Charlotte Le Bon TV Shows: Why We Need to See More of Her on the Small Screen

Charlotte Le Bon TV Shows: Why We Need to See More of Her on the Small Screen

If you only know Charlotte Le Bon from her weather girl days on Le Grand Journal, you're honestly missing out on one of the most interesting transitions in modern French-Canadian cinema. She’s got this weirdly perfect mix of slapstick energy and high-fashion elegance that shouldn't work together, but totally does. Most people recognize her from big-budget films like The Hundred-Foot Journey or her directorial debut Falcon Lake, yet when you look specifically for tv shows with Charlotte Le Bon, the list is surprisingly curated. She isn't one of those actors who just takes every pilot that comes her way.

She's picky. That's the vibe you get.

Actually, calling her just an actress is kinda reductive. She’s an illustrator, a director, and a former model who basically used TV as a springboard to jump into much weirder, more artistic waters. But let's get into the nitty-gritty of what she’s actually done on television because, while the list isn't miles long, the quality is there.

The Canal+ Era and the Birth of a Personality

It’s impossible to talk about her television career without mentioning Le Grand Journal. This was the peak of French TV culture in the early 2010s. For the uninitiated, being the "Miss Météo" on Canal+ isn't just about reading temperatures. It’s a comedy audition. It’s a daily sketch show where you have three minutes to be the funniest person in France before they cut to a commercial.

Le Bon was electric here. She followed in the footsteps of Louise Bourgoin, but she brought this manic, Quebecois energy that felt fresh. She wasn't afraid to look stupid. She’d wear ridiculous costumes, do bizarre accents, and lean into the physical comedy that most "weather girls" would find beneath them. This wasn't a scripted drama series, sure, but it was the most important tv show with Charlotte Le Bon because it proved she could hold an audience's attention with nothing but a green screen and a wig.

It was high-pressure. Every night. Live. You learn a lot about timing in that environment.

📖 Related: Big Brother 27 Morgan: What Really Happened Behind the Scenes

From Comedy Skits to Serious Roles

After she conquered the talk show world, people expected her to just do sitcoms. She didn't. Instead, she started popping up in projects that felt a bit more deliberate. One of the more notable entries in the world of tv shows with Charlotte Le Bon is Hubert and Fanny. Now, if you aren't plugged into the world of Radio-Canada or Quebecois television, this one might have slipped under your radar.

In Hubert and Fanny, she plays a lead role that allows her to be something other than the "funny girl." The show is a classic "star-crossed lovers" setup—Hubert is a tattoo artist, Fanny is a social worker in a stable relationship. It’s a drama. It’s sentimental. But Le Bon gives Fanny a groundedness that saves the show from becoming too melodramatic. You see the internal conflict. You see the hesitation. It’s a far cry from the high-energy sketches of her early 20s.

The Netflix Connection: On the Verge

Then there's On the Verge. This was a big deal because it was a collaboration between Canal+ and Netflix, created by Julie Delpy. If you like Delpy’s "Before Sunrise" energy—lots of talking, lots of neuroses, lots of Los Angeles existential dread—this is your show.

Charlotte Le Bon plays a character named Justina. The show follows four women in their late 40s and early 50s navigating life in LA. Even though she isn't the primary lead, her presence adds a specific layer of French-abroad reality to the ensemble. It’s a very specific kind of comedy. It’s dry. It’s awkward. It’s the kind of show where the humor comes from the fact that everyone is slightly miserable but trying really hard not to be.

Why Her TV Resume is So Short

You might be wondering why there aren't twenty different tv shows with Charlotte Le Bon on IMDb. The answer is pretty simple: she’s busy being a polymath.

👉 See also: The Lil Wayne Tracklist for Tha Carter 3: What Most People Get Wrong

Honestly, she seems more interested in the "behind the camera" life these days. Her 2022 film Falcon Lake was a critical darling at Cannes. When an actor starts directing at that level, television roles usually take a backseat unless the project is something truly special. She’s also a prolific artist. If you follow her on social media, you’ll see her illustrations more often than you’ll see her on a red carpet.

