You know that feeling when the first few notes of a song hit and your posture just... changes? That’s what happens when you hear that soaring brass section. We are talking about the quintessential anthem of transformation. When you search for it's a new day it's a new life michael buble, you aren't just looking for a tracklist. You're looking for that specific brand of "I've got this" energy that only a Canadian crooner with a 1950s soul can deliver.
It is honestly wild how a song written in 1964 for a musical about the British class system became the definitive theme for modern self-improvement.
Most people don't realize that Michael Bublé didn't write "Feeling Good." He just kind of... owned it. He took a song that had been touched by giants like Nina Simone and Muse, and he turned it into a cinematic explosion of confidence. It’s the sound of a fresh start. It is the sound of a Saturday morning where you actually woke up early and didn't feel like garbage.
The Origin Story of a Legend
Let’s get the history straight because most people get this wrong. The lyrics—the whole "birds flying high" and "sun in the sky" bit—actually come from a 1964 musical called The Roar of the Greasepaint – The Smell of the Crowd. It was written by Anthony Newley and Leslie Bricusse. Cy Grant sang it first, but Nina Simone made it immortal in 1965.
So, where does Michael Bublé fit in?
In 2005, he released his album It's Time. At that point, Bublé was already popular, but he was still fighting the "wedding singer" label some critics tried to slap on him. He needed something big. Something heavy. He needed a track that proved he could handle a big band arrangement without getting drowned out by the trombones.
He didn't just cover it. He weaponized it.
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The production on the Bublé version is massive. It starts with that isolated vocal—quiet, intimate, almost a whisper—and then the drums kick in with a swagger that feels like a punch to the gut. It’s theatrical. It’s dramatic. It is exactly what people mean when they say it's a new day it's a new life michael buble. They are talking about that specific transition from the quiet verse to the roaring chorus.
Why This Specific Version Stuck
Why does this version dominate the radio and TikTok edits instead of the Nina Simone original? It’s not that it’s "better"—Nina's version is hauntological and deeply rooted in the Civil Rights era—but Bublé’s version is purely aspirational. It sounds like success.
If you’re walking down the street with headphones on and this track starts, you aren't just a person going to the grocery store. You’re the protagonist of a high-budget heist movie. You’re the CEO who just closed the deal. It’s high-octane optimism.
The vocal performance is surprisingly technical, too. Bublé does this thing where he stays slightly behind the beat, a classic jazz move that creates tension. Then, when the "new life" line hits, he opens up his chest voice. It’s a masterclass in dynamics. Honestly, his breath control on the long, sustained notes at the end is something most pop singers today couldn't touch without a dozen digital edits.
The Cultural Impact of a Single Phrase
"It’s a new day, it’s a new life."
It is such a simple set of words. But in the context of the mid-2000s, and even now in the mid-2020s, it serves as a mantra. We live in a world that feels increasingly heavy. People use this song for:
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- Fitness transformations: Look at any "Day 1 vs Day 365" video. There's a 40% chance this song is playing.
- Morning routines: It is the ultimate "get out of bed" track.
- Corporate events: Nothing says "we had a mediocre Q3 but Q4 is going to be great" like walking on stage to this brass riff.
The phrase has transcended the song. It’s become a shorthand for resilience. When Bublé sings it, he isn't just stating a fact about the sunrise. He’s making a promise. That’s the "it" factor. It’s the belief that the past can be shed like a skin.
Dealing with the Critics
Not everyone loves it. Let’s be real. Some jazz purists think Bublé is too polished. They’ll tell you that he lacks the grit of the 1960s versions. They might say it’s "karaoke on steroids."
But they’re missing the point.
Music doesn't always have to be gritty to be meaningful. Sometimes, you need the polish. You need the big, shiny, expensive-sounding horn section to lift you out of a funk. The song’s longevity proves that the "polished" approach resonates with millions of people who just want to feel like they’re winning for three minutes and forty-six seconds.
Behind the Scenes: The 2005 Sessions
When Bublé went into the studio for It's Time, he was working with David Foster. If you know anything about music production, you know Foster is the king of the "big sound." He’s the guy behind Celine Dion and Josh Groban.
Foster and Bublé understood that "Feeling Good" couldn't be a quiet jazz club song. It had to be an arena song. They recorded it with a full orchestra, and you can hear the room. You can hear the air moving. That’s why it feels so much more "alive" than the synthesized covers that came later.
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How to Actually Listen to It
If you’re listening to this on tiny phone speakers, you’re doing it wrong. Truly.
To get the full it's a new day it's a new life michael buble experience, you need bass. You need to hear the way the upright bass locks in with the kick drum. That’s where the swagger lives. The song is built on a descending chromatic scale—a musical trick that creates a sense of inevitable momentum. It feels like a train picking up speed.
Listen for the "smell of the pine" line. Bublé hits a specific timbre there that is just pure silk. Then, compare that to the growl he uses during the finale. It’s that range—not just of pitch, but of emotion—that makes it a staple.
Practical Takeaways for Your Playlist
If you are building a "Reset" or "Power" playlist, this track is your anchor. But don't just bury it in the middle.
- Placement is everything. Put this as the very first song you hear when you start a task you’re dreading. The psychological shift is real.
- Pair it with the right vibe. It goes well with "Valerie" (Mark Ronson/Amy Winehouse version) or "Coming Home" by Leon Bridges. You want songs with real instruments and high energy.
- Use it for the "Micro-Reset." If you've had a bad morning, literally sit in your car, turn this up, and breathe through the intro. By the time the horns hit, your brain will have triggered a dopamine response associated with the song's triumphant structure.
The reality is that it's a new day it's a new life michael buble is more than a cover. It is a cultural reset button. It’s the musical equivalent of a cold glass of water or a clean desk. It reminds us that regardless of how yesterday went, the sun is up, the birds are flying, and you have another shot at getting it right.
To get the most out of this track, stop treating it as background noise. Crank the volume during the bridge, let the brass section vibrate in your chest, and actually lean into the theatrics of it. Sometimes, "faking it until you make it" starts with the right soundtrack.
Actionable Next Steps
- Audit your "Morning" playlist: Remove any songs with a BPM lower than 110 or lyrics that dwell on the past. Replace them with high-dynamic tracks like "Feeling Good" to prime your nervous system for action.
- Check out the live versions: Watch Bublé’s 2010 "Madison Square Garden" performance of this song. It shows a completely different side of the arrangement—heavier on the improvisation and even more explosive than the studio recording.
- Explore the "Feeling Good" lineage: Listen to Nina Simone’s 1965 version back-to-back with Bublé’s. Notice the difference between "soul" and "swing." It’ll give you a deeper appreciation for the technical choices Bublé made to make the song his own.