" section on Spotify. That section is usually just a graveyard of bands that happened to play the same festival in 2014. Look for the bands that are currently pushing buttons. Look for the artists who are getting criticized for "not being metal enough." Those are usually the ones doing something interesting.
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Deep Cuts for the Die-Hards
If you’ve already rinsed the big names, check out Magnolia Park. They’re younger and lean more toward pop-punk, but they experiment with trap beats and heavy breakdowns in a way that feels very "next generation." They represent the shift in the scene where boundaries don't really exist anymore.
Another one is Kim Dracula. If you think Alone or Ronald was "too much," Kim Dracula will either be your new favorite or give you a headache. It's chaotic, genre-fluid, and completely insane. It shares that "I'm going to do whatever I want and you can't stop me" DNA that Ronnie has built his entire career on.
Summary of What to Listen to Next
- For the heavy/electronic mix: Trauma by I Prevail or POST HUMAN: SURVIVAL HORROR by Bring Me The Horizon.
- For the rap-metal crossover: Panic by From Ashes to New or //FTW by Zero 9:36.
- For the theatrical "villain" energy: The Silver Scream by Ice Nine Kills.
- For the nostalgic post-hardcore fix: Dying Is Your Latest Fashion by Escape the Fate.
Actionable Next Steps
To truly find your next favorite band in this vein, stop looking at "metal" playlists. Start looking at "Alternative" or "Rock" playlists that feature cross-genre collaborations.
Go to YouTube and look up the directors of Falling in Reverse's recent music videos (like Jensen Noen). Check out other bands they’ve worked with. Often, the visual aesthetic of a band is the best indicator of whether they share that FIR "vibe." Also, pay attention to the producers. Many of the bands mentioned above share the same handful of producers who specialize in that massive, polished, "wall of sound" style.
The scene is changing fast. Genres are dead. That’s exactly how Ronnie Radke likes it, and it’s how the best similar bands are operating today.