You're sitting in your room, guitar in hand, trying to find the right vibe for a worship session. You want something powerful but not too flashy. That’s usually when people start looking for the dios es mas grande acordes. It’s one of those songs that feels huge when a full band plays it, but honestly? It’s surprisingly simple to pull off on a single acoustic guitar if you know which chord voicings actually matter.
Music shouldn't be a headache.
Most people overthink it. They see a lead sheet and panic because the transitions feel a bit fast, or they can't quite get that specific "hillsong-style" ring. But here’s the thing: the heart of "Dios es Más Grande" (the Spanish version of "Our God" by Chris Tomlin) is built on a very standard progression. If you can play in the key of G or Bm, you’re already halfway there.
The Core Structure of Dios es Mas Grande Acordes
Let's talk keys. Most worship leaders stick to the original key of G Major or B Minor. Why? Because it sits perfectly for most male vocalists and allows for those beautiful open strings that make acoustic guitars sound like they have more "air."
The main progression for the verse is basically a walk-down. You’re looking at $Bm - G - D - A$. It’s the "magic four" chords of the last twenty years of pop-rock and worship music. If you’ve ever played "Amazing Grace (My Chains Are Gone)" or "How Great Is Our God," your fingers already know these shapes.
But wait.
If you just strum a standard G major or a barre Bm, it might sound a bit "stiff." To get that authentic sound, you want to use the "worship G" (keeping your ring and pinky on the third fret of the top two strings). It creates a drone effect. When you move to the D and the A, try to keep those fingers planted. It bridges the gap between the chords and makes the dios es mas grande acordes flow like a single movement rather than four separate jumps.
Breaking Down the Verse
The verse is where the story starts. It’s quiet. You want to keep the strumming light, maybe even just single downstrokes on the ones.
- B Minor (Bm): The "Water You turned into wine" moment. It’s moody.
- G Major: The opening.
- D Major: The resolution.
- A Major: The tension that leads you back.
I’ve seen beginners struggle with the Bm barre chord. If that’s you, don’t sweat it. You can play a Bm7 by just using two fingers and leaving the bottom E string out of it. It sounds "dreamier" anyway. Most professional session players in Nashville actually prefer those open voicings over the standard barre chords because they don't muddy up the mix when the bass player kicks in.
💡 You might also like: Why This Is How We Roll FGL Is Still The Song That Defines Modern Country
Why the Chorus Hits Different
The chorus is where the energy shifts. This is the part everyone waits for. The progression changes slightly to give it that "lift." Usually, it goes $Bm - G - D - A$. Wait, is that the same? Almost. The rhythm is what changes.
In the chorus of dios es mas grande acordes, you aren't just playing chords anymore; you’re driving the bus. You need a driving 8th-note strumming pattern. Down-down-up-down-up. It needs to feel insistent.
There's a subtle nuance in the Spanish translation that sometimes messes up the timing for English-native speakers. The phrasing of "Dios es más grande" takes up a bit more "syllable space" than "Our God is greater." If you’re leading this in a bilingual setting, watch your breath. If you rush the A chord, the whole transition back to the Bm feels jerky.
The Bridge: "And if our God is for us..."
This is the peak. "Y si Dios es con nosotros..."
The bridge uses the same set of chords but stays on them longer. It’s a build-up. You start soft—maybe even palm muting the strings—and gradually open up. By the time you get to the third "Who can stop us?" you should be hitting those strings with everything you've got.
If you're playing solo, try using "Power Chords" (root and fifth) for the first half of the bridge. It gives you room to grow. If you start with full, open chords, you have nowhere to go when the song reaches its climax. Dynamics are your best friend here. A song that is loud the whole time isn't powerful; it's just noisy.
Common Mistakes When Playing These Acordes
People often miss the "pull" of the A chord. In the key of G, that A is often played as an Asus4 or an A7sus. It creates a "wanting" sound that resolves perfectly back to the Bm.
Also, watch your tempo.
