Finding Abraham: What Most People Get Wrong About Photographs of Lincoln at Gettysburg

Finding Abraham: What Most People Get Wrong About Photographs of Lincoln at Gettysburg

You probably think you know what Abraham Lincoln looked like on November 19, 1863. Most of us imagine him standing tall on a wooden platform, arm outstretched, delivering the "Gettysburg Address" while a crowd of thousands hangs on every word. It's a powerful image. It is also, for the most part, a total fabrication of our collective imagination. The real photographs of Lincoln at Gettysburg tell a much more human—and honestly, kind of frustrating—story.

Photography in the 1860s was a clunky, slow-motion nightmare. You couldn't just whip out a smartphone and snap a candid of the President mid-sentence. You had to prep glass plates with chemicals, deal with long exposure times, and pray that nobody moved. Because of those technical hurdles, we don't have a single clear photo of Lincoln actually speaking. Not one. Instead, what we have are a few blurry, distant shots where he’s basically just a hat in a crowd.

It’s wild to think about. This was arguably the most important speech in American history, and the photographers there almost entirely missed it.

The "Lost" Lincoln: Why We Have So Few Photos

For nearly a century, people thought there was only one photo of Lincoln at the cemetery dedication. Just one. It was a wide shot taken by David Bachrach (the father of the famous portrait photographer Louis Fabian Bachrach). In that image, Lincoln is a tiny, hatless speck in a sea of people. He had already finished his speech and sat down.

Think about that for a second. The speech was only about two minutes long. By the time the photographers adjusted their lenses and pulled the slides, the "Gettysburg Address" was over. Lincoln was back in his seat, probably checking his pockets or adjusting his coat.

But then, things got interesting in the 1950s. Josephine Cobb, an archivist at the National Archives, was looking at a glass plate negative taken by Mathew Brady’s team. She spotted a tiny figure in the middle of the crowd. She blew it up—using 1950s tech, mind you—and there he was. It was Lincoln. He’s sitting down, looking a bit somber, surrounded by a swarm of top hats and dignitaries.

He isn't the focal point. He’s just a guy in the crowd.

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The Mystery of the Second Position

There’s another photo, often attributed to Alexander Gardner, that shows the procession moving through the town of Gettysburg toward the cemetery. Finding Lincoln in this one is like a high-stakes game of Where’s Waldo? but with more 19th-century facial hair.

You can see him on horseback. He’s tall, obviously, but he’s slumped a bit. This matches historical accounts that Lincoln wasn't feeling great that day. In fact, he was likely in the early stages of variola, a mild form of smallpox. He was pale, he was sweating, and he had a massive headache. When you look at these photographs of Lincoln at Gettysburg with that context, the "slump" makes total sense. He was exhausted.

The Man Who Found the "Third" Lincoln

Fast forward to 2007. An amateur historian and facial recognition hobbyist named Christopher Oakley started obsessing over a different stereograph. He spent hundreds of hours looking at high-resolution scans of the crowd.

Oakley argued that the person previously identified as Lincoln in one of the Gardner photos was actually someone else entirely—likely a local official. He pointed to a different figure, slightly to the left, with a distinct beard and the "crow's feet" wrinkles Lincoln was known for.

This sparked a massive debate among Civil War nerds.

Some experts at the Center for Civil War Photography were skeptical. Others were convinced. It highlights a weird truth about historical photography: we see what we want to see. We want to see the heroic figure of the Great Emancipator, but the camera often caught a tired, sick man who was just trying to get through a long afternoon.

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Why the quality is so bad

  • Distance: The photographers were set up far from the speaker's platform to capture the "magnitude" of the crowd.
  • The Crowd: There were roughly 15,000 to 20,000 people there. It was a mess.
  • The Speech Length: Seriously, 272 words. That's it. It’s shorter than this section of the article.
  • The Weather: It was a hazy, humid day, which isn't great for wet-plate photography.

What These Photos Reveal About 1863

Honestly, the most striking thing about these images isn't Lincoln himself. It’s the atmosphere. You see the sheer number of horses. You see the mud. You see the unfinished state of the cemetery. This wasn't a polished, pristine monument yet. It was a fresh battlefield.

When you look at the Bachrach photo—the one where Lincoln is sitting down—you see his bodyguard, Ward Hill Lamon, nearby. You see the governors of various states. It feels crowded and claustrophobic. It reminds you that this wasn't a "performance." It was a funeral.

Lincoln knew that. He didn't go there to be a superstar. He went there to help a grieving nation find a reason to keep fighting. The fact that he’s so hard to find in the photos actually feels appropriate. At that moment, the "cause" was bigger than the man.

Misconceptions That Just Won't Die

People always ask, "Why isn't there a photo of him actually saying 'Four score and seven years ago'?"

The answer is basically "human error." The photographers expected Edward Everett, the main orator of the day, to be the star. Everett spoke for two hours. Two hours. The photographers had plenty of time to get their shots of him. They assumed the President would give a similarly long-winded address.

When Lincoln stepped up, spoke for 120 seconds, and sat back down, the guys behind the cameras were probably still swapping out their plates. They missed the most famous speech in American history because they weren't fast enough.

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It’s the 19th-century equivalent of your phone battery dying right as the concert starts.

How to View These Photos Today

If you want to see these for yourself, don't just look at the low-res versions on Google Images. The Library of Congress has high-resolution TIFF files that are staggering in their detail.

When you zoom in—way in—on the Bachrach photo, you can see the texture of the wool coats. You can see the weary expressions on the faces of the soldiers. It’s the closest thing we have to a time machine.

Actionable Steps for History Buffs

If you're fascinated by the hunt for the "real" Lincoln at Gettysburg, here is how you can actually engage with this history:

  1. Visit the Library of Congress Digital Collections: Search for "Gettysburg cemetery dedication" and download the largest file sizes available. Use a large monitor to scan the crowds yourself. It’s a surreal experience.
  2. Read "The Case of the Missing Lincoln": Look up the work of Christopher Oakley and the counter-arguments from the Center for Civil War Photography. It’s a masterclass in how historical "facts" are often just very well-supported theories.
  3. Check out the "Hidden" Figures: Look for the photo of the "Coffin of the Unknown Soldier" taken that day. It provides a sobering contrast to the political figures in the other shots.
  4. Understand the Technology: Look up "wet-plate collodion process." Once you realize how hard it was to take these photos, you'll stop being annoyed that they're blurry and start being amazed that they exist at all.

The photographs of Lincoln at Gettysburg remind us that history is messy. It’s not a series of perfect portraits; it’s a collection of grainy, distant, and sometimes accidental moments. Lincoln wasn't posing for us. He was just a man, doing a job, on a very sad piece of land in Pennsylvania. And maybe that's why these photos are more valuable than a perfect portrait ever could be.


Key Resources for Further Verification:

  • Library of Congress, Prints and Photographs Division.
  • "Lincoln at Gettysburg: The Words that Remade America" by Garry Wills (for context on the speech vs. the event).
  • The Center for Civil War Photography (for detailed analysis of the Bachrach and Gardner plates).