The energy at the Kaseya Center in Miami was honestly something else this year. You could feel it the second the lights dimmed. Everyone was there for the 37th edition of the show, but if we’re being real, a huge chunk of the chatter was centered on one person. Belinda Premio Lo Nuestro 2025 was the phrase on everyone’s lips, and for good reason. She didn’t just show up; she basically hijacked the narrative of the entire night.
After a decade of mostly doing collaborations or acting, Beli is fully back in her "Indómita" era. It’s wild to think about how long we waited for this version of her.
The Georges Hobeika Moment That Set the Internet on Fire
Before she even hit the stage, Belinda owned the "magenta carpet." She walked out in this figure-hugging, metallic Georges Hobeika gown that looked like liquid silver mixed with black shadows. It had these long sleeves and a matching choker that gave off major high-fashion-meets-glam-rock vibes. Honestly, it was a risk. In a sea of safe ball gowns, she went for something architectural and sharp.
Most people don't realize how much thought goes into these looks. It wasn't just about looking pretty; it was a statement. Her hair was in these soft, voluminous waves—very classic—but the dress was pure future. She’s always been a bit of a fashion chameleon, but this felt more deliberate. Like she was shedding the pop-princess skin for something much grittier.
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Why the "La Cuadrada" Performance Changed Everything
Let’s talk about the actual performance because that’s where things got interesting. Belinda teamed up with Tito Double P to perform "La Cuadrada." If you’ve been following her lately, you know she’s been leaning hard into the corrido coquette aesthetic. It’s this weird, brilliant blend of traditional Mexican sounds with her specific brand of pop polish.
Seeing her on stage with Tito was a trip. The audience wasn't just watching a pop star; they were watching someone reclaim their roots in a way that felt authentic. It’s a sharp pivot from the "Sapito" days, and the crowd in Miami was totally into it. The collaboration worked because it didn't feel forced. Sometimes these award show pairings feel like they were put together by a boardroom, but this had real chemistry.
- Song Performed: "La Cuadrada"
- Partner: Tito Double P
- Genre: Regional Mexican / Corridos
- Vibe: Dark, traditional, yet modern
Nominations and the "Jackpot" Snub?
Belinda was up for Pop Female Artist of the Year, a category that was absolutely stacked. We're talking about Shakira, Thalia, and Kali Uchis. It’s a tough room. She also grabbed a nod for "Jackpot," her collab with Kenia Os, in the Pop Collaboration of the Year category.
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Even though Shakira ended up being the night’s biggest winner (taking home six trophies, including Artist of the Year), Belinda’s presence felt like a victory in itself. There was a lot of talk online about whether "Jackpot" deserved more love. Fans were pretty vocal about it on X (formerly Twitter), arguing that the song defined the summer. But that’s the thing with fan-voted awards—it’s a numbers game, and Shakira’s "Las Mujeres Ya No Lloran" momentum was just an unstoppable freight train this year.
The "Uniendo Generaciones" Theme in Action
The whole theme of the night was "Uniting Generations." You saw it everywhere. You had legends like La India getting the Trayectoria award and Pepe Aguilar doing a tribute to Paquita la del Barrio. Belinda fits into this theme perfectly because she’s been in the industry since she was a kid. She’s the bridge between the old-school telenovela era and the new global streaming era.
It was kinda cool to see her interacting with the newer generation of artists like Emilia and Xavi. There’s no ego there. She seems to understand that for Latin music to keep dominating, the veterans have to embrace the new sounds. That’s exactly what she’s doing with her new album Indómita. She isn't just watching the parade; she’s leading it.
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What's Next for Belinda After the Awards?
The 2025 Premio Lo Nuestro was basically the starting gun for her world tour. If you missed the broadcast, the big takeaway is that Belinda isn't playing it safe anymore. She’s experimenting with regional Mexican music, she’s wearing avant-garde couture, and she’s collaborating with artists that push her out of her comfort zone.
If you want to keep up with what she’s doing next, here is what you should actually do:
Check out the "Cactus" music video if you haven't yet—it explains a lot of the visual cues she used during the award show. Then, go listen to the full Indómita album. It’s not just "pop"; it’s a whole mood that explains why she chose to perform with Tito Double P. Also, keep an eye on her tour dates for 2026. The production value on her Premio Lo Nuestro set suggests her solo shows are going to be massive.
The night proved that even in a year dominated by Shakira and Carín León, there is plenty of room for Belinda to keep reinventing herself. She’s not just a legacy act; she’s still very much the moment.