There's also the "Mid-Atlantic" factor. She works in French. She works in English. This usually means she’s hopping between Montreal, Paris, and Los Angeles. That kind of lifestyle is great for movies, which take three months to shoot, but it's a nightmare for a long-running TV series that wants you on set for nine months a year in a single city.

The "Cheyenne & Lola" Factor

If you want to see her in something with a bit more grit, check out Cheyenne & Lola. Technically, this is a French series (Ouroboros/Orange Studio), but it has found its way to various streaming platforms globally.

It’s a "Thelma & Louise" type of vibe but darker and more modern. Le Bon plays Lola, a woman who is essentially a grifter, a blonde bombshell who is much smarter and more dangerous than she looks. She gets entangled with Cheyenne, an ex-con who cleans houses. It’s a crime thriller. It’s stylish. It’s probably the best example of what she can do when she’s given a character with a dark side.

  • Lola isn't a hero. She’s manipulative.
  • The chemistry is the hook. The bond between the two leads is the only thing keeping them alive.
  • The visuals are stunning. It looks more like a 4-hour movie than a standard TV show.

Since her TV work is somewhat limited, most fans naturally gravitate toward her films to fill the gaps. You can't really understand her TV trajectory without seeing Yves Saint Laurent (2014), where she played Victoire Doutreleau. That role basically turned her into a "serious" actress in the eyes of the French establishment.

✨ Don't miss: Songs by Tyler Childers: What Most People Get Wrong

Then you have the Hollywood jump. The Walk with Joseph Gordon-Levitt and The Promise with Christian Bale. These are big, sweeping movies. But even in those, there's a sense that she’s looking for something more tactile, more indie. This is why her return to TV in shows like On the Verge feels so intentional. She isn't looking for a paycheck; she's looking for a voice.

Is she coming back to TV soon?

The rumors in the industry—especially around the 2026 production cycles—suggest she might be looking at more limited series. The "prestige TV" format (6 to 8 episodes) fits her schedule way better than a 22-episode network slog. With the success of her directing career, she’s in a position where she can probably write, direct, and star in her own series if she really wanted to.

Actionable Tips for Fans

If you're trying to track down all the tv shows with Charlotte Le Bon, here is exactly how to do it without wasting time on dead-end searches:

  1. Use a VPN for Canal+: A lot of her best early work and recent French series are locked behind the Canal+ paywall in France. If you’re in North America, you’ll likely need a VPN to access the "MyCanal" platform or find a distributor like Topic or MHz Choice that carries European dramas.
  2. Search by her French title: Sometimes her Quebec-produced work is listed under "Charlotte LeBon" (no space) or tucked away in the "French Language" sections of streaming services like Hulu or Sundance Now.
  3. Check out the shorts: She has appeared in several high-concept TV shorts and anthologies in France that don't always show up on the main "TV Show" lists on Google.
  4. Follow her art: To understand her aesthetic choices in shows like Cheyenne & Lola, look at her drawings. Her visual style as an artist often mirrors the "vibe" of the projects she chooses to act in—slightly surreal, a bit haunting, and very human.

Basically, Charlotte Le Bon is an artist who happens to act. Whether she's playing a weather girl, a tattoo artist's love interest, or a grifter on the run, there's an authenticity there that you just don't see in the "factory-line" actors coming out of the major studios today. She’s a bit of an outlier. And honestly? That’s exactly why she’s worth watching.

To see her most recent evolution, your best bet is to look for her directorial work alongside her acting credits. It provides a much clearer picture of who she is as a creator. If you haven't seen Falcon Lake yet, stop searching for her TV guest spots and go watch that first. It explains everything about her current creative direction. After that, dive into Cheyenne & Lola for a masterclass in her range as a television lead.