📖 Related: The Real Story Behind I Can Do Bad All by Myself: From Stage to Screen
This song is a mid-tempo anthem. It’s roughly 72-76 BPM. If you play it too fast, it loses the "weight" of the lyrics. If you play it too slow, it turns into a funeral dirge. Use a metronome. Seriously. Even the pros use them in their in-ears.
Another big one: the transition between the G and the D. If you’re using the "four-finger G," your ring finger is already on the third fret of the B string. Keep it there! That’s the "D" note. When you move to the D chord, you just pivot. It makes the dios es mas grande acordes sound much more professional and "connected."
Transposing for Different Voices
Let's be real. Not every worship leader is Chris Tomlin. The man has a high range.
If you find that the Bm is too high for your voice, try using a capo.
- Capo 2: Play in G shapes, you’re now in the key of A.
- Capo 5: Play in G shapes, you’re in the key of C.
If you’re a female vocalist, the key of D or E is often much more comfortable. To play in E using "easy" chords, put your capo on the 4th fret and use C major shapes. It sounds bright, sparkling, and perfectly suited for a lighter vocal tone.
The beauty of the dios es mas grande acordes is their versatility. You can strip them down to just a piano or beef them up with three electric guitars and a synth pad. The song holds up because the melodic structure is solid.
Beyond the Basic Chords: Tips for Lead Players
If you aren't just strumming and you want to add some lead lines, focus on the D major scale. Specifically, look for the "triads" on the top three strings.
During the intro, there’s that iconic "plinking" sound. It’s a simple repeat of notes—mostly D, C#, and B. You don't need to be Eddie Van Halen. You just need to be steady. Use a bit of delay (dotted eighth note is the industry standard for this genre) and a light overdrive.
👉 See also: Love Island UK Who Is Still Together: The Reality of Romance After the Villa
If you're the only guitarist, don't try to play the lead and the rhythm at the same time unless you’re really comfortable with hybrid picking. It’s better to have a solid, thick rhythm than a sloppy lead line that drops the bottom out of the song.
Gear and Tone
You don't need a $3,000 Strymon BigSky to make these chords sound good, though it doesn't hurt.
- Acoustic: Use relatively fresh strings. Dead strings make the G and D chords sound muddy.
- Electric: Stay on the bridge pickup for the bridge of the song to cut through, but maybe flip to the neck pickup for the verses to give it some warmth.
- Bass: Just stay on the roots. $B - G - D - A$. Don't get fancy. The song needs a foundation, not a solo.
Practical Steps to Master the Song
Don't just read about it. Grab your instrument.
First, pull up a recording of the Spanish version. Listen to the "kick" of the drum. That’s your rhythmic guide.
Start by looping the verse: $Bm - G - D - A$. Do it for five minutes straight until you don't have to look at your left hand. Then, do the same for the chorus. The bridge is the easy part, but practice the "build." Start at a volume of 2 and work your way up to a 10.
If you’re struggling with the Bm chord, focus on the pressure of your thumb on the back of the neck. It’s about leverage, not strength.
Lastly, remember the "why." This isn't a recital. It’s a worship song. The dios es mas grande acordes are just tools to help people connect. If you hit a wrong note, keep going. No one cares about a flat 7th if the heart is right.
Summary of Actionable Steps
- Verify your key: Check if G (original) works for your voice or if you need a capo.
- Simplify the Bm: Use a Bm7 (x20230) if the barre chord is slowing down your transitions.
- Keep the anchor: Keep your ring finger on the 3rd fret of the B string when switching between G, D, and Asus.
- Master the build: Practice going from a light palm mute to a full open strum during the bridge section.
- Record yourself: Use your phone to record a quick take. You’ll immediately hear if your rhythm is dragging or if your chords are buzzing.
Mastering these chords isn't just about finger placement; it's about understanding the flow of the song. Once you have the muscle memory down, you can stop thinking about the frets and start focusing on the music itself. Whether you’re playing in a small living room or a large sanctuary, these progressions are your roadmap to a powerful performance.